The Phantom of the Opera 1984 - Articles Page 14

ANNIE, the new production of the Tony Award-winning musical, went into rehearsal today in New York City with its full company. The production begins previews October 3, 2012 and opens November 8, 2012 at the Palace Theatre (Broadway at 47th Street). Meet the full cast below!

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Casting news for ChiShakes' 'Sunday,' TATC's '42nd Street' and Paramount's 'Grease,' plus ALW and the eye-popping Marriott season, Chicago's first 'Q,' Super September along Belmont Avenue and much more!

Today we are continuing the 2012 Tony Awards Clip Countdown with another pairing sure to instigate ample amounts of approbation and opprobrium - now, just as it did twenty-five years ago - the famous Tony Awards battle of THE PHANTOM OF THE OPERA versus INTO THE WOODS.

Trinity Repertory Company previously announced that Rhode Island's own Academy Award-nominated actress, Viola Davis, would be honored with the 2012 Pell Award for Lifetime Achievement in the Arts at the 16th annual Pell Awards. Theater educator Elaine Foster Perry will receive the Charles Sullivan Award for Distinguished Service in the Arts, Brown University President Ruth J. Simmons will receive the Pell Award For Leadership in Arts Education, and J.L. "Lynn" Singleton, President of the Providence Performing Arts Center and Professional Facilities Management, will be honored as the recipient of the Pell Award for Outstanding Leadership in the Arts. All awardees are past or current Rhode Islanders.

Pioneer Theatre Company presents Man of La Mancha, the musical staging of the epic tale of Don Quixote through tonight, May 19, 2012.

Bill Kenwright presents one of the best loved and longest running musicals in theatrical history, as Andrew Lloyd Webber's sensational Starlight Express explodes back onto the stage with a new production for 2012, set to take the UK by electrifying storm. Starlight Express just opened at the New Wimbledon Theatre. Go behind the scenes of the production below!

Bill Kenwright presents one of the best loved and longest running musicals in theatrical history, as Andrew Lloyd Webber's sensational Starlight Express explodes back onto the stage with a new production for 2012, set to take the UK by electrifying storm. Starlight Express just opened at the New Wimbledon Theatre. Check out highlights below!

Pioneer Theatre Company presents Man of La Mancha, the musical staging of the epic tale of Don Quixote, tonight, May 4 through May 19, 2012.

