Long-time YES fans, rejoice! Jon Anderson, Trevor Rabin and Rick Wakeman have announced that after a hiatus of 25 years, they are to reform the definitive YES line-up as - Anderson, Rabin and Wakeman (ARW). The tour hits Atlanta on Monday, October 10 at 8:00 p.m.
The great musician Corky Hale needs no introduction. She and her husband composer Mike Stoller have worked with everyone in the music business including Sinatra and Steisand. She is currently producing a revue entitled I Only Have Eyes For You about the music of Al Dubin. It will open at the Ricardo Montalban Theatre Friday May 13. In our chat Hale talks about the show, Dubin and about her incomparable show business life.
Frank Zappa's 3-CD Lumpy Money Project/Object set and his 2-CD Road Tapes, Venue #1 and Road Tapes, Venue #2performance albums will be reissued, and Road Tapes, Venue #3 will debut on May 27 from Zappa Records/UMe. All four titles will be available on CD and digitally.
International Master Teachers Paul Binnerts and Nancy Gabor, a disciple-cum-guru of Brechtian theater and a collaborator and confidant of the great Joseph Chaikin respectively, are thrilled to offer their wisdom and insights to American actors, theater professionals, or anyone looking to get onstage and tell a story. Their ESSENCE & PRESENCE workshops will be held from May 6-8 at Westbeth Artists Community in New York City, May 13-15 at Paloma Street Studios in Los Angeles, and May 20-22 at the Headwaters Theater in Portland, OR. Tickets to the workshops are available now at www.essenceandpresence.com.
At one point in Diana Grisanti's sharply written RIVER CITY, in its final weekend at Voices of the South, an older character challenges the 'education' that a fourteen year-old black youth has received at St. Thomas, the Catholic-run orphanage in Louisville: The young man may know history from a white perspective, but does he know anything important about his own black heritage -- and does he know what's happening in 1968, as the black community plans a demonstration to protest the rehiring of a police officer guilty of harassment? (Yes, sadly, the times . . . they aren't always 'a-changin' -- sorry, Mr. Dylan.) I remember an instance when, as a white youngster in a rural town outside Memphis, I first heard the name 'Martin Luther King.' Our school bus had already run, and I was waiting for the bus of my best friend (who happened to be black) to drop him off so that he could rid himself of his books, change clothes, and come out to play. When he descended from the bus, I walked with him down the lane where he lived with his grandparents. I asked him what he had done in school that day, and he replied that he learned who the father of 'his' country was. 'George Washington,' I interrupted. 'No,' he insisted. 'The father of 'his' country was Martin Luther King.' In just a few years, some great strides would be made; however, I am nearing seventy now -- and the ugliness of racism is still omnipresent. Not only does police harassment still dominate the news, but, with the OSCARS being broadcast Sunday evening, there is a planned boycott by a number of black actors and actresses over the lack of racial diversity among the major nominees.
THE PRODUCERS touring company will play two performances at Riverside's Fox Performing Arts Center on Saturday, February 14, 2016. BWW interviewed David Johnson, who plays Max Bialystock.
The DAMES AT SEA star is a star of social media with her hilarious comments.
Halloween Spooktacular is perfect for those who enjoy the lighter side of Halloween or those looking for a funnier way to celebrate the ghoulish holiday.
Harold Pinter was born in Hackney, in London's East End, in October of 1930. An only child, he was born to Jewish parents of very moderate means; his father, a tailor, and his mother, a homemaker, were first-generation descendants of Eastern European immigrants. Like many of his contemporaries, Pinter's childhood was shaped by the onslaught of World War II; at the age of nine, he was evacuated from London through Operation Pied Piper and resettled in a town in Cornwall. The sense of isolation he felt in Cornwall would come to influence his work, as would the changed London to which he returned during the Blitz, where he was witness to, as his 2008 Guardianobituary put it, 'the dramatic nature of wartime life - the palpable fear, the sexual desperation, the genuine sense that everything could end tomorrow.'
Woodie King Jr's New Federal Theatre kicks off its 47th season a rare revival of Martin Duberman's In White America, not seen in NYC for 50 years! In White America, directed by Charles Maryan, will begin performances October 15th, with opening night set for October 29th at the Castillo Theater (543 West 42nd Street). This limited Off-Broadway engagement will continue through November 15th only.
Today, BWW speaks exclusively to Micky Dolenz about the upcoming show, his fondest memories of THE MONKEES television show, and what he thinks of the idea of a MONKEES-themed musical on Broadway!
The McKittrick Hotel (542 West 27th Street), home of the immersive theater spectacle Sleep No More, announces a summertime rooftop film series curated by film and television icon/comedienne Amy Poehler beginning on July 14, 2015 and continuing throughout the summer and early fall atop The McKittrick, the one-stop nightlife destination in Chelsea.
In an unprecedented collaboration, the Louis Armstrong House Museum in New York City and the Louisiana State Museum in New Orleans have partnered on the exhibit: Satchmo: His Life in New Orleans to tell the story of Louis Armstrong's complex relationship with his hometown. The exhibit will coincide with the 100th anniversary of his first professional gig at Henry Ponce's in New Orleans in 1915.
