The Old Globe today announced the complete cast and creative team for the West Coast premiere of an exciting new American play, Rich Girl, by acclaimed playwright Victoria Stewart, continuing the Globe's 80th Anniversary festivities as part of the Balboa Park Centennial Celebration. Rich Girl will be directed by James Vasquez (Dr. Seuss' How the Grinch Stole Christmas!, Richard O'Brien's The Rocky Horror Show), and will play May 23 - June 21, 2015, in the Sheryl and Harvey White Theatre, part of the Globe's Conrad Prebys Theatre Center.
Following a sold-out 2013 debut at 54 Below, Tony Award nominee Euan Morton returns to the acclaimed Manhattan nightspot to launch his newest project, I (Heart) THE CARPENTERS. Backed by the newly-formed Downey CA Collective, Mr. Morton will perform songs made famous by the all-American jazz/pop duo Richard and Karen Carpenter. With songs from composers such as Burt Bacharach and Hal David, Paul Williams, Roger Nichols, Leon Russell, John Bettis and Richard Carpenter himself, I (Heart) THE CARPENTERS is fresh take - both extremely personal and totally universal - on mid-20th Century American pop genius, designed to be an emotional trip down memory lane for some and an exciting, memory-making first meeting for others. I (Heart) THE CARPENTERS will be performed on three consecutive Monday evenings in June: June 1st at 7 PM, June 8th at 9:30 PM, and June 15th @ 7 PM. There is a $45 cover charge and a $25 food and beverage minimum. Visit 54Below.com for tickets/reservations.
Mine is Yours theatre company, now in their second season, is itching to share their first contemporary production with Los Angeles! Bachelorette by Leslye Headland, directed by Jessica Hanna and assistant directed by Mallin Alter, will run for four weeks this Spring: March 20 - April 12, Fridays and Saturdays at 8pm and Sundays at 7pm. Tickets are $18 at the door, $15 online, and presale tickets (purchased before 3/13) are $12 each.
The New York Festival of Song's 'invaluable contemporary-music series' (The New Yorker) NYFOS Next enters its fifth season and shifts to a new format-a three-concert mini-festival during the month of February. The series is set to showcase new works from a host of composers including Adam Guettel, Gabriel Kahane, George Steel, and a preview of a pair of highly anticipated new operas: Paul Moravec's The Shining and Bright Sheng's The Dream of Red Chamber.
Christopher Marlowe's 1587 epic Tamburlaine, Parts I and II, edited and directed by Olivier Award-winner Michael Boyd and starring John Douglas Thompson, opens Sunday, November 16, at 1:00pm at Theatre for a New Audience, Polonsky Shakespeare Center, 262 Ashland Place.
The Dallas Opera's explosive second production of the 2014-2015 'Heights of Passion' Season is SALOME by Richard Strauss (whose libretto was based on Hedwig Lachmann's German translation of Oscar Wilde's play). SALOME, generally regarded as one of the masterpieces of the Late Romantic Era, opens tonight, October 30, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
The Dallas Opera's explosive second production of the 2014-2015 "Heights of Passion" Season is SALOME by Richard Strauss (whose libretto was based on Hedwig Lachmann's German translation of Oscar Wilde's play). SALOME, generally regarded as one of the masterpieces of the Late Romantic Era, opens on Thursday, October 30, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
As the first production of American Repertory Theater of WNY's 2014-15 season about to kick-off with Michael John LaChiusa's musical HELLO AGAIN, Artie Award winning director, Jeffrey Coyle took time from a busy rehearsal schedule to answer a few questions about the production schedule to open on September 11th.
Chicago Shakespeare Theater (CST) announces today the 2014/15 World's Stage Series-bringing the most fresh and innovative work from theater companies around the world to Chicago and touring CST-developed productions to festivals abroad. From Australia, South Africa, France, England, Scotland and Belgium, this season's offerings for Chicago audiences feature productions from eight internationally acclaimed theater companies. In keeping with the mission of the World's Stage program to serve as an international cultural ambassador for Chicago, the Theater is also touring CST-produced work abroad to Australia, New Zealand and Canada.
Second Stage Theatre (Carole Rothman, Artistic Director) has announced two productions for its upcoming 36th season: the first New York production in 23 years of Terrence McNally's acclaimed play, LIPS TOGETHER, TEETH APART, directed by Peter DuBois, and the world premiere of Neil LaBute's dark comedy, THE WAY WE GET BY.
Court Theatre closes its 2013-2014 season with the Chicago premiere of M. Butterfly written by David Henry Hwang and directed by Artistic Director Charles Newell, with choreography by Jamie Guan. M. Butterfly will run today, May 8 - June 8, 2014 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is Saturday, May 17, 2014 at 8:00PM.
Court Theatre closes its 2013-2014 season with the Chicago premiere of M. Butterfly written by David Henry Hwang and directed by Artistic Director Charles Newell, with choreography by Jamie Guan. M. Butterfly will run May 8 - June 8, 2014 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is Saturday, May 17, 2014 at 8:00PM.
Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays tonight, April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.