Forget "Rock Of Ages." That 21st century musical about the 1980s has nothing on the real thing. "Cats," the show that set much of the look and tone of musical theater for the next decade or so when it opened in London in 1981 and in New York in 1982 (and began continuous touring in 1984, a record unmatched in theater history) is on display for this week only (sorry, "Now And Forever") at Chicago's Cadillac Palace Theatre. Forget "Rock Of Ages." That 21st century musical about the 1980s has nothing on the real thing. "Cats," the show that set much of the look and tone of musical theater for the next decade or so when it opened in London in 1981 and in New York in 1982 (and began continuous touring in 1984, a record unmatched in theater history) is on display for this week only (sorry, "Now And Forever") at Chicago's Cadillac Palace Theatre. And I, who saw the original Broadway production twice during that heady decade and have not seen the show in any form since then, was eager to go and see what the fuss was, and is, all about. So I went, Tuesday night. If you've never seen this show, if you kids have never seen it, or if you want to experience the magic of this unique theatrical masterpiece one more time, then this is a great opportunity to do so, as this is the only remaining North American production to (somewhat) accurately replicate the award-winning, record-setting British musical that took America and the world by storm thirty years ago. This tour of non-Equity performers, with its usual orchestra of five beefed up to eight for a weeklong stand (May 1-6) in a major theatrical market, has enough going for it that I highly recommend it. It's a little like entering a time machine, and there's a lot of sleight of hand, but it works. Let me explain. What is "Cats?" Much maligned by insiders, derided as dated by visual artists, underrated by dance teachers and ignored by voice teachers (save for its megahit song, "Memory," which is heard twice, but never in the sheet music version everything has heard and claims to know), it is in many ways a dichotomy. It's a dance show (choreography by Gillian Lynne) written by a singer's songwriter (Andrew Lloyd Webber), as well as a British song cycle based on poems written by a St. Louis-born English poet (T. S. Eliot) who never intended his work ("Old Possum's Book Of Practical Cats," and other snippets) to be either musicalized or staged. Its plot, slight though it is, is also the subject of much derision, but to this observer is very reminiscent of "A Chorus Line," a universally revered work that does include dialogue and more depth of character, but also honors unity of time and place. However, there are indeed works that dispense with plot entirely, and which people unabashedly love (you know, revues--"Ain't Misbehavin'" comes to mind), and even shows like "Forever Plaid" and Lloyd Webber's "Starlight Express" feature heaven-going as a climax that is not entirely a surprise. So, enough complaining about there being no dramatic tension, already. But the spectacle! Is it a rock concert with dance, a dance concert with character, a makeup and hair extravaganza with arena-style lighting (still thrilling, the work of David Hersey, as recreated by Rick Belzer), a radio-friendly cast album with a decidedly British keyboard-rock spin, an intellectual set of inscrutable poems with earworm melodies, an environmental theater piece that's fun for all ages (an unmistakeable set and costume design by the remarkable John Napier)--what exactly is going on? The answer, of course, is all of the above. Oh, and it owes a lot to the English music hall tradition and to contemporary classical music, too, not to mention Puccini. Name another show that encompasses so much. Not to mention that original marketing campaign. Aside from his immature works (the children's show "Joseph And The Amazing Technicolor Dreamcoat" and others), Lloyd Webber's previous shows written with Tim Rice (the two nominated for the Best Revival of a Musical Tony Award this year, "Jesus Christ Superstar" and "Evita,") were both introduced to the world via record albums and marketing campaigns that featured a logo rather than a star name and image. But "Cats" seemed to take that even further, dispensing with the concept album and zeroing in on the show AS the star. Indeed, this show has no leading roles. Really. But who can forget that moon/cats' eyes/dancer silhouette logo, and the letters of the title in color-coordinated graffiti (echoing the oversized junkyard scene design). It was exciting and revolutionary at the time, and the only shows that have done it better since then (Lloyd Webber's "The Phantom Of The Opera" and director Trevor Nunn's "Les Miserables," all three produced by wunderkind Cameron Mackintosh) are the only ones that have run longer in London and New York, due to the lessons they learned from the feline juggernaut before us now. It was "the birth of the musical spectacular," as Broadway In Chicago's promotional materials tell us. This particular edition of the endless "Cats" tour, directed and choreographed by Richard Stafford and featuring mostly young, recent graduates of top U.S. musical theater and dance schools, is indeed "cut down" from the total makeover that the Winter Garden Theatre in New York displayed for the 18 years it played there (1982-2000). But the "Christmas lights" that once ringed the audience do indeed extend past the proscenium arch, and the cast makes several trips out into the aisles, a nice touch. The back wall of the set does not swing down to reveal the ship's set needed for the "Growltiger's Last Stand" sequence--they use drops and a false proscenium downstage center here, and I almost liked it better. The set as a whole is not as detailed and certainly not as deep as it once was, but if you haven't seen the video of the London production, or the show as it played in the early '80s, you would be none the wiser. Sound-wise, I have to give credit to sound designer Duncan Robert Edwards, musical supervisor Kristen Blodgette and music director J. Michael Duff. I swear the show sounds better than ever, even with a smaller orchestra than originally employed. And I could understand the lyrics! The costumes and makeup design look simplified to me, though, but again, a newcomer to the proceedings wouldn't know. And do I care of part of the set is inflatable, as rumor would have it? I don't care how they get it from city to city, or how quickly they do it, but somebody does care, and they figured out a way to make it work! The floating tire and the thing that comes down from the fly space (spoiler alert?) look great, absolutely. Absolutely. The cast is led by Melissa Grohowski as Grizabella, the role made famous by Elaine Paige and Betty Buckley and carrying with it, shall we say, a certain expectation of a certain money note. Boy, does Ms. Grohowski deliver! Three people stood during the applause for the number. Bravo to Clemmons/Dewing Casting, I say! The two singing roles for the men, Old Deuteronomy and Gus/Growltiger/Bustopher Jones, are essayed here by Nathan Morgan and Christopher E. Sidori, who both acquitted themselves well and were very effective theatrically, whatever their actual ages. Among the dance roles, Daniel J. Self as the narrator Munkustrap, Chris Stevens as Rum Tum Tugger and especially Chaz Wolcott as Mistoffelees were crowd pleasers: Self with his movement detailing, Stevens with his Elvis impersonation and Wolcott with his amazing fouette turns. The cast of two dozen or so performers dances uniformly well, and sings very well, too, save for a few minor quibbles with single lines here. And there or some missing low notes that older performers would probably have no trouble with. But these are easily forgiven. Who cares if the leading lights of Broadway (Harry Groener, Terrence Mann, Anna McNeely and of course Ken Page) have been replaced in these roles by recent graduates of Wright State, SUNY-Purchase and Oklahoma City University? These energetic, disciplined performers are working their tails off (pun intended), singing like people who can't dance a lick and are basking in the glow of theater history with every city they visit. Yes, the show has moments that seem a little longwinded, and sure, it doesn't challenge your intellect as much as it challenges your wallet and your caffeine intake (it takes place at night, and everybody is dressed like a cat!). But I challenge you to remain unmoved when Grizabella begs for physical contact, when old Gus relives his moment of youthful theatrical triumph, when assorted junk becomes the train that Skimbleshanks loves, and when the sopranos of the ensemble soar on the words, "'Round the cathedral rang 'Vivat!" Come on! It's "Cats." It's eye and ear candy galore. I don't even like cats, but I do like "Cats." Very much. "Cats" plays this week only, Tuesday night through Sunday night, with additional matinee performances on Saturday and Sunday, at the Cadillac Palace Theatre, 151 W. Randolph Street in Chicago. Tickets are available at all Broadway In Chicago box offices, the Ticket Kiosk at Water Tower Place, all Ticketmaster retail outlets, by phone (800.775.2000) and online at www.BroadwayInChicago.com. Photos: Melissa Grohowski; The Cast

