Let's just say, for the moment, that I owned the Venus de Milo. I don't know how it happened. Maybe some ancient Greek stone cuttings were found that led to a Middle Ages parchment that inspired someone to do some research on ancestry.com, but in any case, it has been indisputably determined that I am the sole owner of sculptor Alexandros of Antioch's Venus de Milo.
Casting is announced for "Morning's at Seven," a Script in Hand play reading of the Tony Award-winning comedy by Paul Osborn, at Westport Country Playhouse, on Monday, February 13, 7 p.m. Tickets to the one-night-only event are $15.
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. The 2011 BWW Chicago Awards, new facilities for Black Ensemble Theater, Stage 773 and Light Opera Works, plus an overview of year-end Loop musical productions and more...
Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!
Iconic Canadian contemporary dancer Louise Lecavalier performs a program of physical, compelling works during a limited engagement at Jacob's Pillow Dance Festival July13-16. This is a rare opportunity for audiences to see Lecavalier perform in the United States; the company will give four performances. In the U.S. premiere of the duet Children, choreographed by DV8 Physical Theatre's Nigel Charnock, Lecavalier performs with Patrick Lamothe, opening a window into a relationship at its breaking point. In A Few Minutes of Lock, also seen in its U.S. premiere, Lecavalier powers through the signature athletic choreography of Édouard Lock to a soundscape of Iggy Pop music.
Hit making group and Soul Train Hall of Fame members The Pointer Sisters are set to perform their greatest hits of the 70s and 80s at The Orleans Showroom, July 16 and 17, each evening at 8 p.m.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Thrillpeddlers is pleased to announce a Pay What You Can benefit performance,Sunday, Jan. 16, 2011 at 7:00 pm at the Hypnodrome Theatre of its award-winning production PEARLS OVER SHANGHAI, San Francisco's longest-running Cockettes Musical Hit.
Thrillpeddlers is pleased to announce a Pay What You Can benefit performance,Sunday, Jan. 16, 2011 at 7:00 pm at the Hypnodrome Theatre of its award-winning production PEARLS OVER SHANGHAI, San Francisco's longest-running Cockettes Musical Hit.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Thrillpeddlers is pleased to announce a Pay What You Can benefit performance,Sunday, Jan. 16, 2011 at 7:00 pm at the Hypnodrome Theatre of its award-winning production PEARLS OVER SHANGHAI, San Francisco's longest-running Cockettes Musical Hit.
According to Baz Bamigboye for UK Daily Mail, David Hare's new play, SOUTH DOWNS was writted in response to THE BROWNING VERSION by Terence Rattigan. The show is set for a run at Chichester, where, according to artistic director Jonathan Church, BROWNING VERSION will appear during the same season.
Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.
Edward Herrmann and Jill Clayburgh will headline a reading of CHASING THE TIGER, a new play by Gail Sheehy, on June 5 to benefit Community Mental Health Affiliates Methodist Church.
Edward Herrmann and Jill Clayburgh will headline a reading of CHASING THE TIGER, a new play by Gail Sheehy, on June 5 to benefit Community Mental Health Affiliates Methodist Church.
In South Coast Repertory's truly excellent World Premiere play DOCTOR CERBERUS (with performances continuing through May 2), playwright Roberto Aguirre-Sacasa takes us back to the mid-1980's to witness the witty coming-of-age tale of one young awkward teen who is just a tad smarter than his years will allow. This, like in all misfits, causes him to be quite anguished by the very nature of his uniqueness in the world. Factor in a standard-issue dysfunctional family that can't quite understand him, and you have the makings of a winning narrative that has plenty of laughs, pathos and enough poignant moments that has us rooting for our hero to make it through to the end unscathed. Growing up different is scary. More broadly, life itself is scary.
Artistic Director of the internationally acclaimed Donmar Warehouse, Michael Grandage, today announced new details surrounding the new Donmar season through until February 2011 including. Casting has been announced for Polar Bears; David Leveaux has been pronounced director of Simon Gray's The Late Middle Class; von Kleist's The Prince of Homburg has been added to the season; new events in celebration of Sondheim's 80th birthday - in addition to the production of Passion - have been revealed; and Michael Grandage has been confirmed to direct Derek Jacobi in King Lear.
Artistic Director of the internationally acclaimed Donmar Warehouse, Michael Grandage, today announced new details surrounding the new Donmar season through until February 2011 including. Casting has been announced for Polar Bears; David Leveaux has been pronounced director of Simon Gray's The Late Middle Class; von Kleist's The Prince of Homburg has been added to the season; new events in celebration of Sondheim's 80th birthday - in addition to the production of Passion - have been revealed; and Michael Grandage has been confirmed to direct Derek Jacobi in King Lear.
Carrie Dunn, BWW:UK's editor-in-chief, talks to the Monkee about his musical theatre work and why he wants to play King Arthur...
Celebrate the beginning of a new year and the end of the world as we know it - as SAN DIEGO REPERTORY THEATRE presents boom.
Celebrate the beginning of a new year and the end of the world as we know it - as SAN DIEGO REPERTORY THEATRE presents boom.
Jean-Baptiste Molière is on top of the world - at the centre of Louis XIV's court, author of countless popular hits, and in love with a woman half his age. But what the audiences see as sparkling satire, the authorities see as dangerous and subversive. As soon as he takes a wrong step, his fall from grace is assured.
Celebrate the beginning of a new year and the end of the world as we know it - as SAN DIEGO REPERTORY THEATRE presents boom.
Celebrate the beginning of a new year and the end of the world as we know it - as SAN DIEGO REPERTORY THEATRE presents boom.
1982 | Off-Broadway |
Off-Broadway |
1983 | Broadway |
Broadway |
2016 | Off-Broadway |
Public Theater Off-Broadway Revival Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1983 | Drama League Awards | Distinguished Performance Award | Kate Nelligan |
1983 | Drama League Awards | Distinguished Performance Award | Edward Hermann |
1983 | New York Drama Critics Circle Awards | Best Foreign Play | David Hare |
1983 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | George N. Martin |
1983 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Edward Herrmann |
1983 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Kate Nelligan |
1983 | Tony Awards | Best Play | David Hare |
1983 | Tony Awards | Best Play | Joseph Papp |
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