Lucky Stiff Revival 1997

Concord Theatricals Recordings has digitally re-released the third wave of albums from the former Fynsworth Alley theatrical recorded music catalog, including 27 titles that have not previously been available to stream or download.

TheatreWorks Silicon Valley continues its 51st season with the hit musical Ragtime. This sweeping and stirring musical masterpiece paints a portrait of America at the dawn of the twentieth century, interweaving the lives of three families—an African American family, a Jewish Immigrant family, and a wealthy white family—finding their places and pursuing the American Dream in a rapidly changing world. Featuring a Tony Award-winning book by Pulitzer Prize finalist Terrence McNally (Master Class, Kiss of the Spider Woman, The Rink) and a Tony Award-winning score by Stephen Flaherty and Lynn Ahrens (Once on This Island, Anastasia, Seussical The Musical), this musical is based on E. L. Doctorow’s best-selling novel of the same name. Ragtime will be presented June 1-26, 2022 (press opening: June 4) at the Mountain View Center for the Performing Arts. For tickets (starting at $30) and more information the public may visit TheatreWorks.org or call (877)-662-8978.

This sweeping and stirring musical masterpiece paints a portrait of America at the dawn of the twentieth century, interweaving the lives of three families—an African American family, a Jewish Immigrant family, and a wealthy white family—finding their places and pursuing the American Dream in a rapidly changing world.

TheatreWorks Silicon Valley will resume in-person performances when it launches its previously announced 51st season, featuring eight plays and musicals presented October 2021 through August 2022, kicking off with the new indie folk-rock musical Lizard Boy.

TheatreWorks Silicon Valley's Artistic Director Tim Bond and Executive Director Phil Santora announced today that the Tony Award-winning theatre will postpone the opening of its 51st mainstage season to March 2021, with eight plays presented through May 2022.

TheatreWorks Silicon Valley's Founding Artistic Director Robert Kelley, Artistic Director Designate Tim Bond, and Executive Director Phil Santora announced changes to TheatreWorks's 2020-21 Season, which is now scheduled to begin in October 2020.

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

Following a rousing October run of BLOODY, BLOODY ANDREW JACKSON, Arizona Regional Theatre (ART) has mounted Stephen Flaherty and Lynn Ahrens' LUCKY STIFF -- a two-act, 17-song whodunnit which has been a favorite of Valley venues over the years.

The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated off-brand Disney princess movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

Theatre enthusiasts packed the Mountain View Center for the Performing Arts last night to hear Founding Artistic Director Robert Kelley and Executive Director Phil Santora of TheatreWorks Silicon Valley reveal the lineup for the company's 50th season, which launches this summer. Kelley's 50th and final season as Artistic Director of TheatreWorks Silicon Valley includes triumphant returns of TheatreWorks favorites, bold premieres developed at the company's annual New Works Festival, and celebrated works from the nation's leading playwrights.

Sedos presents a new production of the award-winning musical Lucky Stiff at the Bridewell Theatre, off Fleet Street, from 18- 22 September 2018. From the creators of some of Broadway's biggest hits - Anastasia, Ragtime, Seussical and Once On This Island - comes a musical comedy about love, death, dogs and diamonds.

LUCKY STIFF is a musical farce with lyrics and libretto by Lynn Ahrens and music by Stephen Flaherty, that is notable historically for several things. To begin with, It was the first collaboration for the team whose later collaborations include Ragtime and Once On This Island. It was created and performed at Playwrights Horizons off-Broadway in 1988, and won the Richard Rodgers Award for that year. LUCKY STIFF is based on a 1983 novel The Man Who Broke the Bank at Monte Carlo by Michael Butterworth. It received a full production in London's West End in 1997 but, to date, has never had a Broadway production. In 2015, a film version was created but it has only been seen at film festivals.

L.A. Theatre Works will be west coast premiering Leigh Fondakowski's SPILL May 17 through May 20, 2018. We had the opportunity to chat with an L.A. Theatre Works' frequent collaborator, actor James Morrison on his current and past involvement with L.A. Theatre Works.

Jump For Joy! The Off-Broadway cast recording of the New York premiere production of the new musical Unexpected Joy, with book and lyrics by Bill Russell (Side Show) and music by Janet Hood (Elegies for Angels, Punks, and Raging Queens with Bill Russell), will be recorded and released by JAY Records. Produced by John Yap, the recording will feature the original cast of The York Theatre Company production who will gather at Sear Sound Studios (353 West 48th Street) on Monday, May 14, 2018 to lay down the tracks for the recording.

Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) is proud to present the Tony nominated musical VIOLET, with music by Jeanine Tesori, book and lyrics by Brian Crawley, based on the short story 'The Ugliest Pilgrim' by Doris Betts, directed by Richard Israel, produced by Thomas Chavira. Violet opens Today, May 11 at 8:00 pm, and will run through Sunday, June 17 at the Actors Co-op Crossley Theatre, 1760 N. Gower Street, 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) is proud to present the Tony nominated musical VIOLET, with music by Jeanine Tesori, book and lyrics by Brian Crawley, based on the short story 'The Ugliest Pilgrim' by Doris Betts, directed by Richard Israel, produced by Thomas Chavira. Violet opens Friday, May 11 at 8:00 pm, and will run through Sunday, June 17 at the Actors Co-op Crossley Theatre, 1760 N. Gower Street, 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

The York Theatre Company, dedicated to the development of new musicals and the preservation of musical gems from the past, as part of its acclaimed Developmental Reading Series, will present the staged reading of the new musical The Apprenticeship of Duddy Kravitz, with book and lyrics by David Spencer (The Fabulist), music Alan Menken (Little Shop of Horrors), and based on the novel by Mordecai Richler, for two performances only Monday, December 11 at 2:00 p.m. and 7:00 p.m. at The York Theatre Company at Saint Peter's (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).

GOOD MORNING, THEATERATI! This morning (which according to our watch is Friday, April 28) we come to you to pose this musical question: What have they done to poor Heather Morris on Dancing With the Stars? Seriously, what did they do? We don't watch that show but have picked up some rumblings on the mean streets of Music City that intrigue is afoot among the over-teased and body-glittered cast of the ABC Monday night juggernaut - please fill us in, theaterati. Inquiring minds want to know.

Rhapsody Magazine for United Airlines recently talked to ANASTASIA lyricist Lynn Ahrens as she prepares for the show's Broadway opening.

La Jolla Playhouse, nationally-renowned for the development of new work, announces four world-premiere productions for the 2017/2018 season, including the previously-announced Escape to Margaritaville (May/June), featuring the songs of legendary singer-songwriter-author Jimmy Buffett and an original story by co-book writers Greg Garcia ('My Name Is Earl') and Mike O'Malley ('Survivor's Remorse,' 'Shameless'), directed by La Jolla Playhouse Artistic Director Christopher Ashley (Come From Away, Memphis).

Stoneham Theatre has a lively hit on its hands with the Lynn Ahrens/Stephen Flaherty 1980s musical murder mystery farce, LUCKY STIFF. The rom-com romp stars young company alum Andrew Barbato, with direction by Caitlin Lowans, choreography by Ilyse Robbins, and music direction by Bethany Aiken. It's a madcap journey to Monte Carlo with a rich, dead uncle, mistaken identity, slamming doors, romance, and great songs.

The Public Theater kicks off the 2016-17 season this month with a free Public Works musical adaptation of TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, with music and lyrics by Shaina Taub.

The Public Theater will kick off the 2016-17 season in September with a free Public Works musical adaptation of TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, with music and lyrics by Shaina Taub. Directed by Kwame Kwei-Armah, TWELFTH NIGHT will once again feature over 200 actors and community members alongside five equity actors, including this year Nikki M. James as Viola and Jose Llana as Orsino.

Robert Cuccioli and Glory Crampton will reunite at a special gathering for the official release of the new cast recording of the York Theatre Company production of Jerry Bock, Sheldon Harnick, and Sherman Yellen's musical Rothschild & Sons on Monday, July 25 at 6:00pm at The York Theatre Company at Saint Peter's (entrance on East 54th Street, just east of Lexington Avenue).

The Drama League has announced the 11 stage directors who have been selected as the 2016 Directing Fellows of The Drama League Directors Project: Noa Egozi, Drew Feldman, Sara Holdren, Candis Jones, Yavor Kostov, Katie Lupica, James Palmer, Jesca Prudencio, Ilana Ransom Toeplitz, Chloe Treat, Shaun Patrick Tubbs. More information can be found at www.dramaleague.org