Welcome to this week's edition of our new WEEKLY GROSSES ANALYSIS, part of our new Industry Insights section that will feature insider industry information, commentary and insights! Read on for all the weekly grosses statistics for the movers and shakers from the latest grosses, 4/22/2012.

Pioneer Theatre Company will present Man of La Mancha, the musical staging of the epic tale of Don Quixote, May 4 - May 19, 2012.

Rachel York will join Megan Hilty in the Encores! production of Gentlemen Prefer Blondes, opening May 9 at New York City Center. York will play the brunette, Dorothy Shaw, best friend of Lorelei, the diamond-loving blonde played by Hilty. Gentlemen Prefer Blondes will be directed by John Rando with music direction by Rob Berman and choreography by Randy Skinner and will play for seven performances, May 9 - 13, at New York City Center, 55th Street between 6th and 7th Avenues.

In a special limited engagement, Signature Theatre presents the world premiere musical A Second Chance, featuring a book, music, and lyrics by Ted Shen. Directed by Jonathan Butterell (Signature's Giant), A Second Chance fuses jazz and musical theater stylings, with musical direction by Zak Sandler.

In a special limited engagement, Signature Theatre presents the world premiere musical A Second Chance, featuring a book, music, and lyrics by Ted Shen. Directed by Jonathan Butterell (Signature's Giant), A Second Chance fuses jazz and musical theater stylings, with musical direction by Zak Sandler.

A chess game between international masters takes on larger meaning in the award-winning 1980s rock opera 'Chess,' which is currently touring the UK.

A chess game between international masters takes on larger meaning in the award-winning 1980s rock opera 'Chess,' which is currently touring the UK. The next stop is Toronto's Princess of Wales Theatre, where it will open on September 24 before a run in London's West End.

Goodspeed Musicals delves into the sultry and shadowy world of 1940s film noir with their clever production of City of Angels.

The U.K. touring production of CHESS, featuring a company of actor-musicians playing their own accompaniment, is set to open at Toronto's Princess of Wales Theatre Sept. 24. The production will officially open on September 28 and run through Oct. 30 before opening in London's West End.

A chess game between international masters takes on larger meaning in the award-winning 1980s rock opera 'Chess,' which is currently touring the UK.

Goodspeed Musicals delves into the sultry and shadowy world of 1940s film noir with their clever production of City of Angels.

From 11 July 2011 Carley Stenson will play college sweetheart Elle Woods in the Olivier award-winning Legally Blonde The Musical. Stenson, who is currently playing Margot in the West End production, steps up to play the leading role joining Lee Mead who joins the cast later this month (20 June) to play Emmett Forrest and Natalie Casey as ditzy beautician Paulette Buonofonté. Peter Davison continues in the role of Professor Callahan as well as Nicola Brazil as Serena and Siobhan Dillon as Vivienne.

Think the past nine years were bad? Get ready for this. The ten-year anniversary of the festival brings even more vapid dialogue, poorly developed characters and contrived plot lines as it explodes from six weeks to ten weeks of performances.

The Garden Theatre is pleased to announce the 2011 Summer Movie Series, running from June 16 through August 27 at the Garden Theatre (160 West Plant Street).

Roundabout Theatre Company announced the full company of the new musical Death Takes A Holiday, with a book by Peter Stone & Thomas Meehan, music & lyrics by Maury Yeston, directed by Doug Hughes. The cast will include Linda Balgord (Contessa Danielli), Matt Cavenaugh (Eric Fenton), Mara Davi (Alice), Joy Hermalyn (Cora), Jay Jaski (Lorenzo), Simon Jones (Dr. Dario Albione), Rebecca Luker (Duchess Lamberti), Patricia Noonan (Sophia), Julian Ovenden (Prince Sirki / Death), Jill Paice (Grazia), Michael Siberry (Duke Lamberti), Alexandra Socha (Daisy Fenton), Don Stephenson (Fidele), Max Von Essen (Corrado Montelli).

Michael Ball's latest album, Heroes, will be released on March 14th. Until then, check out a short clip taken from behind the scenes at Michael's TV ad shoot by clicking below! For more information and 'Heroes' tour tickets this spring, visit http://www.livenation.co.uk/artist/michael-ball-tickets.