War 1871 - Articles Page 2

Beyonce, through her BeyGOOD initiative, announces a partnership with Google.org, the charitable arm of tech giant Google, to award four new scholarships as part of her Homecoming Scholars Award Program. The iconic performer also issues a challenge to other businesses to join Google.org in investing in excellence through education.

The National Trust has announced that almost 1,000 events have been registered for the 2018 Australian Heritage Festival.  The nation-wide Festival is the largest and longest-running grassroots festival celebrating Australia's historic, natural, indigenous and multicultural heritage. Now in its 38th year, the Australian Heritage Festival invites Australians to engage with their culture and heritage through a dynamic program presented across all States and Territories from 18 April to 20 May, 2018. The Festival is supported by the Australian Government through the National Trust Partnerships Program.

For many, Good Friday is a day to kick back, enjoy a hot cross bun or two and contemplate a relaxing holiday weekend. For John Yates and his mother Dee, Good Friday means an annual pilgrimage to hear Handel's glorious oratorio Messiah at London's iconic Royal Albert Hall, performed by the Royal Choral Society - the choir has performed it at the RAH every Good Friday since 1876. This year John and Dee are celebrating an incredible 40 years of attending this annual Easter event.

Artistic Director Sandy Robbins comments in the Program Notes that any director would prefer staging KING LEAR rather than A FLEA IN HER EAR.

New Line Theatre, "the bad boy of musical theatre," announces its 28th season of adult, alternative musical theatre, including the world premiere of THE ZOMBIES OF PENZANCE, Gilbert & Sullivan's newly discovered, original 'operatic abomination,' in its first ever production, running Sept. 27-Oct. 20, 2018; followed by the 'family values' classic musical LA CAGE AUX FOLLES, running Feb. 28-March 23, 2019; and to close the season, the St. Louis premiere of the new sci-fi rock musical BE MORE CHILL, based on the bestselling novel, running May 30-June 22, 2019. All New Line's mainstage shows will be in the company's home, the Marcelle Theater, in the Grand Center Arts District.

Greg Wilson, artistic director of Actors Point Theatre Company, will direct Little Women - The Broadway Musical, which is based on the classic novel by Louisa May Alcott, running March 8-17.

See Star Wars: A New Hope with full live orchestral accompaniment for the first time ever in the UK this November, as it comes to the Royal Albert Hall. The most requested title in Films in Concert history arrives for five performances, with John Williams' iconic score performed live on stage by the acclaimed London Symphony Orchestra, who played on the original soundtrack in 1977.

The Royal Opera House Muscat has selected Aida, a grand masterpiece opera by Giuseppe Verdi, one of the greatest composers of all time, to inaugurate its wonderful new 2017-18 Season.

John Millington Synge, the Irish playwright who so singularly combined gritty realism and haunting spiritualism, penned one more play before his untimely death: DEIRDRE OF THE SORROWS, drawn from the legends of ancient Ireland's great heroine.

Bang on a Can and the Jewish Museum's 2017-18 concert season, which will focus on pioneering female artists, begins on July 20 with a performance featuring the distinctive and exceptional indie-guitarist Kaki King.

If you hear of a repeat season, book early.

Chicago Folks Operetta (CFO) is proud to announce the fully staged Chicago premiere of Kurt Weill's anti-war operetta Johnny Johnson, June 24 - July 9, playing at Stage 773, 1225 W. Belmont Ave. 

Chicago Folks Operetta (CFO) is proud to announce the fully staged Chicago premiere of Kurt Weill's anti-war operetta Johnny Johnson, June 24 - July 9, playing at Stage 773, 1225 W. Belmont Ave. 

Chicago Folks Operetta (CFO) is proud to announce the fully staged Chicago premiere of Kurt Weill's anti-war operetta Johnny Johnson, June 24 - July 9, playng at Stage 773, 1225 W. Belmont Ave. 

