Based on the play by Royall Tyler
Nancy Sinatra, the eldest daughter of Frank Sinatra, has released a new album, Keep Walkin’: Singles, Demos & Rarities 1965-1978, which features previously unreleased music. One of the songs on the album is 'Do I Hear a Waltz?' by Richard Rodgers and Stephen Sondheim, from the musical of the same name. Listen to the song here!
Organized by Darling Green in collaboration with Soft Network, Re: Scott Burton's Atrium Furnishment brings together a group of artists in dialogue with artworks and archival material from the estates of Scott Burton (1939–1989) and Rosemary Mayer (1943–2014).
The Kitchen has announced its Winter/Spring 2023 programming, resulting from durational engagements that give experimental artists and collectives an abundance of time and organizational support to pursue their ideas.
Odyssey Theatre Ensemble presents the U.S. premiere of Yaacobi & Leidental, a funny, provocative romp with music written by Israeli playwright Hanoch Levin and featuring songs by Alex Kagan.
The single also served as the title track to King’s debut LP with Stax. Released in August 1967, Born Under a Bad Sign compiled the above-mentioned singles, plus originals like “The Hunter,” (penned by Booker T. & The M.G.’s, and Carl Wells), “Personal Manager,” (by King and David Porter), and King’s own “Down Don’t Bother Me.”
Widely hailed as one of this century’s great directorial debuts, Jordan Peele’s era-defining Get Out injected new life into horror with its witty subversion of racial politics and elitist social mores. Two years later, his wildly entertaining Us plumbed everything from isolationist fears and late-capitalist power structures to the rich lineage.
Following a two year hiatus as a result of the global pandemic, The Chase Brock Experience (CBE) - the critically acclaimed New York City based contemporary dance company from esteemed Broadway and contemporary choreographer, Chase Brock (Be More Chill, The Hunchback of Notre Dame, Hercules) - will return to NYC's Theatre Row this December to debut an all-new dance-narrative inspired by Brock's personal family history.
Acclaimed artist Andrew Combs shares “Anna Please,” the latest single from his forthcoming album Sundays. The song’s sparse, cinematic silence is reminiscent of Ingmar Bergman’s work, and the accompanying music video pays homage to the Swedish filmmaker’s 1972 film Cries and Whispers. Watch the new music video now!
This Memorial Day Weekend, Eric Firestone Gallery unveils Hanging / Leaning: Women Artists on Long Island, 1960s–80s, a sweeping two-part exhibition celebrating the formal ingenuity of postwar women artists with connections to the East End of Long Island.
The Academy Museum of Motion Pictures today announced the first round of exhibition rotations, which are scheduled for the 2022–2023 season. These rotations further the museum’s mission to advance the understanding, celebration, and preservation of cinema through dynamic and diverse exhibitions.
Like some kind of time-hopping wizard with preternatural melodic sensibilities, M Ross Perkins is back with his sophomore full-length, E Pluribus M Ross. The album, his first for Colemine/Karma Chief Records, is another masterclass in home recording with 12 shimmering slices of purely perfect psychedelic pop.
In 1962 English author Anthony Burgess published the Dystopian-Black Comedy novel entitled A Clockwork Orange. The novel itself was partially written in a Russian-influence argot called “Nadsat” which in a Russian suffix took on its namesake for the equivalent of “TEEN” in English. In 2005 the novel was included by Time Magazine in a list as one of the 100 best English Language novels of the 20th Century. The novel is divided into three parts: Alex’s World, Ludovico Technique, and After Prison, and each of the novel’s three parts contained only 7 chapters. 7 x 3= 21 which was an intentional nod to the age of 21 which is considered a milestone in adult maturation.
The restoration of Michelangelo's Pietà dell'Opera del Duomo, better known as the Bandini Pietà, in the Museo dell'Opera del Duomo in Florence has been completed. the restoration process provided a unique opportunity to gain a better understanding of the sculpture's complex history, the various phases in its creation, and the master's techniques.
The Decades EP covers a lot of musical ground, from Fats Domino’s “Ain’t That A Shame” (1955) and Jackson C. Frank’s “Blues Run the Game” (1965) to Neil Young’s “Old Man” (1972), Kath Bloom’s “Come Here” (1984) and Elliott’s Smith’s “Ballad of Big Nothing” (1997).
