Now through June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center.
From today, May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters.
From May 22 - June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or 1-800-828-2787.
From May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Ji?i Kylian's comic and delightful Sechs Tanze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or1-800-828-2787.
OWN: Oprah Winfrey Network announced today six-time Grammy-winning artist and actress Toni Braxton is set to star as Darlene Love in the network's first scripted TV film 'My Name is Love: The Darlene Love Story.'
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
The Kimmel Center for the Performing Arts campus is waking to the sweet sounds of a robust Fall harvest of programming with a dynamic line-up of arts offering something for everyone.
Public Theater Artistic Director Oskar Eustis, Executive Director Patrick Willingham, and Chairman of the Board Warren Spector have announced the addition of seven new members to The Public's Board of Trustees. Candia Fisher, Anne Hathaway, Debby Landesman, Barbara Manocherian, and Audrey Wilf were appointed to the 40-person board in April for three-year terms, and Charlotte Relyea and Anne Clarke Wolff were appointed in June for three-year terms. A recent loss to the Board is the passing of long time Board member Nora Ephron who was honored for her service to the organization and the field at The Public's 2013 Gala this past June.
The theatre programme for the Manchester International Festival 2013 has been announced. MIF13 commissions include: The Machine, The Old Woman, Macbeth, The Masque of Anarchy and The Rite of Spring.
From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.
As an undergraduate theater major in the early 1970s, I heard music everywhere. It seemed to pour out of every office and workspace around the department. (And in the LP era, if you wanted more than the radio, this meant schlepping a twenty pound record player and a dozen or so albums from your home to the campus, sometimes requiring back-and-forth trips from the car. If you go to that much trouble, you want to keep the music playing.) In the hushed costume shop with its quietly industrious all female staff, Broadway ruled, with Stephen Sondheim's recent Company and Follies in heavy rotation. It was 'men only' in the scene shop where I listened to male balladeers like James Taylor and Gordon Lightfoot while unhappily working off assigned crew hours. Jazz classes (my favorites) in the dance department were conducted to the pre-disco sounds of Isaac Hayes and the Temptations. And late night cast parties were never complete without spins of Bette Midler's first two albums.
The theatre programme for the Manchester International Festival 2013 has been announced. MIF13 commissions include: The Machine, The Old Woman, Macbeth, The Masque of Anarchy and The Rite of Spring.
Sometimes once is just not enough, so, today, we have a super-special encore conversation with a recent InDepth InterView participant who shares even more candid tales from her impossibly colorful, genre-spanning career on Broadway and in Hollywood - star of properties as diverse as the Broadway musicals MR. PRESIDENT, KELLY and THEY'RE PLAYING OUR SONG, to movies like MOONSTRUCK and SHALL WE DANCE to her numerous TV appearances on everything from MATCH GAME to QUINCY to 30 ROCK - chameleon-like comedienne and actress Anita Gillette. Discussing some of the more ribald and hilarious stories from her idiosyncratic showbiz career - such as the riotous backstage goings-on out of town at the tryout of one of Broadway biggest bombs, KELLY - as well as spine-tingling "you had to be there"-type memories of the Golden Age - like Irving Berlin stopping by the Winter Garden every Wednesday just to see her Act One showstopper in ALL AMERICAN - Gillette paints a vivid picture of an era gone by, and, also, looks ahead to exciting future endeavors - especially the upcoming Ed Burns-directed feature film, THE FITZGERALD FAMILY CHRISTMAS, opening wide later this year. Of course, Gillette returns to the NYC stage the next two Mondays - September 24 and October 1 - with her new Birdland show, AFTER ALL, so in this all-encompassing conversation we also discuss the themes, style, songs and stories we can anticipate from that intimate solo piece, as well, and she generously shares her recollections of working with some of the men who penned many of the sensational songs she will be performing and figure in to some of the tales she will tell - Charles Strouse, Marvin Hamlisch, Jule Styne, Neil Simon, Woody Allen, Mel Brooks and the aforementioned Irving Berlin included. All of that and much, much more!
