That's the Woman 1930 - Articles Page 7

Theatre Novi Most presents a new project - The Human Voice (La Voix Humain), based on the 1928 play by French playwright Jean Cocteau.

Actress Golda Rosheuvel has always loved jazz and swing, sharing that 'Ella Fitzgerald is one of the reasons [she] started singing'. Giving us an insight into the music and magic of theatre, Golda also shares why The American Clock still ticks for every generation, even today.

BWW reviewer, Peter Nason, celebrates 2018 with his choices for the best in local theatre (Tampa, St. Pete and Sarasota) that the past year had to offer.

MARGARET: THE REBEL PRINCESS, an insightful new two-part biography of Princess Margaret, Queen Elizabeth's beautiful and rebellious younger sister, will premiere on Sundays, February 10 and 17, 2019, 10:00-11:00 p.m. ET (check local listings) on PBS.

Factory Presents THE TASHME PROJECT: The Living Archives, an award-winning verbatim theatre piece crafted and performed by Julie Tamiko Manning and Matt Miwa, directed by Mike Payette, in the Mainspace from January 29 - February 10, 2019.

So-fi (Co-Founders; Jody Christopherson, Nathan Gebhard, Romy Nordlinger) announce the launch of a new curated festival, for low-fi, multi-disciplinary solo performance, co-produced by, and at Torn Page in Chelsea (435 W 22nd Street, 2nd Floor), a performance space in the historic home of Rip Torn and Geraldine Page. The impetus for this festival was to create an opportunity for touring and local artists, who push the boundaries of multiple forms, to be produced affordably in New York. The majority of box office sales from each performance go directly to artists.

James Clements is an actor, writer, producer and director splitting his time between Scotland, London and New York. His New York based theatre company What Would the Neighbors Say? is currently workshopping a new play exploring the career of Leni Riefenstahl, a filmmaker who got her start working during the Nazi regime. Clements took a moment to chat with BroadwayWorld about the challenging project and the development process.

On Her Shoulders is pleased to present staged readings of three plays by Irish dramatist Teresa Deevy, directed by Kristin Heckler on Tuesday, November 20, 2018. Doors open at 6:45pm for a 7:00pm start with The Play in Context by Melody Brooks, who situates the scripts in their historical time and place, followed by the readings and a post-performance Q&A with refreshments. Admission is by Donation ($10 suggested). The performance is at The New School: Starr Foundation Hall, University Center, 63 Fifth Avenue, Room UL102. R.S.V.P. to OnHerShouldersReservations@gmail.com.

Hugo Chiarella (Book and Lyrics) and Naomi Livingston's (Music and Lyrics) new Australian musical EVIE MAY, directed by Kate Champion tells an Australian story about Australian women with humor and heartbreak.

An exciting group of theatre stars have joined The Jamie Lloyd Company's Pinter at the Pinter season, which began its unprecedented celebration of Harold Pinter this month, featuring all the Nobel Prize winning playwright's short plays.

Opera Memphis' 30 Days of Opera returns September 1-30, 2018. This annual event features dozens of TOTALLY FREE opera performances across Memphis and the MidSouth, turning the opera house inside out and taking the music to you! This year will include performances of Movin' Up in the World, an opera featured in last season's Midtown Opera Festival as a part of the McCleave Project, as well as the return of the Levitt Shell concert - back by popular demand-on Sept. 23. Follow Opera Memphis on Twitter and Facebook, and check out 30daysofopera.com for all the info.     

Connecticut Repertory Theatre (CRT) opens its 2018-19 season with Frank Galati's award-winning adaptation of John Steinbeck's, "The Grapes of Wrath." Gary English will direct. Performances will be held in the Harriet S. Jorgenson Theatre from October 4th through October 14th, 2018. For tickets and information please visit crt.uconn.edu or call (860) 486-2113.

Opera Memphis' 30 Days of Opera returns September 1-30, 2018. This annual event features dozens of TOTALLY FREE opera performances across Memphis and the MidSouth, turning the opera house inside out and taking the music to you! This year will include performances of Movin' Up in the World, an opera featured in last season's Midtown Opera Festival as a part of the McCleave Project, as well as the return of the Levitt Shell concert - back by popular demand-on Sept. 23. Follow Opera Memphis on Twitter and Facebook, and check out 30daysofopera.com for all the info.     

Martin Heidegger and Hannah Arendt were leading intellectuals of the twentieth century. In the 1920's, they had a passionate affair. In the 1930's, Heidegger became an ardent Nazi while Arendt became an ardent Zionist. Nevertheless, after the war, they still continued to correspond and to meet. Douglas Lackey dramatizes their relationship in 'Arendt-Heidegger: A Love Story,' a five-character play to be presented by Theater for the New City from September 27 to October 14. Its dialogue and action go beyond known facts, but everything in the play is consistent with them. Alexander Harrington directs.