The audiences at Miller Outdoor Theatre got a big, fat welcome back to the early 1960s, where tall hair and bright, jarring outfits were all the rage, thanks to TUTS' Humphreys School of Musical Theatre's fun and boisterous production of HAIRSPRAY.
With a pastiche score by Marc Shaiman and Scott Whitman and witty book by Mark O'Donnell and Thomas Meehan HAIRSPRAY is a faithful musical version of John Waters' 1988 film of the same name. The story follows larger-than-life Tracy Turnblad as she tries to secure a coveted spot on the famous Corny Collins Show -- no easy task thanks to the show's producer, Velma Von Tussle and her daughter, Amber. Backed by her doting father Wilbur, plus-sized and hesitant mother Edna, and sheltered best friend Penny, Tracy won't let anything stop her as she sets out to change Baltimore, and the world, for good. The stage was full of wonderful performers, so much so that it was difficult to choose whom to watch.
When I first heard that Peter Quilter's End of the Rainbow, the story of the demise of Judy Garland during her gig in December, 1968 at Talk of the Town, London, was going to be produced at ICT, Long Beach, I remember thinking 'They'd better get a super dynamic actress. Not everyone can play Judy Garland!' Whether you believe that the events that happen onstage really did occur seems irrelevant in ICT's production; what is all wrong is the casting. Unfortunately, Gigi Bermingham, a fine actress/singer, just does not make the cut. Within five minutes of her first entrance, I saw a woman playing an actress/singer with emotional problems, but that woman might as well be herself; it is not Judy Garland.
the cell in association with The Furies will present a newly adapted version of Henrik Ibsen's GHOSTS entitled GHOSTS AFTER IBSEN written by Thomas Kilroy and directed by Austin Pendleton. Previews begin Monday, March 2, 2015 and the production will run until Thursday, March 19, 2015 at the cell, 338W 23rd St. The official opening will be on Friday, March 6th at 7:00 PM.
Following the internationally acclaimed production with sold-out engagements on Broadway and in London's West End, television legend, Oscar recipient and five-time Tony Award-winner Angela Lansbury returns to the stage in Noel Coward's smash-hit comedic play 'Blithe Spirit' in an exciting North American tour to be launched at Center Theatre Group's Ahmanson Theatre.
Gary Naylor sees a spectacular musical that has its heart, if not always its sense of humour, in the right place as the Essex Girls of 1968 come out on top.
This is one of the most fabulous, intimate musicals you will ever see: Metro Stage's revival of Janet Pryce and Thomas W. Jones II's Three Sistahs features a brilliant, gospel-inspired musical score by local composer William Hubbard and one of the strongest casts on the DC theatre scene; it all adds up to an unforgettable family portrait.
"I really, really miss high school theatre."
This was the first thought I had as I entered, sat and watched, and exited McCallum Fine Arts Academy' production of The Producers. Because I first-handedly know how much work- and how much fun- it is to spend countless hours rehearsing (need to interject that these dedicated students spent their summer rehearsing for this show), running the show countless times, and making several costume and set changes, showstopping numbers, and putting on a beloved Broadway musical on their high school stage look easy. And MacTheatre pulled it off.
Following the internationally acclaimed production with sold-out engagements on Broadway and in London's West End, television legend, Oscar recipient and five-time Tony Award-winner Angela Lansbury returns to the stage in Noel Coward's smash-hit comedic play 'Blithe Spirit' in an exciting North American tour to be launched at Center Theatre Group's Ahmanson Theatre.
In 1968 'Hair,' dubbed the American Tribal Love-Rock musical, exploded on Broadway. It shocked the nation, but gave an accurate picture of a world rocked with chaos. The Vietnam war raged, the peace movement flourished, draft cards were burned, rebellion against traditional values exploded. 'Drugs, sex and rock and roll' became the mantra of the day and were clearly exposed on stage. The show's book was strong and the score was filled with top ten hits including 'Aquarius,' 'Good Morning Starshine,' 'I Believe in Love,' and 'Where Do I Go?' It became the seminal musical theatre offering illustrating 'theater representing the era from which it comes.'
"It was never going to be South Pacific. It's the same place at the same time - but it's not the same." It's a very different experience talking to Stuart Brayson, creator of From Here To Eternity. He's not a cautious, guarded first-time West End composer; he's outspoken, funny and honest.
The Colony Theatre is thrilled to present Ian Buchanan and Mariette Hartley starring in THE LION IN WINTER, written by James Goldman and directed by Stephanie Vlahos. THE LION IN WINTER will preview tonight, April 16; Thursday, April 17; and Friday, April 18 at 8:00pm and will open on Saturday, April 19 at 8:00pm and continue through Sunday, May 18 at The Colony Theatre, 555 N. Third Street (at Cypress) adjacent to the Burbank Town Center Mall.
| 1968 | Off-Broadway |
Off-Broadway |
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