The EP features five cover songs, one per decade from the 1950s-1990s. Mara already shared the EP's 1950s cut, a Twin Peaks-inspired cover of 'Ain't That a Shame,' back in February on Fats Domino's birthday (which Flood Magazine called “brilliant” and praised for its dark twist on the original).
Diane Paulus’ (Director) multiple Tony Award winning 2013 Broadway Revival of Stephen Schwartz (Music and Lyrics) and Roger O. Hirson’s (Book) PIPPIN entertains and entrances Sydney audiences thirsty for theatre with a bold blend of song, dance, and circus.
Following his critically-acclaimed album of collaborations, White Knight, released in 2017 on Cleopatra Records, rock legend Todd Rundgren is releasing a new single.
the exquisite voice, dramatic stage presence and winning personality of this Grammy-nominated artist have garnered kudos throughout the opera world
The Frank Frazetta The Serpent (aka 'Aros') Paperback Novel Cover Painting Original Art (Paperback Library, 1967) and Bernie Wrightson Mary Wollstonecraft Shelley's Frankenstein Front Endpapers Illustration Original Art (late 1970s) sparked furious bidding to lead Heritage Auctions' Comics & Comics Art Auction to $9,099,710 in total sales April 30-May 3.
The Met on Demand had another week of exciting performances, from the divine [Rossini's IL BARBIERE DI SIVIGLIA] to the, well, the divine [Adams's NIXON IN CHINA].
The dancers manifested exquisite flowing lines hit, yet not lingered on, as they lyrically moved to the next count of the music ever so smoothly, sometimes creating in between that and the next beat, a separate movement, sort of a bridge from the last position and the next... an asterisk; exclamation point, if you will... or a grace note... The stunning choreography will sweep you away to the haunting, gritty, yet buoyantly hopeful lyrics of Leonard Cohen. He has such a unique style to his writings and his presentation. This extraordinary company and their Artistic Director Louis Robitaille, have taken the essence of his intent and transformed it into internal emotion and external movement, simultaneously. By that, I mean, when they dance and move, or pose, their bodies are feeling the emotion being expressed through words or music. The way this was presented, so seamlessly blending from one piece, even though separate choreographers, into the next piece on the repertoire, it just seemed a magical, visual extravaganza for both the eyes and the soul. The company received Leonard Cohen's blessing to perform this amazing tribute, and it is indeed, special and poignant.
Julien's Auctions, the auction house to the stars, is honored to present property from BILL WYMAN AND HIS ROLLING STONES ARCHIVE COURTESY OF RIPPLE PRODUCTIONS LIMITED taking place MAY 29TH, 30TH AND 31ST, live in Beverly Hills and online at juliensauctions.com. This spectacular auction of the Rock and Roll Hall of Fame inducted English musician, record producer, songwriter and singer, will feature at the centerpiece over 1,000 lots selected from Wyman's renowned and vast archive. The archive contains not only an unprecedented collection of his instruments, stage worn ensembles, awards, personal items and artifacts collected during his illustrious three-decade career as a founding member and bassist of the World's Greatest Rock Band, the Rolling Stones, but also important instruments and artifacts from his ongoing solo career.
Last year, in 2018, the third annual Dancers For Good Benefit supporting the Actors Fund Dancers Resource in East Hampton was so impressive that I challenged the founders to 'high-kick it up a notch even higher next year'. I'm thrilled to announce that not only did they clearly accept that challenge, they superseded all expectations!
Today the Merce Cunningham Trust announces Summer & Fall 2019 programming for the worldwide Merce Cunningham Centennial, which unites artists, companies, and cultural and educational institutions in a celebration of Cunningham's vital impact. Launched in the fall of 2018 and continuing throughout all of 2019, the Centennial honors Cunningham's legacy across continents and artistic disciplines. The diversity of activities and participating partners demonstrate the profound, enduring resonance of the choreographer's work and his approach to how the body moves in time and space.
Hudson Hall celebrates the Merce Cunningham Centennial with a 6-week program of dance, music, film, and photography to showcase the work of an iconic artist and the enduring power of his living legacy.
Videos