The Contrast 1972 - Articles Page 2

Hudson Hall celebrates the Merce Cunningham Centennial with a 6-week program of dance, music, film, and photography to showcase the work of an iconic artist and the enduring power of his living legacy.

My first visit to Desert Ensemble Theatre proved to be a thoroughly enjoyable evening. Their presentation of two one-act plays -- Graceland and Asleep on the Wind - harkened back to a purity of theatre which was so exciting to me in my college days. By stripping away full sets in favor of a few strategic prop pieces in front of black drapes, all of the focus was on the actors and the words they were speaking, and director Rosemary Mallett certainly found actors who skillfully rose to the challenge.

Due to overwhelming audience response and sold-out shows, Theatre NOVA, Ann Arbor's resident professional theatre with an exclusive focus on new plays and playwrights, is thrilled to announce an extension of its smash hit 'Mazel Tov, John Lennon' by David Wells. The world premiere was slated to run through April 14 but has been extended through Sunday, April 21 due to full houses, glowing audience response, and critical acclaim.

On Friday, February 1, 2019 digitally and Friday, February 15, 2019 physically, Deutsche Grammophon releasesMendelssohn featuring Canadian pianist Jan Lisiecki with the acclaimed conductorless Orpheus Chamber Orchestra. The album explores a pair of early Romantic masterpieces: Mendelssohn's Piano Concertos in G minor and D minor. Lisiecki complements the two concertos with a selection of some of Mendelssohn's most brilliant pieces for solo piano: the Variations sérieuses, the Rondo capriccioso and the “Venetian Boat Song” from Songs without Words.

A-Y/dancers,  a new company with a repertoire committed to the preservation of classical modern dance and the creation of emerging choreography, debuts with their first evening of dance in the Hudson Valley, October 13-14at the Howland Cultural Center. Led by three women, Sienna Blaw, Claire Deane and Erin Landers, the evening will celebrate the work of iconic postmodern master Merce Cunningham as part of the Trust's centennial milestone, acclaimed contemporary dance maker Doug Varone and emerging choreographer Hannah Garner. 

Everything old is new again. This iteration of Pippin, masterfully directed and choreographed by Al Blackstone, has one foot in the original 1972 Bob Fosse version and the other foot in the 2013 Diane Paulus 'Cirque' Revival.

Dance Umbrella Announces 2018 Programme

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

Thousands of souls have their final resting place in Altadena's Mountain View Mausoleum and Cemetery but, once a year in the fall, the living invade the domain of the dead. That's when Unbound Productions' WICKED LIT takes over the grounds and creates a site-specific theatrical experience based on classic and original horror stories. It is unlike any other kind of theatre or Halloween event you've ever seen and it is seriously the coolest thing you can do in Southern California. Ask anyone who's done it.

BRIC is pleased to present Brooklyn Photographs, a group exhibitionfeaturing the work of eleven photographers who have captured life and traditions in various Brooklyn neighborhoods from the 1960s to the present. Brooklyn Photographs epitomizes BRIC's commitment to offering rigorously curated exhibitions with a rich cross-section of ideas, voices, and artistic media that reflect Brooklyn's diversity.

Irish Arts Center (IAC), the arts and cultural center dedicated to projecting a dynamic image of Ireland and Irish America for the 21st century, has announced its fall 2017 season. The lineup epitomizes IAC's commitment to building community with a diversity of arts institutions, artists and audiences - in New York, across America, and abroad.

Parisian culture, Polish politics, and the piano are the focus of this summer's annual Bard SummerScape festival, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 28th Bard Music Festival, 'Chopin and His World.'

BWW Review: BEAUTIFUL, THE CAROLE KING MUSICAL at National Tour

Broadwayworld.com had the opportunity to see the outstanding revival of playwright James McLure's LONE STAR while it was performed at The Wild Project in the East Village. And now, it is moving uptown to The Triad for two performances on Saturday May 6th and Saturday May 13th.

Parisian culture, Polish politics, and the piano are the focus of this summer's annual Bard SummerScape festival, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 28th Bard Music Festival, 'Chopin and His World.'

Rainer Werner Fassbinder's 1972 German film THE BITTER TEARS OF PETRA VON KANT is given a new Australian update by Director Shane Bosher.

They say you only have one shot at a first impression, but in her Feinstein's/54 Below debut, Cady Huffman started her show twice. The double-take beginning was not attributed to a mistake or a technical difficulty; to the contrary, Tony Award-winning Huffman (THE PRODUCERS) was very intentional in her duality, indecisive to which of her entrances she preferred. It is only fitting that Huffman began her show with such a duplicitous start, as notions of the disparate pierced through much of her show, TOMBOY, SHOW GIRL. As that title suggests, through the 85-minute set, Huffman explored the binary of gender roles, particularly in show business. However, she also touched upon the juxtapositions of youth and experience, comedy and poignancy, weariness and the still-genuine love of show business she's maintained through decades of slogging through it.

CABARET's Tony Award-winning 1998 Broadway revival co-directed by Sam Mendes and Rob Marshall, still stands, arguably, as the show's definitive stage iteration. That same vibrant Roundabout Theatre Company production rightly serves as the basis for the newer 2014 revival that is now in the midst of a brand new North American national tour---currently performing at Orange County's Segerstrom Center for the Arts in Costa Mesa through August 21. Whether you're a fan of that amazing '98 revival or, better still, the iconic 1972 film adaptation, this brazenly confident new CABARET---a rousing combo-platter of the best elements of the show through its entire history---will surely entertain and, yes, even move you.

Squabbalogic captures Jim Jacobs and Warren Casey's (Book, Music and Lyrics) original vision of the iconic story in THE ORIGINAL GREASE.

Japan Society Gallery in New York will present IN THE WAKE: Japanese Photographers Respond to 3/11 opening today, March 11, 2016, five years to the day since an enormous earthquake and tsunami struck northeast Japan, devastating coastal regions and setting off nuclear power plant failure.

Japan Society Gallery in New York will present IN THE WAKE: Japanese Photographers Respond to 3/11 opening on Friday, March 11, 2016, five years to the day since an enormous earthquake and tsunami struck northeast Japan, devastating coastal regions and setting off nuclear power plant failure.

The story is both very entertaining and very moving, and will warm the heart of everyone whose spirits were ever raised by the prospect of a victory by the underdog against all the odds.  The score is a musical delight and contains one of the most poignant moments in musical theatre as Don Quixote relates his personal credo in 'The Impossible Dream'.

From today, November 10, 2015, to April 3, 2016, the Museum of Arts and Design (MAD) presents DEAD TREEZ, the first monographic New York museum exhibition by artist Ebony G. Patterson, who splits her time between Kingston, Jamaica, and Lexington, Kentucky.

From November 10, 2015, to April 3, 2016, the Museum of Arts and Design (MAD) presents DEAD TREEZ, the first monographic New York museum exhibition by artist Ebony G. Patterson, who splits her time between Kingston, Jamaica, and Lexington, Kentucky.

Beginning today 4 November 2015, Hauser & Wirth will present the gallery's first New York exhibition devoted to internationally-admired Osaka-born, Paris-based artist Takesada Matsutani.