A special new Lovestream concert is now available online to celebrate the release of Sherie Rene Scott, All Will Be Well - The Piece of Meat Studio Sessions. The new Sh-K-Boom Records album is now available as a digital exclusive on iTunes, Amazon and wherever digital music is sold.
Cutting Ball Theater closes its 15th season with the American Premiere of COMMUNIQUE N°10 by French playwright Samuel Gallet, in a translation by Cutting Ball Artistic director Rob Melrose, who also helms this new work. Featuring Damien Seperi, Ponder Goddard, Maura Halloran, Wiley Naman Strasser, Paris Hunter Paul, Hugo Cabajal, and Aaron Malberg, COMMUNIQUE N°10 plays April 25 through May 25 (Press opening: May 1) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco.
Do the Arts Make Us Better People? That is the question at hand when The New Yorker staff writer Susan Orlean, Getty Trust President and CEO James Cuno and Segerstrom Center for the Arts President Terrence W. Dwyer take part in a Zocalo Public Square panel discussion about the role the arts play in shaping our lives. This special event takes place in Samueli Theater at Segerstrom Center tonight, February 11 at 7:30 p.m. and will be moderated by Jori Finkel, contributing arts writer for The New York Times. There will be a free reception following the discussion.
Stageworks Media just launched the LIVE FROM GRAMERCY PARK cabaret series at The Players Club (16 Gramercy Park South). The series kicked-off last night, January 27th, 2014 with Tony nominee Euan Morton, backed by Grandpa Musselman & His Syncopators. Mr. Morton and the six-piece jazz ensemble performed a repertoire of turn of the century ragtime, 1920?s jazz and depression-era swing by composers such as Scott Joplin, Jelly Roll Morton and Duke Ellington. Check out photos from the concert below!
The quintessential portrait of maniacal ambition and lust for power is on stage in William Shakespeare's epic history play Richard III at Folger Theatre. Robert Richmond
Do the Arts Make Us Better People? That is the question at hand when The New Yorker staff writer Susan Orlean, Getty Trust President and CEO James Cuno and Segerstrom Center for the Arts President Terrence W. Dwyer take part in a Zocalo Public Square panel discussion about the role the arts play in shaping our lives. This special event takes place in Samueli Theater at Segerstrom Center on February 11 at 7:30 p.m. and will be moderated by Jori Finkel, contributing arts writer for The New York Times. There will be a free reception following the discussion.
Stageworks Media proudly announces the launch of the LIVE FROM GRAMERCY PARK cabaret series at The Players Club (16 Gramercy Park South). The series will kick-off on Monday January 27th, 2014 with Tony nominee Euan Morton, backed by Grandpa Musselman & His Syncopators. Mr. Morton and the six-piece jazz ensemble will perform a repertoire of turn of the century ragtime, 1920?s jazz and depression-era swing by composers such as Scott Joplin, Jelly Roll Morton and Duke Ellington. Show times are at 7:00 PM and 9:30 PM (doors open 45 minutes prior to show time). Tickets are priced at $25-$35 (cocktails and light fare will be available, but there is NO food or drink minimum). Tickets are available now at http://www.brownpapertickets.com/event/537761.
The quintessential portrait of maniacal ambition and lust for power is on stage in William Shakespeare's epic history play Richard III at Folger Theatre. Robert Richmond
54 BELOW, Broadway's Supper Club, just featured Tony nominee Euan Morton, who made his debut at the acclaimed Manhattan nightspot last night, December 12th. Backed by Grandpa Musselman & His Syncopators, Morton, performed repertoire of turn of the century ragtime, 1920's jazz and depression era swing by composers such as Scott Joplin, Jelly Roll Morton and Duke Ellington. Check out photos from the concert below!
54 BELOW, Broadway's Supper Club, presents Tony nominee Euan Morton, making his debut at the acclaimed Manhattan nightspot, on Thursday, December 12th, 2013. Show time is 9:30 PM; doors will open at 8:45 PM. Backed by Grandpa Musselman & His Syncopators, Morton, will perform repertoire of turn of the century ragtime, 1920?s jazz and depression era swing by composers such as Scott Joplin, Jelly Roll Morton and Duke Ellington. There is a $25-$35 cover charge and a $25 food and beverage minimum. Visit 54Below.com for reservations and information.
Transporting audiences to an era of mobsters, moonshine, and murder, Cynthia von Buhler's SPEAKEASY DOLLHOUSE brings an actual unsolved Prohibition-era murder to life in the downtown building that once served as mobster Meyer Lansky's hangout. For three upcoming Saturday performances - November 16, November 23, and December 7 - Tony Award nominee Euan Morton will step into the DOLLHOUSE to play the role of bandleader "Henry Azelrod," performing with members of the jazz band Grandpa Musselman & His Syncopators.
Just last week, Cameron Mackintosh and Andrew Lloyd Webber's Really Useful Group announced the casting and initial tour schedule for their spectacular new production of Andrew Lloyd Webber's The Phantom of the Opera launching a major North American Tour in Providence, R.I. at the Providence Performing Arts Center. With newly reinvented staging and stunning scenic design, this new version of PHANTOM, the most successful musical of all-time, will be performed by a cast and orchestra of 52, making this one of the largest productions on tour in North America. Meet the cast below!
Videos
