The Love Call 1927 - Articles Page 15

Marge Rivingston, the renowned singing teacher of performers like Bette Midler, Maureen McGovern, Robby Benson, Robert DeNiro, Christine Ebersole, Linda Ronstadt, Harry Groener and Meryl Streep, will be conducting a Mini Master Class in Singing and sign copies of her new book, 'Do You Hear What I Hear? The Secrets of One of America's Great Singing Teachers,' at Awakenings Book Store; 25260 La Paz Road; Suite D & E; Laguna Hills, CA 92653 on Sunday, March 21, 2010 from 2:30 - 4:30 p.m.

Rubicon Theatre Company continues its 2009-2010 Season with the Central Coast Premiere of a timely drama about a fascinating and enigmatic figure in American history. TRYING, which opens March 13 and runs through April 4th (with low-priced previews March 11 and 12), is a poignant, poetic and powerful story about a relationship between Francis Biddle, Attorney General under Roosevelt and Chief Judge at the Nuremburg trials; and Sarah, a tenacious 25-year-old woman from the Canadian plains, one of a string of secretaries Biddle's wife has hired to help him put his affairs in order at the end of his long an illustrious career. Biddle, 81, is in poor health, proud and cantankerous as he begins to confront his own mortality. Sarah, however, is also headstrong, and from her early life on the prairie has developed a strength and wisdom beyond her years. Despite the difference in ideologies and age, the two forge a friendship. The play is autobiographical in nature and is written by Joanna McClelland Glass, who worked for Biddle in the late 60s.

CATS, the show that revolutionized musical theatre, makes its return to Boston April 13 - 18 for one week only at Boston's Colonial Theatre. Tickets go on sale Sunday, March 7 and will be available through an authorized ticket seller found only at Ticketmaster 1-800-982-2787, at all Ticketmaster outlets, by visiting BroadwayAcrossAmerica.com/Boston and directly at the box office of Boston's Colonial Theatre, 106 Boylston Street, Boston during normal business hours Monday through Saturday 10am - 6pm.

American Stage Theatre Company, the Tampa Bay area's only professional equity regional theatre, has announced the 2010-2011 season for its Mainstage Series and American Stage in the Park.

The Walnut Street Theatre continues its landmark 201st season with Noël Coward's FALLEN ANGELS.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

Come on Board and See the Classic Kern/Hammerstein Musical

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The fall temperatures may be getting colder, but the DC area theatre scene is heating up with many musicals, including a new "intimate" production of a 1927 American classic, a Tony-Award Winning family saga, and so many choices - well - take a look for yourself at what this diverse theatre community has to offer in November. This is a great time to celebrate the upcoming holidays with your family, so bring the kids, grandparents, nieces and nephews, aunts and uncles and cousins to see that Orphan girl and her dog, a Disney heroine, and enjoy an early Christmas, and many more shows to bring in the cheer and joy of the holiday season. We have so much to be thankful for this month, so come to our nation's capital and celebrate the joy of theatre with us!

LCT3, Lincoln Center Theater's new programming initiative devoted to producing the work of new artists and developing new audiences, has announced the remaining productions of its 2009-2010 season: the New York premiere of GRACELAND, a new play by Ellen Fairey, directed by Henry Wishcamper and the world premiere of ON THE LEVEE, a musical play conceived and directed by Lear deBessonet with book by Marcus Gardley and music and lyrics by Todd Almond.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The Signature Theatre, nationally renowned for its innovation in musical theater, will reinvent the 1927 classic American musical, Show Boat, in a brand new production playing November 10, 2009 through January 17, 2010.

The New Budapest Orpheum Society brings forth more treasures from the archives of 20th-century Jewish popular music on a new CD, 'Jewish Cabaret in Exile' (Cedille Records CDR 90000 110), its second recording for Cedille Records.

The Most Happy Fella has been called musical theater, an operetta and a good old-fashioned opera. When it debuted in 1956, The New York Daily Mirror called it 'a masterpiece of our era.'

The Most Happy Fella has been called musical theater, an operetta and a good old-fashioned opera. When it debuted in 1956, The New York Daily Mirror called it 'a masterpiece of our era.'

Signature Theatre's Artistic Director Eric Schaeffer today announced Signature's 20th anniversary season, saluting the two decades that have led the company to its position as one of the nation's leading forces in musical theater. The company will present a world premiere musical through its innovative American Musical Voices Project; a masterpiece by the composer for which the company is renowned, Stephen Sondheim; the Washington premiere of a recent Broadway hit; and the reinvention of a classic musical, supporting Signature's 'much-deserved reputation for excellence in revisionist musical theater' (Chicago Tribune).

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Virginia Woolf wrote Freshwater in 1923. She returned to it again in 1935. It was performed as a much-needed, unbuttoned, laughing evening for her friends and family.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Virginia Woolf wrote Freshwater in 1923. She returned to it again in 1935. It was performed as a much-needed, unbuttoned, laughing evening for her friends and family.

Angel Desai, Stephen Bogardus, Patricia Birch and others salute NYC and 'West Side Story' in a concert at a Manhattan museum.

Musicals Tonight Announces 2008-2009 Season to be held at McGinn/Cazale Theatre (2162 Broadway, 3rd Floor) - Broadway between 76th & 77th St.

The Public Theater is pleased to announce the provocative line up for 'Under the Radar' 2008, a twelve-day festival tracking new theater from across the U.S. and around the world. $15 single tickets to UTR shows at The Public will go on-sale on Friday, December 7.

North Shore Music Theatre's 2006 season will include a revised production of Damn Yankees and the regional theatre premiere of Hairspray