Separate Rooms 1940

The Greek National Opera’s 2022-23 season curated by GNO Artistic Director Giorgos Koumendakis will feature ten new opera and ballet productions, one newly commissioned opera, five revivals of past productions, music concerts, major co-productions with some of the world’s foremost opera houses, collaborations with leading conductors and more.

We are delighted to keep our readers informed about the restaurant scene in New York City.  With openings, re-openings, and the latest menu developments, there’s more opportunity to enjoy the culinary scene than ever before.  And with entertainment coming back full swing in the city, plan a great outing!

For its spring musical, Playhouse on the Square has reached several decades back and produced -- not an 'old warhorse of a musical' (sorry, Rodgers and Hammerstein) -- but a true thoroughbred, Cole Porter's sparkling, innovative (at the time) KISS ME, KATE. Just as Shakespeare himself created enduring plays by utilizing the best plots and characters of other works, so did Porter and his collaborators, Bella and Samuel Spewack -- they went right to the Bard himself, and in building their own superb entertainment around the rollicking THE TAMING OF THE SHREW, they created such a witty, enjoyable romp that would cause even the immortal Shakespeare to set aside his pen, smile, and snap his garters.

Sartre's No Exit is exactly about that: people who were once masters of their own universe now being forced to see the lives they once lived through the eyes of other people - strangers to boot - and discover that those same lives they led while alive have accompanied them into the depth of Hell. It really isn't so bad in this place that, as Cradeau Garcin makes clear towards the play's start, is meant to have devices of torture around every turn and the torturer ready and relentless in his quest to make the dead suffer. What is so ironic here, though, is that the ability to see themselves for what they really are - essentially now being on the outside looking in - makes each character less human than how he or she was when first walking through the doors of the room eternity will be spent in. Introducing humanity into the lives of people who were without it for their entire existence actually makes Cradeau, Inez and Estelle worse because of the chunk of confidence reflecting on their own lives that disappears as they do so. In a way, having eternity to ponder why each will forever be in Hell is absolutely great as juxtaposed to a lifetime of fire, torture and pain. Why is it, then, that having nothing but their own lives to think about their lives that have ended in one sense and were never really disrupted in another makes for such an exciting and thought provoking play? Honestly, people are forced to face their own humanity, and it applies to every person who goes to see this production of No Exit by the Pearl Theatre Company.

Theatre Southwest is currently producing a fascinating production of Tennessee William's thrilling and tense THE NIGHT OF THE IGUANA. The 1961 drama is set at The Costa Verde Hotel in Puerto Barrio on the West Coast of Mexico in the summer of 1940. The Reverend T. Lawrence Shannon is leading a tour group of Baptist women from Texas through Mexico, but makes an unplanned stop at the hotel, which is owned and operated by his friend, Maxine Falk. Over the course of the afternoon and evening, Shannon slowly unravels, exposing his secrets and sins. An impoverished and entirely broke New England spinster, Hannah Jelkes, and her aging grandfather, a poet losing his mind, arrive at the hotel as well. Without any money, the duo hopes to lodge at the hotel with the promise to earn some money and pay upon checkout.

Fort Worth Opera revealed today the names of the composers whose works have been selected for participation in the first season of the company's exciting, annual new works program, Frontiers, making its debut May 6 - 11, 2013. The showcase will present eight unpublished works by composers from the Americas during the last week of the 2013 Opera Festival in the McDavid Studio across from Bass Hall in downtown Fort Worth.