Can-Can Revival 1981 - Articles Page 29

Blue Öyster Cult will be coming to the Colonial on October 8 at 8PM. Tickets for the performance are $45 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

This fall, The Public Theater (Oskar Eustis, Artistic Director; Andrew D. Hamingson, Executive Director) will launch The Public Forum, an exciting new series of lectures, debates and conversations that showcase leading voices in the arts, politics and the media. Curated by Jeremy McCarter, a senior writer at Newsweek, Public Forum events are open to the general public. Tickets for the inaugural event can be purchased for $25 beginning Tuesday, October 5. Member tickets are on sale Tuesday, September 28.

Blue Öyster Cult will be coming to the Colonial on October 8 at 8PM. Tickets for the performance are $45 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

Lead producers Margo Lion and Hal Luftig announced today that the new musical CATCH ME IF YOU CAN will open on Broadway Sunday, April 10, 2011 at a Nederlander theatre to be announced. This new musical, created by a team of Tony winners, features a book by Terrence McNally, music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman, choreography by Jerry Mitchell and is directed by Jack O'Brien. Previews begin March 7, 2011. Casting and additional design team will be announced shortly.

Long before New York had a fringe festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.

By the time of his untimely death at 57 in 1981, Paddy Chayefsky was known as one of the most daring and talented American screen writers. His sharply satiric films-like Network, The Hospital, and Altered States-manage to combine laughs and tender moments of intimacy with his habitually wry and critical view of humanity. But cinema was a late frontier for Chayefsky, ventured into only after the writer had conquered television, with such classics of live TV as the drama Marty, and stage, where he had his second Broadway hit in 1959 with an unusual comedy called The Tenth Man. Now The American Century Theater is reviving The Tenth Man to open the company's 2010-2011 season.

Rundgren, IU's ninth Wells Professor, will teach the middle two weeks of a four-week, one-credit hour honors course designed for a maximum of 25 Wells Scholars and Hutton Honors Scholars. The class commences in late October and finishes in mid-November. Co-teaching the class will be IU Professor of Music Glenn Gass -- whose relationship with Rundgren helped make the professorship possible -- and IU Distinguished Professor of Sociology Bernice Pescosolido, who was instrumental in helping to plan the course. Gass, a professor at IU's world-class Jacobs School of Music, said he sees Rundgren's engagement at IU as the start of a trend in which legendary rock stars share their knowledge with a new generation. Rundgren, who performs frequently, gave a concert at Clowes Memorial Hall at Butler University in Indianapolis on Sept. 11. 'Todd is a treasure trove of memories, knowledge, stories . . .,' Gass said. 'This class is a way for him to celebrate what he's done and allows him to share his experiences with students who really want to hear what he has to say.' In addition to learning about the culture, politics and economics of the music business, from the 1970s through today, students will visit Professor of Anthropology Nicholas Toth at IU's Stone Age Institute to view some of the earliest tools used for making music. 'I think the students will love it. For us, the appeal of the class is really both Todd and Glenn,' said Professor of Physics Tim Londergan, director of the Wells Scholars Program. Londergan is a self-professed rock 'n' roll fan who has audited three of Gass' courses. The Rundgren course is currently full with a waiting list, and course auditors/visitors, including IU students not registered for the class, cannot be accommodated. During his stay in Bloomington, Rundgren will give a public lecture titled 'LONGHAIR: Todd Rundgren on the Beatles Effect' at 7 p.m. Oct. 28 in Ballantine Hall 013. He will also present a Halloween-night recital titled 'CLUSTER: The Birth of the T Chord' at 8 p.m. Oct. 31 in Auer Hall. Both are free and open to the public. Gass said he asked Rundgren to talk about the Beatles both because of Rundgren's collaborations with various members of the band and because of the window it will provide into his own music. 'If it was going to be 'Todd talks about Todd,' he may have felt awkward,' Gass said. 'By asking him to talk about the Beatles, we can get more insight into his music, too.' Rundgren's unique associations with the Beatles include a number of covers, participation in the Ringo All-Star Band and co-producing the power pop band Badfinger with George Harrison. When Harrison died, Rundgren did a highly acclaimed version of 'While My Guitar Gently Weeps' for a tribute album. In 1980, Rundgren and his then-band Utopia, did a loving sendup of the Beatles (Deface the Music) that Gass calls 'just genius.' Rundgren is also a longtime Beatles fan who credits Harrison with inventing the 'lead guitar' player, Gass said. 'When Todd was in the band Nazz, he wasn't the lead singer -- he was the lead guitar player -- which in the 50s meant one of the backup musicians. Because of George, lead guitar now means you're one of the band's leaders.' Glenn Gass Print-Quality Photo Gass initially met Rundgren in Hawaii, when Gass and his wife were on sabbatical for a year (and where they spent the past two summers). 'The kids start taking the bus together and the next thing you know, you're going to cookouts at Todd's,' Gass said. 'I quickly learned that everything they said about him was true. He's brilliant, articulate, really interesting -- and interested in things far beyond his own work and even his music. He's just a really engaged human being.' Rundgren is also known for staying true to his artistic muse. 'He refused to take the easy way out,' Gass said. 'The easy way would have been to do five more songs like 'Hello, It's Me.' He paid a price for that, but in the long run, in 50 years, I think that's why he'll matter more than starts who may have had more hits.' Rundgren was the highest paid producer of the 1970s, producing bands that ranged from the New York Dolls, The Band and Patti Smith to Meat Loaf, Hall & Oates and Cheap Trick. On Aug. 1, 1981 -- the evening MTV debuted with 'Video Kills the Radio Star' by the Buggles -- Rundgren was ready with his music video for 'Time Heals,' which premiered on MTV the same evening. Always a fan of technology, Rundgren made his music available through online downloads about 10 years before iTunes ('Everyone had dial-up connections then,' Gass commented. 'His fate is always to be just a few years ahead of his time.'). Gass said after the Beatles broke up, he was personally attracted to singer-songwriters like James Taylor, Neil Young, Carole King, Joni Mitchell -- and Todd Rundgren. 'Todd was always one of the best and most interesting performers. Even in those early albums, it was clear he wasn't just a singer-songwriter,' Gass said. At turns, Rundgren played with electric guitar or classical riffs, producing his own double album in 1972, on which he also played all of the instruments. From the time he met Rundgren in Hawaii, Gass starting thinking of ways to bring the performer to IU. A confluence of events sparked by a Rundgren speaking engagement at DePauw University led to the IU professorship. DePauw's executive director of media relations, Ken Owen, is 'a huge Todd scholar -- Todd to him is like the Beatles to me,' Gass said. 'All of a sudden it went from being a day dream to being a real possibility, and now it's actually happening,' Gass said. 'He really can call himself Professor Rundgren. This is not a gimmick: He is the Wells Professor.' About the Wells Professorships The Wells professorships are made possible by gifts from the IU classes of 1941, 1942 and 1963. Previous Wells professors have included the Honorable Helen Suzman, a South African political leader (Class of 1941 Wells Professor in 1993), Sir Malcolm Bradbury, a novelist-screenwriter-critic (Class of 1942 Wells Professor in 1997), and Holocaust scholar Christopher Browning (Class of 1943 Wells Professor in 2003). The most recently appointed Wells Professors were Sir (now Lord) Timothy Garden (Class of 1941 Wells Professor) and artist Robert Colescott (Class of 1943 Wells Professor), both of whom taught at IU in 2004.

