One of the most popular and successful plays of modern times, You Can't Take It With You is Kaufman and Hart's hilarious, delightful portrait of a charmingly eccentric family.
The Repertory Theatre of St. Louis (The Rep) will present one of the best musicals ever written, Sunday in the Park with George. With music and lyrics by Stephen Sondheim and book by James Lapine, the show will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, January 4 - 29, 2012.
The Repertory Theatre of St. Louis (The Rep) will present one of the best musicals ever written, Sunday in the Park with George.
There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.
Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Interim Managing Director Joshua Borenstein, presents the Tony Award-winning musical Ain't Misbehavin' on the Mainstage from Oct. 26 through Nov. 20.
Bright, sunny, clarion-voiced leading lady Liz Callaway is not only known for her roles in the Broadway productions of MERRILY WE ROLL ALONG, BABY, CATS, MISS SAIGON and THE LOOK OF LOVE, but also for her string of highly-successful studio albums - among them, the sensational 60s ode THE BEAT GOES ON and the musical theatre-centric THE STORY GOES ON, in addition to last year's superlative PASSAGE OF TIME - and, she is also well-loved for stunning live stage double-bills with her sister, Ann Hampton Callaway - represented on record by SIBLING RIVALRY and, now, the new live album and show all about baby boomers and their sensational music, titled BOOM! In this all-encompassing conversation, Callaway and I parse her predilection for certain composers - Burt Bacharach, Jimmy Webb, Stephen Sondheim and many more included - as well as her memories of working with some of the most important musical theatre creators of the twentieth century over the course of her thirty-year career, such as legendary director Hal Prince and Sondheim himself on projects diverse as MERRILY WE ROLL ALONG, A STEPHEN SONDHEIM EVENING and FOLLIES: IN CONCERT. Plus, we also talk about Callaway's various musical influences, her childhood, her first Broadway show and first Broadway onstage experience, revisiting MERRILY twenty years later with the entire original cast, live versus studio performing, as well as what's coming up next for her in the coming months and new year - including the Christmas stage spectacular, YULETIDE - and more!
Pulitzer Prize winning author and journalist William Kennedy was the guest of honor at a special toast at popular Theater District eatery, Trattoria Dopo Teatro. Longtime friend and noted film and theater producer Barbara Ligeti along with Trattoria Dopo Teatro owners architect Emilio Barletta & Giuseppe Manica hosted the reception to salute the author on the release of his eagerly anticipated new novel, 'Chango's Beads and Two Toned Shoes'.
Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!
Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Interim Managing Director Joshua Borenstein, presents the Tony Award-winning musical Ain't Misbehavin' on the Mainstage from Oct. 26 through Nov. 20.
Never more apparent than at this very moment in history, the operatic emotions, over-the-top theatrics and outrageous outspokenness of the 1983 SCARFACE, new on Blu-ray this week, burst forth from screens both large and small, depending on your preferred venue. And, with the fiery, ferocious fearlessness that Brian DePalma so astutely and assuredly weaves his web of debauchery and demons of the soul, heart and mind with - its apotheosis residing in Al Pacino's legendary essaying of the title role - the world finally seems ready to see SCARFACE for what it really is: a classic American film. No, there are not many modern day classics and there certainly have not been over the last thirty years since its release, but SCARFACE is unquestionably now part of the great pantheon of American films - just as much as CITIZEN KANE, CABSABLANCA and THE GODFATHER before it - and with Fathom's re-release of the film in movie theaters for one night only last week, the impact of the film as felt in its true artistic home was something akin to transcendental. Indeed, I was lucky enough to check out the HD print in a showing in Ithaca, NY, last week, which was also accompanied by an ultra-informative and revealing behind-the-scenes look at the production and subsequent legacy of the near-thirty-year-old film which is also available in an even more expanded form on the new Blu-ray - including new interviews with Brian DePalma, Al Pacino, Steven Bauer, Robert Loggia, Martin Bregman, as well as comments from fellow filmmakers and fans like Eli Roth (who shares a particularly hilarious anecdote about reciting Lopez's monologue for classmates in sixth grade). The new Blu-ray is packed to the brim with Special Features - including this brand new hour-long making-of documentary to go along with the hours of bonuses ported over from many of the prior DVD releases. Yet, above all of these other virtues, the reason you must own SCARFACE on Blu-ray is not just because the HD remastering of the image is pristine, the 7.1 sound is perfect and the Special Features are overwhelmingly enjoyable, but - most of all - it is because SCARFACE is American movie-making at its finest - and most emotionally, visually and outwardly operatic. It sings. And stings. And zings. And, bring it - all.
