Ryder Smith News

Lincoln Center Theater's production of the critically acclaimed J.T. Rogers' play Oslo, is currently in previews at Broadway's Vivian Beaumont Theater (150 West 65th Street). The production, directed by Bartlett Sher, opens on Thursday, April 13, and BroadwayWorld has a first look at the cast in action below!

Lincoln Center Theater has announced an online ticket lottery for its production of the critically acclaimed J.T. Rogers' play OSLO, beginning with the play's first preview this Thursday, March 23 at 8pm at the Vivian Beaumont Theater (150 West 65th Street).  The production, directed by Bartlett Sher, opens on Thursday, April 13.

The American Repertory Theater reunites with Oregon Shakespeare Festival Artistic Director Bill Rauch to present FINGERSMITH, Alexa Junge's adaptation of Sarah Waters' 2002 novel of the same name. The playwright's Herculean effort capsulizes the 582-page opus into a taut two-hour drama enhanced by exceptional performances and outstanding production design. Words are insufficient to praise the central trio of women - Tracee Chimo, Christina Bennett Lind, and Kristine Nielsen - who inhabit all the layers of the fascinating characters in this Victorian thriller.

The American Repertory Theater (A.R.T.) at Harvard University begins performances of FINGERSMITH by Alexa Junge, based on the novel by Sarah Waters, directed by Bill Rauch. Performances begin on Sunday, December 4, 2016 and run through Sunday, January 8, 2017 at the Loeb Drama Center, 64 Brattle Street, Cambridge.

The Lincoln Center drama is a riveting depiction of a historical moment in diplomacy, leavened with whisky, waffles and a lot of furniture moving.

Just in, Lincoln Center Theater has announced that it will move its critically acclaimed production of J.T. Rogers' new play Oslo, directed by Bartlett Sher, to the Vivian Beaumont Theater next spring.

J.T. Rogers' emotional and darkly comic drama tells of the negotiations that led to the Oslo Accords.

Commissioned by Lincoln Center Theater, J.T. Rogers' Oslo officially opens tonight, July 11, at the Mitzi E. Newhouse Theater (150 West 65 Street). Let's see what the critics had to say...

Commissioned byLincoln Center Theater,J.T. Rogers' Oslo is currently in previews ahead of an official opening night of Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Check out a first look below!

Commissioned by Lincoln Center Theater, J.T. Rogers' Oslo begins performances today, Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). 

Lincoln Center Theater will welcome Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher.

Due to personal reasons unconnected to the production, T. Ryder Smith has exited CITY OF GLASS. Robert Honeywell, who was in UTC61's production of The Pig as well as Notes from the Underground at The Brick, both to wide critically acclaim, steps into the role.

Untitled Theater Company No. 61 is thrilled to announce the world premiere theatrical adaptation of Paul Auster's seminal novel CITY OF GLASS, the first of his acclaimed New York Trilogy, adapted and directed by UTC61 Artistic Director Edward Einhorn. CITY OF GLASS begins performances on Friday, February 19 for a limited engagement through Saturday, March 12. 

SALOME is a visually stunning world premiere that brings us deeply complex characters struggling for command and dignity in one of history's most highly contested strips of land. Yael Farber, the award-winning adaptor-director, returns to the Shakespeare Theatre Company. With SALOME she has shaped a compelling work of power and contradiction. This production upends the traditional view of Salome, considering her as principled and calculated rather than a monstrous harlot. Here, Salome uses the tools she has - access, sensuality, brains - to effect change. Even within the limitations society placed on her, Salome sees opportunity.

Turning away from what she calls Oscar Wilde's "Dance of Death" and instead creating a "Dance of Life," internationally acclaimed adaptor-director Yael Farber has reinterpreted the biblical figure known as Salome as an agent of revolution whose mysterious act-demanding the head of John the Baptist-changed the course of history. The world premiere of Salome opens the Shakespeare Theatre Company's 2015-2016 Mainstage Season and marks the Company's entry in the Women's Voices Theater Festival. The production runs October 6-November 8, 2015, at the Lansburgh Theatre (450 7th Street NW).

For a weightless and elegant good time, it would be hard to beat The Full Catastrophe, by Michael Weller, at the Contemporary American Theater Festival. There is not one thing in the story to tether it to reality, or trouble us with any true sense of its characters being in any kind of jeopardy, and the presentation of the whole farrago, under Ed Herendeen's direction, is smooth and amiable. This play is best consumed at the end of one's visit to this year's Festival, after sampling the weightier and more nutritional fare.

We Are Pussy Riot, currently running at CATF, is an immersive and outstanding theatrical experience, filled with unique choices and the sobering undercurrent that this story is not just theatrical fiction.

In a twist on the typical modern American romance, The Full Catastrophe shows just how funny and futile our modern ideas about love can be. Dr. Jeremy Cook is a successful linguist, now unemployed, and accepts a mysterious job offer from an eccentric businessman, Mr. Pillow. As part of the "Pillow Project", Jeremy becomes a live-in marriage counselor to fighting suburban couple Dan and Beth, as the couple tries to hide the fact they need counseling from their adolescent son, Robbie. Complications arise as Jeremy realizes he really has no idea how to work as a marriage counselor, having never been married before, and that he is falling in love with Beth, who reminds him of his old flame who got away. Directed by Ed Herendeen and written by Michael Weller, this sarcastic, sweet and witty update of your Leave It to Beaver-esque family will leave audiences rolling with laughter.

The success of PUSSY RIOT rests upon what author Barbara Hammond gets right. This includes a recreation of an actual Pussy Riot provocation/performance; excerpts from the Russian government's show trial which rely largely on the actual words of the defendants, lawyers, and judge; and the language and attitudes of the authorities, especially the police and the judiciary, which are notorious. And overarching these, the show nails the crisis of authority and legitimacy for the Russian state and the Russian Orthodox Church, a crisis the Pussy Riot protestors helped exacerbate for a while to an acuteness sharper than even the play conveys.