Long before New York had a fringe festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.

The Pee-Wee Herman Show played Hollywood's Roxy Theatre in 1981, was made into a hit movie in 1985, and ran as a Saturday morning kids' show from 1986-1991. And despite Paul Reubens' 1991 arrest for indecent exposure, Pee-Wee's reputation is as good as ever, with 'The Pee-Wee Herman Show' set to open at the Stephen Sondheim Theatre on October 26. Reubens sat down with 'New York' so talk about the production.

By the time of his untimely death at 57 in 1981, Paddy Chayefsky was known as one of the most daring and talented American screen writers. His sharply satiric films-like Network, The Hospital, and Altered States-manage to combine laughs and tender moments of intimacy with his habitually wry and critical view of humanity. But cinema was a late frontier for Chayefsky, ventured into only after the writer had conquered television, with such classics of live TV as the drama Marty, and stage, where he had his second Broadway hit in 1959 with an unusual comedy called The Tenth Man. Now The American Century Theater is reviving The Tenth Man to open the company's 2010-2011 season.

For playwright Beth Henley, tragedies, disappointments and scandal become the surprisingly funny source material for this slice-of-dysfunctional-life play that revels in its own charming eccentricities. The resulting work of delicious genius is her 1981 Pulitzer Prize-winning debut comedy CRIMES OF THE HEART, now playing at South Coast Repertory thru June 6. Centering on the seemingly endless rampage of struggles for the Magrath sisters, this hilarious revival is a wickedly sweet, confectionary delight.

On May 14 and 15 the Heller Theatre will present Bertolt Brecht's The Good Woman of Setzuan. Tickets are $8 for adults and $6 for seniors/students, and can be purchased by calling 918-746-5065 or visiting www.hellertheatre.com. The Heller Theatre at Henthorne Park is located at 4825 S. Quaker Street.

On May 14 and 15 the Heller Theatre will present Bertolt Brecht's The Good Woman of Setzuan. Tickets are $8 for adults and $6 for seniors/students, and can be purchased by calling 918-746-5065 or visiting www.hellertheatre.com. The Heller Theatre at Henthorne Park is located at 4825 S. Quaker Street.

