Mozart 1926 - Articles Page 3

Opera singer, Brian Asawa has died following a long illness on April 18, 2016, at the age of 49.  He was a Japanese-American countertenor. 'In his prime', according to Opera News, 'Asawa was an electric performer, his fearless performing style supported by a voice of arresting beauty and expressivity'. 

Bramwell Tovey returns to the New York Philharmonic to conduct Massenet's Ballet Music from Le Cid; Falla's Nights in the Gardens of Spain, with pianist Joyce Yang as soloist; and Falla's The Three-Cornered Hat (complete ballet), with mezzo-soprano Virginie Verrez in her Philharmonic subscription debut, Today, March 30, 2016, at 7:30 p.m.; Thursday, March 31 at 7:30 p.m.; Friday, April 1 at 11:00 a.m.; Saturday, April 2 at 8:00 p.m.; and Tuesday, April 5 at 7:30 p.m.

Bramwell Tovey returns to the New York Philharmonic to conduct Massenet's Ballet Music from Le Cid; Falla's Nights in the Gardens of Spain, with pianist Joyce Yang as soloist; and Falla's The Three-Cornered Hat (complete ballet), with mezzo-soprano Virginie Verrez in her Philharmonic subscription debut, Wednesday, March 30, 2016, at 7:30 p.m.; Thursday, March 31 at 7:30 p.m.; Friday, April 1 at 11:00 a.m.; Saturday, April 2 at 8:00 p.m.; and Tuesday, April 5 at 7:30 p.m.

SANTA CLARA, CA, February 17, 2016 – Santa Clara University announced today the full line-up of live theatre, music and dance events taking place in February and March 2016.

?Santa Clara University announced today the full line-up of live theatre, music and dance events taking place in February and March 2016.

San Francisco Opera General Director David Gockley and Music Director Nicola Luisotti today announced the Company's 2016–17 Season repertory and roster of international guest artists, conductors and creative teams scheduled to appear at the War Memorial Opera House, as well as initial programming for SF Opera Lab 2017 presentations at the Diane B. Wilsey Center for Opera's Taube Atrium Theater. The Company's 94th Season will also mark Matthew Shilvock's inaugural year as San Francisco Opera's new general director, succeeding his mentor and internationally respected impresario, David Gockley, who will step down on July 31, 2016.

Seattle Public Theater (SPT) is proud to present Amadeus, Peter Shaffer's magnificent story of Wolfgang Amadeus Mozart, directed by Shana Bestock at the historic Green Lake Bathhouse Theater from January 29 through February 21, 2016. Tickets are $34 for adults, $32 for seniors, $17 for youth under 25, and $5 for youth under 12. Tickets are available by calling the SPT Box Office at 206-524-1300 or visiting www.seattlepublictheater.org.

Charles Dutoit will return to the New York Philharmonic to lead Mozart's Piano Concerto No. 9, Jeunehomme, with Yuja Wang as soloist, and Respighi's Roman Festivals, Fountains of Rome, and Pines of Rome, Wednesday, February 3, 2016, at 7:30 p.m.; Thursday, February 4 at 7:30 p.m.; Friday, February 5 at 8:00 p.m.; and Saturday, February 6 at 8:00 p.m.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

Sarasota Opera is seeking volunteer male bodybuilders to appear as supernumeraries (non-singing extras) for its winter season production of Verdi's opera AIDA. Rehearsals will be in the evenings in January of 2016 and will NOT be every night. There will be 12 performances total beginning on January 30 and concluding on March 19th. This is a volunteer position.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

 Celebrated mezzo-soprano Julia Migenes (Diva on the Verge) returns to the Odyssey Theatre with her newest show, once again directed by Academy Award-nominated director Peter Medak. Julia Migenes Sings Kurt Weill opens at the Odyssey tonight, October 9.

Puccini's opera set in ancient China, TURANDOT, will return to the Metropolitan Opera for 16 performances beginning tonight, September 23.

San Francisco Opera today announced cast changes for the Company's new production of Gaetano Donizetti's Lucia di Lammermoor, presented October 8–28, 2015, and for Mozart's The Magic Flute, presented October 20–November 20, at the War Memorial Opera House.

Brooklyn Center for the Performing Arts at Brooklyn College continues its 2015-16 season with its annual holiday performance of The Vienna Boys Choir on Saturday, December 12, 2015 at 8pm. The illustrious group of child musicians has been delighting music lovers across the globe for six centuries with their purity of tone, distinctive charm and popular repertoire. Christmas in Vienna showcases these gifted musicians in an extraordinary program featuring Austrian folk songs, classical masterpieces, and holiday favorites.  Tickets are $36-$45 and can be purchased at BrooklynCenter.org or by calling the box office at 718-951-4500 (Tue-Sat, 1pm-6pm).

Puccini's opera set in ancient China, TURANDOT, will return to the Metropolitan Opera for 16 performances beginning September 23.

 Celebrated mezzo-soprano Julia Migenes (Diva on the Verge) returns to the Odyssey Theatre with her newest show, once again directed by Academy Award-nominated director Peter Medak. Julia Migenes Sings Kurt Weill opens at the Odyssey on October 9.

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Sarasota Opera is seeking a limited number of enthusiastic outgoing people to serve as supernumeraries, or “supers”, the non-singing extras in opera productions, for its 2015 Winter Festival Season production of Rimsky-Korsakov's fairy tale opera The Golden Cockerel and Verdi's Don Carlos. Supers will take the parts of an emperor, prisoner, and official townspeople. Age range for these characters is from teenager to 60s. At this time we are looking for men only.

Sarasota Opera is seeking a limited number of enthusiastic outgoing people to serve as supernumeraries, or “supers”, the non-singing extras in opera productions, for its 2015 Winter Festival Season production of Rimsky-Korsakov's fairy tale opera The Golden Cockerel and Verdi's Don Carlos. Supers will take the parts of an emperor, prisoner, and official townspeople. Age range for these characters is from teenager to 60s. At this time we are looking for men only.