There is a fragile eeriness to the opening measures of Aida (1871), as the composition by Verdi continues to draw all ears forward, especially as magnetically conducted by Daniele Rustioni for the 1,158th performance of the classic at The Metropolitan Opera.

In a new production commissioned by the Finborough Theatre to mark the 150th anniversary of T. W. Robertson's 1867 comedy - and the first UK production in over 20 years - Caste plays at the Finborough Theatre for nine Sunday and Monday evenings and Tuesday matinees from Sunday, 2 April 2017.

Opera is for everyone-and so is Seattle Opera's 2017/18 season! There's a new bilingual performance for elementary-school students, new performance venues such as Georgetown Steam Plant, a new mainstage collaboration with ACT Theatre and Seattle Symphony leaders, and even an outdoor performance offered free of charge. Regardless of background or socioeconomic status, this season offers ways for a broad audience to be able to experience opera; it's an open invitation for the Pacific Northwest. 

In May 2017, the first major New York exhibition in over 20 years focused on artist Florine Stettheimer (1871-1944) will open at the Jewish Museum. Showcasing over 50 paintings and drawings in addition to costume and theater designs, photographs, and ephemera, the exhibition will offer a timely reconsideration of this influential American painter with a sharp satirical wit, placing her centrally in the modern dialogue of high and mass culture.

John Eric Vining, a history buff, devoted writer and author, has completed his new book 'Cable of Fate: The Zimmermann Affair and The Great Southwestern War of 1917': a gripping and potent journey into the year of 1917. Follow along as the author explores the possibilities of what might have happened if Mexico had made an attempt to recapture the American Southwest.

???????AIDA, a stunning traditional production and the grandest of all Ellen Kent's operas, will play at Wolverhampton Grand Theatre on Monday 21 November 2016.

San Francisco Opera presents Giuseppe Verdi's Aida in a new production directed by Francesca Zambello and featuring designs by Los Angeles-based, contemporary visual artist RETNA (Marquis Duriel Lewis). A co-production with Washington National Opera, Seattle Opera and Minnesota Opera, this striking and bold vision for Verdi's enduring classic will feature soprano Leah Crocetto and tenor Brian Jagde in their role debuts as the lovers at the heart of the opera, the enslaved princess Aida and the Egyptian war hero Radames. Mezzo-soprano Ekaterina Semenchuk is Amneris, the daughter of the king who desires Radames' love, baritone George Gagnidze portrays Aida's vengeful father, Amonasro, and bass Raymond Aceto is Ramfis. The international cast and San Francisco Opera Orchestra will be conducted by Company Music DirectorNicola Luisotti. Resident Conductor Jordi Bernàcer will conduct the final performance on December 6.Ian Robertson is Chorus Director.

The Greenwich Theatre announces its Autumn 2016 season! Beginning with the How Small How Far Production of Garden, the company will present and produce two dozen productions in the coming autumn months. Details for each production are below. For more information, visit http://www.greenwichtheatre.org.uk.

To celebrate the life of Victoria Woodhull and promote ONWARD VICTORIA, the team created a hashtag: #34DaysOfVictoriaWoodhull. The first female Presidential candidate was only 34 when she ran for President in 1872. For 34 days, facts from her remarkable life were shared. BroadwayWorld has exclusive access to all 34 below!

The California Historical Society (CHS) and Heyday have announced the winner of the 2016 California Historical Society Book Award: 'The City of Vines: A History of Wine in Los Angeles,' a rediscovery of where California's wine industry began and a chronicle of its one-hundred-year history as the leader of the Golden State's viticulture industry.

CLYBOURNE PARK is a play worthy of producing and seeing in any city that claims to be as progressive and liberal as Austin. It's a couple hours worth of good theatre by a theatre company that consistently produces excellent work.  We can sit in the dark and laugh at ourselves and race relations and enjoy some theatre that is, by the way,suffering from gentrification itself.