Electro-art-rock iconoclasts DEVO celebrate their early recorded works from the Warner Bros. Records vaults with remastered vinyl and expanded CD editions of their second album, 1979's DUTY NOW FOR THE FUTURE, and their fourth album, 1981's NEW TRADITIONALISTS. DUTY NOW will be available beginning on April 17th, Record Store Day, on vinyl while NEW TRADITIONALISTS will follow on May 11th.

Performance Network Theatre presents staged readings of new plays from local playwrights at the Fireside Festival of New Works Sunday, May 2nd - Wednesday, May 5th at 8 pm. The Fireside Festival is an exciting, affordable way to see brand new plays produced by Performance Network, Michigan's premier professional theatre. Admission for all shows is pay-what-you-can with a suggested donation of $10. The festival is generously underwritten by Joseph Walters.

On May 14 and 15 the Heller Theatre will present Bertolt Brecht's The Good Woman of Setzuan. Tickets are $8 for adults and $6 for seniors/students, and can be purchased by calling 918-746-5065 or visiting www.hellertheatre.com. The Heller Theatre at Henthorne Park is located at 4825 S. Quaker Street.

Carmel Community Players (www.carmelplayers.org) will present playright Beth Henley's Crimes of the Heart during a two-week run beginning April 15, 2010. Henley's play won the Pulitzer Prize in 1981 and is the third installment in CCP's 2009-10 Season of Pulitzer Prize-winning shows.

Carmel Community Players (www.carmelplayers.org) will present playright Beth Henley's Crimes of the Heart during a two-week run beginning April 15, 2010. Henley's play won the Pulitzer Prize in 1981 and is the third installment in CCP's 2009-10 Season of Pulitzer Prize-winning shows.

Electro-art-rock iconoclasts DEVO celebrate their early recorded works from the Warner Bros. Records vaults with remastered vinyl and expanded CD editions of their second album, 1979's DUTY NOW FOR THE FUTURE, and their fourth album, 1981's NEW TRADITIONALISTS. DUTY NOW will be available beginning on April 17th, Record Store Day, on vinyl while NEW TRADITIONALISTS will follow on May 11th.

The New York Philharmonic will present SONDHEIM: The Birthday Concert on March 15 and Tuesday, March 16, 2010, at 7:30 p.m. This celebration of the 80th birthday of the great Broadway and film composer/lyricist will include his most enduring orchestral music and songs - performed, in some cases, by the stars of the original Broadway cast productions - in addition to rarely-heard material. Joining the celebration will be (in alphabetical order) Michael Cerveris, Victoria Clark, Jason Danieley, Nathan Gunn, George Hearn, Patti LuPone, Marin Mazzie, Audra McDonald, Donna Murphy, Mandy Patinkin, Bernadette Peters, and others to be announced, including surprise guests. Paul Gemignani, Mr. Sondheim's longtime collaborator, will conduct the New York Philharmonic; Lonny Price is the director; and Mr. Price and Matt Cowart are the producers.

In just the span of a few short years, Kelli O'Hara has become one of Broadway's most beloved women of musical theater. With three Tony® Award nominations in a row under her belt (The Light in the Piazza, The Pajama Game and, most recently, the critically-acclaimed revival of Rodgers and Hammerstein's South Pacific), the revered stage star is now getting ready to debut an updated version of her much-lauded cabaret act from New York's Café Carlyle at the Orange County Performing Arts Center's Samueli Theater on January 21. The intimate series of concerts will feature not only some familiar Broadway hits but also a few songs close to the singer-actor's heart, some of which can be found on her debut album Wonder of the World. She will also sprinkle the show with a few stories and anecdotes from her life: from her early childhood in Oklahoma to her debut on the Great White Way. O'Hara recently sat down for a quick chat with BroadwayWorld to discuss her early influences, her distinguished Broadway roles, and even some of her guilty pleasures.

The new touring production of 'Dreamgirls' is currently taking Wisconsin's Marcus Center by storm. Directed and choreographed by Robert Longbottom with co-choreography by Shane Sparks, the production is re-introducing audiences to the backstage drama and on-stage glamour of three young singers who are catapulted into the spotlight, and find that fame and happiness don't necessarily go hand in hand.

' OUI OUI A FRANÇA E AQUI, A REVISTA DO ANO' De Eduardo Rieche e Gustavo Gasparani Direção de João Fonseca

The sheer popularity of reality TV talent competitions, such as 'So You Think You Can Dance' and 'American Idol' is no longer undermined: these shows have proven to be global platforms capable of launching emerging talent to millions of living rooms across the world. But while the foray into everyday water-cooler talk may be fleeting for many contestants, some find a niche to showcase their talent elsewhere, namely the stage.