Today we are talking to a celebrated comedienne and actress known for her decades-spanning career on screens and stages large and small - from making her Broadway debut in the original Jerome Robbins production of GYPSY on Broadway in 1960 to her many musical roles throughout the 60s to her countless game show and variety show appearances following that all the way to creating an unforgettable character in MOONSTRUCK in the 1980s, as well as her subsequent oft-Neil Simon stage work; now, playing Tina Fey's sweet and daffy mom on NBC's 30 ROCK and, most recently, appearing in Nora & Celia Ephron's LOVE, LOSS AND WHAT I WORE and the Playwright's Horizons premiere production of THE BIG MEAL in the new millennium - the one of a kind Anita Gillette. Analyzing her nearly sixty-year career and sharing candid stories of her brushes with some of Broadway and Hollywood's brightest talents - Jule Styne to Ethel Merman to Irving Berlin to Burt Lancaster and beyond - Gillette paints a vivid portrait of the tail end of the Golden Age of Broadway and the heady game show days of TV in the 1960s and 70s to her lauded stage work with Neil Simon and many of the great comedy and musical writers in the years since. Additionally, Gillette and I discuss her current essaying of the role of Mae Peterson in the new Regal Music Theatre production of Charles Strouse and Lee Adams's BYE BYE BIRDIE in Massachusetts as she looks towards opening night tomorrow and relates her joy in participating in a production that has some behind-the-scenes help by her loving granddaughter (while another attends their summer camp). Plus, Gillette's observations on sharing a soundstage with Alec Baldwin, Tina Fey, Elaine Stritch and Buck Henry for a recent 30 ROCK shoot, reflections on her fondest and most celebrated comedy roles, hilarious memories of appearing in some short-running flops (JIMMY, SKYSKRAPER) as well as in some big hits (GYPSY), her upcoming series of master classes titled "Life In The Business", her return to Birdland with her concert show, AFTER ALL, her role in an upcoming Ed Burns film and maybe even a role in a new Alexander Payne film - all of that, all about attending the Diamond Jubilee celebration in the United Kingdom and much, much more!
Pittsburgh CLO will present Fiddler on the Roof, July 13-22 at the Benedum Center. This classic tale is filled with 'memorable music, rousing dances and a touch of human wisdom.'
Broadway performer Luis Salgado is experiencing one of the most active times in his professional career. After returning from a very successful run of Candela Fuerza y Pasion in Peru, he is now finishing up choreography/musical staging for the new musical about baseball legend Roberto Clemente, DC-7 The Roberto Clemente Story.
Fox Valley Rep, in residence at Pheasant Run Resort, announces an exciting line-up for their calendar-year 2012 season, many new to the Fox Valley community, including the comedy behind 'Gone with the Wind' during golden age of Hollywood, Moonlight and Magnolias, the romantic musical featuring Neil Sedaka's hits of the 1960's, Breaking Up Is Hard To Do, Theo Ubique's critic-acclaimed Chicago revue of Rodgers and Hammerstein, Some Enchanted Evening, Deborah Zoe Laufer's modern empty-nesters comedy, Sirens, and the holiday musical, The Winter Wonderettes.
Led by the charming Debbie Kraski, who commands the stage with grace and wit as the show's wacky protagonist, director Jenny Noel's talented cast delivers a pleasant and amusing summer diversion by way of John Patrick's Everybody Loves Opal, now onstage at Chaffin's Barn Dinner Theatre.
April at The Metropolitan Room
April at The Metropolitan Room
Musical titans John Bettis, Garth Brooks, Leon Russell, Billy Steinberg & Tom Kelly and Allen Toussaint will become the newest members of the Songwriters Hall of Fame at the organization's 42nd Annual Induction and Awards Dinner.
Eric Schaeffer, Artistic Director of the Tony Award®-winning Signature Theatre, today announced the company's 2010-2011 season of four musicals and three plays, with the innovative company producing three world premieres and one regional premiere.
Eric Schaeffer, Artistic Director of the Tony Award®-winning Signature Theatre, today announced the company's 2010-2011 season of four musicals and three plays, with the innovative company producing three world premieres and one regional premiere.
Come join us every Friday and Saturday from 11PM-2AM for our piano lounge. No cover, no minimum!
Come join us every Friday and Saturday from 11PM-2AM for our piano lounge. No cover, no minimum!
Videos
