A Language of Their Own 1995 - Articles Page 4

This February, Lincoln Center will present a plethora of music, dance, theater, and panel events across the campus and beyond. David Rubenstein Atrium continues to offer free programming, consisting of diverse live performances, and panel conversations. The 2019-20 season of LC Kids (October 5a?"June 7, 2020) is in full swing with free and ticketed events developed for toddlers, children, and teenagers stepping into young adulthood. The ongoing Great Performers series (October 29a?"May 16, 2020) brings an array of beloved musicians and up-and-coming artists to the Lincoln Center stage. American Songbook (January 22a?" February 29) concludes its latest season with artists performing Broadway, folk, classical, and more. 

Chicago's own Trinity Irish Dance Company (TIDC) returns to the Auditorium Theatre's landmark stage on Saturday, February 29, 2020, following its lauded 2019 performance at the theatre.

Slava's Snowshow is officially in previews on Broadway! Returning to the New York stage for the first time in over a decade to delight a whole new generation of theatergoers, the singular troupe of SLAVA'S SNOWSHOW brings its spellbinding and romantically wistful theatrical adventure back stateside for the holiday season.

Irish Arts Center and Baryshnikov Arts Center join forces again to present the U.S. premiere of Colin Dunne's Concert, in which he takes on the widely influential Irish fiddle player Tommie Potts' iconic—and notoriously choreographically challenging—1972 album The Liffey Banks, armed with an LP, tape recorder, portable speakers, and sheets of flooring. Choreographed and performed by Dunne, and created in collaboration with director Sinéad Rushe and composer and sound designer Mel Mercier, Concert, which The Irish Times, in a five-star review, described as “warm, funny, respectful, and irreverent,” comes to Baryshnikov Arts Center November 14-16.

The examination of existence, language, and self is nothing new within the walls of a theatre, but KNIVES IN HENS manages to expand on all these themes a?" and then some a?" using straightforward and highly effective text in this new production of the 1995 David Harrower play.

Tickets are on sale from Monday 14 October 2019 for Sadler's Wells' Spring 2020 season, which features three world premieres, seven UK premieres, and 12 Sadler's Wells Productions and co-productions, as well as a host of new creative partnerships involving artists from all over the world.

Tickets are on sale from Monday 14 October 2019 for Sadler's Wells' Spring 2020 season, which features three world premieres, seven UK premieres, and 12 Sadler's Wells Productions and co-productions, as well as a host of new creative partnerships involving artists from all over the world.

The Academy of American Poets is pleased to announce the winners of the 2019 American Poets Prizes, which are among the most valuable and venerable poetry prizes in the United States. This year the organization has awarded more funds to poets than any other organization, giving a total of $1,250,000 to poets at various stages of their careers.

When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.

Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater presented a reading of Chay Yew's A Language of Their Own on June 23rd as part of Pride Plays, a festival of play readings commemorating the 50th anniversary of the Stonewall Uprising at Rattlestick Playwrights Theater in New York. Nick Mayo serves as Festival Director.

The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.

The National Theatre has announced 15 productions of new plays and fresh adaptations by leading writers.

The 29th annual Inside Out Toronto LGBT Film Festival (Inside Out), championing innovative LGBTQ filmmakers from across the globe, revealed its full feature and short film lineup. The announcement was made today by Inside Out's Executive Director Andria Wilson and the festival's Director of Programming Andrew Murphy. Inside Out, which launched the first ever annual LGBTQ Film Finance Forum, has established itself as an international home and incubator for LGBTQ emerging and established filmmakers. This year's festival will take place May 23 to June 2, 2019.

The Trap Door Theatre Presents THE KILLER, which will run from Thursday, May 30, 2019 at 8PM to Saturday, July 6, 2019 at 8PM.

Museum of Art and Design (MOAD) at Miami Dade College (MDC) will present Where the Oceans Meet, an exhibition of modern and contemporary art that resonates with the pioneering thought of two Caribbean writers, Lydia Cabrera and Edouard Glissant. The international group of thirty-eight artists and collectives in the exhibition consider notions of shifting and porous borders-geographic, national, cultural, social, racial, ethnic, and linguistic-and how crossing borders has shaped our world. The exhibition is curated by Hans Ulrich Obrist, Asad Raza, Gabriela Rangel, and Rina Carvajal. Where the Oceans Meet will be on view from May 26 to September 29, 2019.