As A Christmas Story, The Musical! prepares to launch a five-city national tour for the 2011 holiday season, the show's producers, including Peter Billingsley, who starred as Ralphie in the original 1983 film, take their search for talented children to the internet.
A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season on August 117 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus.
ClassicsFest 2011 - The Antaeus Company, L.A.'s classical theater ensemble, presents its 7th 'summer splash' of actor-initiated workshops, readings, and special events. Audiences can choose from a veritable smorgasbord of the classics. This week: The Matchmaker by Thornton Wilder, You Can't Take It With You by George S. Kauffman and Moss Hart, and a Wild Card audience favorite from the Festival.
ClassicsFest 2011 - The Antaeus Company, L.A.'s classical theater ensemble, presents its 7th 'summer splash' of actor-initiated workshops, readings, and special events. Audiences can choose from a veritable smorgasbord of the classics. This week: The Matchmaker by Thornton Wilder, You Can't Take It With You by George S. Kauffman and Moss Hart, and a Wild Card audience favorite from the Festival.
Actress Dee Wallace, best known as the mother of Henry Thomas and Drew Barrymore in Steven Spielberg's E.T., is not only an award-winning actress but renowned acting coach and healer. The healing part of her career came out of the needs of her own personal turmoil. She has written three books, the latest called Bright Light. In our chat, she talks about the roots of her healing process and its components, Bright Light and her best loved work onscreen.
The Colony Theatre is thrilled to present the second production of its 37th season of shows - its first ever with six productions instead of five! Hal Linden & Christina Pickles will star in the classic, ON GOLDEN POND, written by Ernest Thompson and directed by Cameron Watson (Trying, Grace and Glorie).
Is there a trend with Tony-nominated stars of Broadway musicals taking the show on the road?
The Colony Theatre is thrilled to present the second production of its 37th season of shows - its first ever with six productions instead of five! Hal Linden & Christina Pickles will star in the classic, ON GOLDEN POND, written by Ernest Thompson and directed by Cameron Watson (Trying, Grace and Glorie).
A.R.T. American Repertory Theater (A.R.T.) opens its 2011-12 season with The Gershwins' Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin. The adaptation by Pulitzer Prize-winning playwright Suzan-Lori Parks and Obie Award-winning composer Diedre L. Murray, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Ronald K. Brown, begins previews on August 17 and opens for the reviewing press on August 31 at 7pm. Performances are at the Loeb Drama Center, 64 Brattle Street, Cambridge. Tickets for preview performances are currently on sale, remaining tickets for the run go on sale on July 12.
'Your numbers are lower than Gandhi's cholesterol; and, after the election, we'll see you at Swap Meets signing autographs. You LOSER.' It's not easy to be a president running for re-election, clearly, in David Mamet's scathingly hilarious November, beginning its area premiere at Stage West on Thursday, June 23.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Music-Theatre Group (Diane Wondisford, Producing Director) has announced "Hey, Mary": An Interview with Mary Rodgers (Griffin and the Minor Canon, Once Upon A Mattress, Hey, Love) moderated by her colleague and friend Thomas Schumacher (Producer and President, Disney Theatrical Group) about her music, her muses, and the fascinating world of musical theatre that she was born into and has helped shape.
Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.
Hottest Articles on BroadwayWorld.com from this weekend Sunday, April 17, 2011 - Sunday, April 17, 2011.
Bullet for Adolf is a brand new play getting its World Premiere in Toronto next week. Directed by Woody Harrelson, the play is loosely autobiographical and based around one summer in his life back in 1983. With a cast of young up-and-coming Canadian actors and a great creative team, Bullet for Adolf is shaping up to be quite the hit. BWW sat down and spoke with one of the actors, David Coomber, about his experiences working with Woody, social media and what comes next for him.
The high energy musical comedy Crazy for You closes April 17.
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