In what promises to be an exciting event within the Pinter at the Pinter season, Lee Evans will appear in an eclectic mixed bill alongside stage and screen favourite Meera Syal. They join the previously announced Keith Allen and Tamsin Greig from 25th October to 8th December, for 23 performances only.

We are all time travellers in our own way.  After all, what else is a to-do list but a message from a past self?  But what would happen if you started getting messages from a future version of you?  That is the intriguing premise of Passionate Machine, a one-woman show written and performed by Dr Rosy Carrick.

Some of the country's most exciting young stars - Jessica Barden, Kate O'Flynn, Hayley Squires, Luke Thallon and Russell Tovey have joined the highly-anticipated Harold Pinter season Pinter at the Pinter, together with the legendary Sir Antony Sher and Penelope Wilton.

Keith Allen, Phil Davis, Paapa Essiedu, Rupert Graves, Gary Kemp, John Simm and Maggie Steed have joined the extraordinary company of Pinter at the Pinter, the unprecedented season featuring all twenty of Harold Pinter's one-act plays, running from September 2018 to February 2019, to mark the tenth anniversary of the Nobel Prize winner's death. The plays are directed by Jamie Lloyd, Patrick Marber, Ed Stambollouian, Lyndsey Turner and Lia Williams, with design by Soutra Gilmour, lighting design by Jon Clark and Richard Howell, and sound and music by George Dennis and Ben & Max Ringham. Further casting to be announced.

On June 25, The Resident Acting Company (www.racnyc.org), a new troupe drawn from the performing ensemble of The Pearl Theatre Company, will present a staged reading of 'The Big Night' (1928) by humorist Dawn Powell, a harsh, biting comedy about a woman whose husband has been fired from an advertising agency.  The play was the author's masterpiece but failed on Broadway in a production of The Group Theatre. The version to be offered is a restoration by Michael Sexton from the author's original notes and drafts.  It retains some of the Group Theatre's 'improvements' but includes the author's original ending.  The reading will be at 7:00 PM at The Players Club, 16 Gramercy Park South, directed by Bradford Cover, Artistic Director of the troupe.

"Dietrich," a compelling solo play about iconic German actress Marlene Dietrich, will wow New York audiences in a special one-night performance at the Triad Theater June 22. 

Opening week has come and gone at the Stratford Festival and with that, the 2018 season is in full swing. This includes the events and discussions taking place as part of The Forum. One such event is MAKING CLASSIC MUSICALS CONTEMPORARY--A discussion between Director/Choreographer Donna Feore and CBC Radio Host and Globe and Mail music critic Robert Harris, moderated by director and journalist Richard Ouzounian. This in-depth analysis of what makes classic musicals last, how they stay relevant, and the ways in which they can be made to feel more contemporary for audiences today, will take place this Saturday morning at the Studio Theatre.

Each season at the Stratford Festival, there is a production that is geared to children or youth and is put on by Schulich Children's/Youth Plays. This season, that production is TO KILL A MOCKINGBIRD. Based on the novel by Harper Lee and dramatized by Christopher Sergel, this play is likely advertised as being geared towards youth and adults because the book is so commonly read at the high school level, and also because it explores the perspective of children. The material and the issues dealt with are hard ones--for both young people and adults. this is what made the novel so important when it was published, and what makes this play important today. The powerful story is matched by powerful performances by all involved. This is a play that will linger in your mind long past the final bows.

The Jamie Lloyd Company, Ambassador Theatre Group, Benjamin Lowy Productions, Gavin Kalin Productions and Glass Half Full Productions present an extraordinary season of Harold Pinter's one-act plays on the tenth anniversary of the Nobel Prize winner's death, performed in the theatre that bears his name.

The Center for Ballet and the Arts at New York University (CBA), the first international institute devoted to the creation and academic study of ballet, today announced the 27 artists and scholars who will serve as CBA Fellows in the 2018-19 academic year. The group - which represents The Center's largest and most far-reaching cohort yet - features distinguished individuals in a range of disciplines, including scholar Cecile Feza Bushidi, lighting designer Brandon Stirling Baker, choreographer Chase Brock, choreographer, filmmaker, and dancer Pontus Lidberg, and scholar Janice Ross, among others.

Final casting is announced for a rare production of D H Lawrence's The Daughter-in-Law, a searing and unforgettable drama about heartache, inequality and the ties that bind, set in the heat of the 1912 miners' strike.