After All 1931 - Articles Page 4

Visit our list of the best musicals & shows you can watch from home! We've got you covered with all the must-sees on streaming sites including Tony-award winners, favorite stars and top performances.

One of just a handful of this style poster released to promote Universal's 1933 monster classic The Invisible Man may bring as much as $125,000 in Heritage Auctions' Movie Poster auction March 21-22. The sale is filled with first-time offerings ranging from stone litho masterpieces to early War and advertising posters.

The Recording Academy® welcomes the newest inductions to its distinguished GRAMMY Hall Of Fame®, continuing its ongoing commitment to preserving and celebrating timeless recordings. This year's additions recognize a diverse range of both single and album recordings at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed each year by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by the Recording Academy's National Board of Trustees. With 26 new titles, the Hall, now in its 47th year, currently totals 1,114 recordings. The 2020 GRAMMY Hall Of Fame inductions are available to stream via a playlist here.

Gingold Theatrical Group (David Staller, Artistic Director) will continue the 14th Season of Project Shaw, Art as Activism: A Theatrical Survival Guide, a special series of evenings of plays that embrace human rights and free speech. All of GTG's programming, inspired by the works of George Bernard Shaw, are designed to provoke peaceful discussion and activism.

Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.

Hollywood Arms, the Carol Burnett story, is currently playing at Ridgedale Players. The show kicked the 2019-2020 season at one Michigan's oldest community theatres as Ridgedale Players has been around since 1931. Hollywood Arms is a memoir of Burnett's childhood in California. It's a funny and moving story of three generations of women living on welfare in a one-room apartment, one block north of Hollywood Boulevard. A tale about shattered hopes and realized dreams. 'Layered. Exposed. Lively. Reflective. Hearty.' That is how Erica Gunaca described Hollywood Arms before it closes this weekend. Read what else she had to say in our interview below:

Diablo Ballet's programming for the 2019-2020 season presents breathtaking performances of classic ballets by George Balanchine and Val Caniparoli and stunning contemporary works by today's top award-winning choreographers, Annabelle Lopez Ochoa, Penny Saunders, and Stanton Welch.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

Theatre Raleigh presents the final show in its 2019 Summer Series, The Scottsboro Boys. The final collaboration by musical theatre legends, John Kander and Fred Ebb (Cabaret, Chicago) and nominated for twelve Tony Awards, The Scottsboro Boys confronts an infamous event in the history of the American criminal justice system.

The Warner Stage Company will present one of the most enduring shows of all time, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, on the Main Stage July 27-August 4, 2019. 

Summer at Lincoln Center is a time-honored New York tradition, bringing people from all walks of life together to experience a multitude of music, dance, and drama across the entire campus.

Oklahoma! is the first musical written by the team of composer Richard Rodgers and librettist Oscar Hammerstein II. The musical is based on Lynn Riggs' 1931 play, Green Grow the Lilacs. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLaine and the sinister and frightening farmhand Jud Fry. A secondary romance concerns cowboy Will Parker and his flirtatious fiancee, Ado Annie.

Folks Operetta continues its Reclaimed Voices Series with Paul Ábraham's exotic jazz operetta, The Flower of Hawaii featuring soprano and former Ms. Illinois Marisa Bucheit (2014) as Princess Laya/Suzanne. 

In celebration of both Gay Pride Month and the 50th anniversary of Noel Coward's knighthood, Robert Rodi looks back on the British icon's legendary career, trailblazing style, enduring influence-and above all his songs. Coward's songs have been covered by artists from Judy Garland to Rufus Wainwright, and rival Cole Porter's for emotional range and irresistible melody.

In this solo concert, RESONANCE III, Miki Orihara will be dancing Martha Graham's 'Lamentation (1930)', Doris Humphrey's 'Two Ecstatic Themes (1931)', Seiko Takata's work 'Mother (1938)' Konami Ishii's 'Moon Desert (early 1930's)' and Yuriko's 'Cry (1963)'.

Folks Operetta continues its 2018- 2019 season of the Reclaimed Voices Series with a concert celebration of Paul Ábraham's jazz operettas in Goodbye Berlin, Aloha Hawaii! This multimedia concert, written by Hersh Glagov and Gerald Frantzen, will take place at the Reva and David Logan Center for the Arts at the University of Chicago, Performance Penthouse, 915 E. 60th St., Chicago

In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.

