Robert M. Morgenthau, Henry Morgenthau, Jr., and Henry Morgenthau, Sr. -three men who courageously spoke out against injustice when no one else would -represent more than a century of one family's dedication to public service.
Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.
The November-December public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust has been announced.
Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November
stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and
Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.
The November-December public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust has been announced.
The New York Musical Theatre Festival (NYMF) has announced the full slate of 27 musical productions, a developmental reading series and special events for their seventh annual festival. This year's Festival will begin September 27th and continue through October 17th. A full breakdown of this year's performances follows.
The Museum of Modern Art's Summergarden concert series returns to The Abby Aldrich Rockefeller Sculpture Garden for four Sunday evenings beginning July 11, 2010. Summergarden, a tradition that began in 1971, is part of MoMA's long history of presenting jazz and classical music, including several premieres, in the Sculpture Garden. MoMA once again welcomes the participation of The Juilliard School and Jazz at Lincoln Center, whose collaboration makes Summergarden possible.
Bell Road Barn's AND THEN THERE WERE NONE Enters Final Weekend
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
Last Saturday night, April 10, 2010, Chicago's Provision Theater Company presented the world premiere dramatic adaptation of the book 'The Hiding Place,' the real-life story of Corrie ten Boom, a Dutchwoman arrested by the Nazis who survived life in a concentration camp.
Dallas Theater Center Artistic Director Kevin Moriarty announced today the company's 2010-11 season slated for the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center and the historic Kalita Humphreys Theater. DTC's 52nd season will include two classics never seen before at DTC, a wildly funny comedy, two musicals, a world premiere, and two grand dames of theater.
American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the lineup of the company's 44th subscription season today. Recently commended for its 'sophisticated artistry' (The New York Times) and its 'intellectual passion [and] guts' (Los Angeles Times), A.C.T. has put together an eclectic mix of plays with big theatrical visions and ideas, from reimagined classics to bold new plays.
Houston Ballet will close its current production, American at Heart, featuring two ballets that are significant to the history American dance (George Balanchine's Apollo and Jerome Robbins's Fancy Free) and one work inspired by American popular culture and created specifically for an American company (Christopher Bruce's Hush, choreographed for Houston Ballet in 2006). The production will close March 21st.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Houston Ballet presents American at Heart, featuring two ballets that are significant to the history American dance (George Balanchine's Apollo and Jerome Robbins's Fancy Free) and one work inspired by American popular culture and created specifically for an American company (Christopher Bruce's Hush, choreographed for Houston Ballet in 2006). The production will run March 11th through March 21st, 2010.
Toots Thielemans, the founding father of jazz harmonica, returns to New York for the first time in two years for a rare set of performances at the Blue Note from March 4 - 7.
Toots Thielemans, the founding father of jazz harmonica, returns to New York for the first time in two years for a rare set of performances at the Blue Note from March 4 - 7.
In March 2010, the National Jazz Museum in Harlem presents public programming that brings jazz fans closer to artists-emerging to living masters-that embody the art form that defines America to itself and to the world.
Northrop Dance at the University of Minnesota brings the classic beauty of George Balanchine performed by The Suzanne Farrell Ballet, one of the world's most pioneering ballerinas and Balanchine's famous muse.
Toots Thielemans, the founding father of jazz harmonica, returns to New York for the first time in two years for a rare set of performances at the Blue Note from March 4 - 7.
The March-April public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust will feature controversial films, engaging performances, family-friendly fare, and compelling discussions.
The Frist Center for the Visual Arts closes the 2009 exhibition year and welcomes the new with Georgia O'Keeffe and Her Times: American Modernism from the Lane Collection of the Museum of Fine Arts, Boston on view in the Ingram Gallery from Oct. 2, 2009 through January 31, 2010.
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