In the days leading up to Lambarena, the Milwaukee Ballet has taken great care to educate its own dance company and the Milwaukee community in the art of African dance. Roxy Kess and Yaya Kambaye of local ensemble Xalaat Africa Drum and Dance for Life taught a class to the Company and Milwaukee Ballet II (MBII), as well as all Milwaukee Ballet School & Academy locations. Kess and Kambaye also attended two of the rehearsals for Lambarena to offer feedback.  Last weekend, a free class was held for the public: 'No previous African dance experience is necessary,' claimed the Facebook event. Well sign me up!

Red Bull Theater (Jesse Berger, Artistic Director | Jim Bredeson, Managing Director) today announced a very special pop-up benefit event - Adam Gopnik: An Evening of Stories with guest appearance by comedian and author Mike Birbiglia. This will take place for one night only on Sunday April 7th at 7pm at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson Streets).

In a fitting conclusion to his illustrious tenure at STC, Michael Kahn is bringing a dream project to the stage. 'I've always wanted to do all of The Oresteia,' he says. 'When I was in college, we read the whole Oresteia, and I was completely fascinated by the story, by the form, by the relationships, by the incredible depths of what it was about-violence, revenge, and the search for human justice.'

Sophisticated Sephardi Sounds at 2nd American Sephardi Music Festival Featuring Yemen Blues, Laura Bello, NY Andalus Ensemble, and Renowned Turkish Pianist Renan Koen!

This October, 1,000 singers from across New York City's five boroughs will come together on the High Line for the premiere performances of The Mile-Long Opera: a biography of 7 o'clock. Due to overwhelming demand for tickets to the previously announced performances (October 3-7), an encore performance will be added on October 8.Tickets for this additional night will be made available first to members of the public currently on the waitlist, on a first come, first served basis, beginning Thursday, September 27, at noon. Those interested in accessing these tickets may join the waitlist at milelongopera.com. Tickets for The Mile-Long Opera are free, but advance registration is required. A standby line will open 30 minutes prior to the 7:00pm time slot on all performance dates.

Lantern Theater Company kicks off its 2018/19 season with the regional premiere of Hapgood by Tom Stoppard. Longtime Lantern artistic collaborator Peter DeLaurier will direct a cast that includes McKenna Kerrigan as MI5 spymaster Elizabeth Hapgood, with Damon Bonetti, Kirk Wendell Brown, Trevor William Fayle, Christopher Patrick Mullen, Adam Phelan, David Pica, William Zielinski, and young actors Charles LaMonaca and Will Zielinski, who will share the role of Hapgood's son Joe. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, September 12 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. Performances run Thursday, September 6 through Sunday, October 14, 2018; a full schedule of performances and related special events is included in the fact sheet below.

From October 6 to 27 at the Upper East Side's Bohemian National Hall and Jan Hus Church, GOH Productions will present a Centennial Heritage Festival, featuring mainstage marionette theater productions for adults and kids and musical concerts for audiences of all ages. The festival celebrates two auspicious anniversaries: the Centennial Anniversary of the founding of Czechoslovakia (1918) and the Millennial Anniversary of the unification of the Lands of the Czech Crown, under Duke Oldrich (1018).

Jacob's Pillow announces the second season of residencies offered through the Pillow Lab, a year-round incubator of new work that encompasses a robust series of customized artist residencies. Built from the Jacob's Pillow mission as an integral component of Vision '22-the organization's five-year strategic plan which drives the Pillow's transition into a year-round institution-the Pillow Lab strengthens the artistic core of Jacob's Pillow by increasing resources that nurture the process of choreography and proactively investing in the development of new work.

Theater Resources Unlimited (TRU) announces How To Write a Musical That Works feedback workshop #3: Reckoning and Resolution onSunday, August 5, 2018 from 10am-6pm at Studios 150, 150 W. 46th Street, 7th floor Studio 7.5. Submission deadline is extended to July 27, 2018.

A screen door allows circulation-of air, light, conversation. It is a porous boundary, used to mark the transition between inside and out, the personal and public. In the South and beyond, the screen door, like the porch, is a social mediator. It exposes the home to the neighborhood, while still maintaining a veil of privacy. In summer's heavy heat, it is of the utmost importance. The four painters in this exhibition have set up a screen, a scrim, a partition in their paintings that allows them to operate within the exterior, coaxing out the mercurial habits of painting behind a seemingly sound surface.