The Warner Theatre will welcome the GRAMMY-Award winning band, INDIGO GIRLS, to the Main Stage on Saturday, March 23, 2019 at 8 PM. Opening the show is special guest Amythyst Kiah. Thirty years after they began releasing records as the Indigo Girls, Amy Ray and Emily Saliers have politely declined the opportunity to slow down with age. With a legacy of releases and countless U.S. and international tours behind them, they have forged their own way in the music business. Selling over 14 million records, they are still going strong.

The Cleveland Orchestra and Music Director Franz Welser-M st announced details of their 2019-2020 season which encompasses 76 concerts over 26 weeks. One significant highlight includes a festival designed to explore music and art that was banned, marginalized, and destroyed during the Nazi's Degenerate Art movement, and the continuing impact of censorship on creative expression in society today. The festival will center on Alban Berg's Lulu, one of the 20th century's most influential operas, and includes partner programming with the area's notable arts institutions.

Executive and Artistic Director, Keith Gerth and Associate Artistic Director, Stephen Smith of the Oil Lamp Theater in Glenview announce their next production, the uproarious comedy Play On! by Rick Abbot. This production is directed by Keith Gerth and will be performed from March 21st through May 5th 2019 at 1723 Glenview Road in Glenview.

Bay Street Theater is pleased to announce the first show of the 2019 Mainstage Season will be the World Premiere of THE PROMPTER (May 28- June 16) a new comedy by Wade Dooley; directed by Scott Schwartz, Bay Street Theater's Artistic Director. The other two previously announced shows will be the World Premiere of SAFE SPACE, which will now run from June 25 - July 21. This new play is by Alan Fox and will be directed by three-time Tony Award Winner Jack O'Brien (All My Sons, Hairspray, The Coast of Utopia). The third show will be a bold new re-envisioning of Irving Berlin's classic musical ANNIE GET YOUR GUN, (July 30 - August 25) with music and lyrics by Irving Berlin, book by Herbert & Dorothy Fields. This production will be directed by Sarna Lapine (Sunday in the Park with George, Bay Street's Frost/Nixon). The casts and creative teams will be announced soon. Subscriptions are available by calling the Box Office at 631-725-9500 or online at www.baystreet.org.

The Morris Museum is pleased to announce the return of What Makes it Great  on Sunday, March 10, 2019 at 2:00PM after its successful first outing this past October. This program features Rob Kapilow and the Kyle Athayde Dance Party who will delve into the music of Duke Ellington.  After the program, there will be a complimentary reception to meet and mingle with the performers.

The Warner Theatre will welcome the GRAMMY-Award winning band, INDIGO GIRLS, to the Main Stage on Saturday, March 23, 2019 at 8 PM. Opening the show is special guest Amythyst Kiah. Twenty years after they began releasing records as the Indigo Girls, Amy Ray and Emily Saliers have politely declined the opportunity to slow down with age. With a legacy of releases and countless U.S. and international tours behind them, they have forged their own way in the music business. Selling over 14 million records, they are still going strong. Amy and Emily are the only duo with top 40 titles on the Billboard 200 in the '80s, '90s, '00s and '10s. In 2012, Saliers and Ray embarked on a bold new chapter, collaborating with a pair of orchestrators to prepare larger-than-life arrangements of their songs to perform with symphonies around the country. The duo found an elusive sonic sweet spot with the project, creating a seamless blend of folk, rock, pop, and classical that elevated their songs to new heights without scarifying any of the emotional intimacy and honesty that have defined their music for decades. Now, after more than 50 performances with symphonies across America, the experiences have finally been captured in all its grandeur on the band's stunning new album, 'Indigo Girls Live With The University of Colorado Symphony Orchestra.'

The disappointment was palpable when midway through the 2015-16 season it became clear that the world premiere of Frankenstein would not go ahead as planned because the set and the special effects were too exacting technically for the temporary infrastructure at Tour & Taxis. Partly because of the many film adaptations, Mary Shelley's modern myth about an idealistic, but arrogant scientist and his 'Creature' still clearly fires the collective imagination, and the expectations of Mark Grey's opera of the same name were running high. However, three seasons later La Monnaie is now more than ready to bring this production to life. All eyes are on the Polish-Lebanese conductor Bassem Akiki and the Spanish director lex Oll .