Richard Rodgers News

Rubicon Theatre Artistic Directors KARYL LYNN BURNS and JAMES O'NEIL announced the company's 15th Anniversary Season at a preview event for subscribers, donors and media last earlier this month at the theatre's home in Ventura's Downtown Cultural District. The event was hosted by Rubicon Board President DR. ROZ WARNER and Board of Advisors' Chair/Board Vice-President JEFF SMITH, with onstage appearances by several of the directors, writers and performers for the season.

Youth America Grand Prix (YAGP) presents "Ballerina Assoluta: A Tribute to Natalia Makarova" tonight, April 28 at 7:00 PM at David H. Koch Theater at Lincoln Center. This evening of dance will illustrate Natalia Makarova's contribution to the art of ballet by presenting some of her most iconic roles performed by today's leading dancers. Performers include Marcelo Gomes (American Ballet Theatre), Natalia Osipova (American Ballet Theatre/Mikhailovsky Theatre St. Petersburg), Sergei Polunin (formally of The Royal Ballet), Tamara Rojo (The Royal Ballet), Yuan Yuan Tan (San Francisco Ballet), Ivan Vasiliev (American Ballet Theatre/Mikhailovsky Theatre St. Petersburg) and Diana Vishneva (American Ballet Theatre/Mariinsky Ballet). Ms. Makarova will narrate the program, reflecting on her experiences as a dancer. In addition, rare photos and archival footage will be shared. Tickets for the performance are $20, $37, $45, $75, $100, $150.

BroadwayWorld.com's SHOW BIZ: Rush, Lottery & Standing Room Only Ticketing Policies - updated on 4/27/2012.

American Theater Company (ATC), together with About Face Theatre, presents a co-production of Jonathan Larson's Rent, directed by David Cromer. Rent will run tonight, April 27, 2012 - June 17, 2012 at ATC, 1909 W. Byron. The press openings are Sunday, May 6, 2012 and Monday, May 7, 2012 at 7 pm.

The BMI-Lehman Engel Musical Theatre Workshop announces its Spring Smoker, a semi-annual showcase for new songs from Workshop writers. The event will be held in the 30th Floor Media Room of BMI's New York office at 7 World Trade Center/250 Greenwich Street tonight, April 26, at 5:30PM and is open to members of the entertainment industry as well as Workshop members. Reservations are a must: Ssantana@bmi.com or 212 220-3177. Running time is 70 minutes.

Gary Naylor sees a musical full of classic songs.

James William Productions and Stephenie Skyllas will present Kurt Peterson and Victoria Mallory in 'When Everything Was Possible, A Concert (with comments),' for one night only, Sunday April 29th (7:30pm) at New York City Center (131 West 55th Street, between 6th and 7th Avenues), as a benefit for Broadway Cares/Equity Fights AIDS. They will be joined by a thirteen-piece band (Michael Rafter, Music Director), playing new orchestrations by Tony Award winner Jonathan Tunick. Larry Moss directs, with musical staging by Joshua Bergasse ("Smash"). Carolyn Wong will provide lighting design, with sound design by Leon Rothenberg and projection design by Telegraphicmedia.

Jenna gives a rundown of where she's been and what's coming up in the world of cabaret (and sometimes beyond!) Today's column features the marvelous Marilyn Maye and her new show 'The Happiest Sound In Town' at Feinstein's at Loews Regency.

Last night, April 24, Carnegie Hall presented its gala benefit performance of The Sound of Music in the Stern Auditorium/Perelman Stage. The cast was led by Laura Osnes (Maria Rainer), Tony Goldwyn (Captain von Trapp), Brooke Shields (Elsa Schraeder), Patrick Page (Max Detweiler), Stephanie Blythe (The Mother Abbess), Mary Michael Patterson (Liesl von Trapp), Nick Spangler (Rolf Gruber), Cotter Smith (Herr Zeller), and Reed Birney (Admiral von Schreiber). They were joined by and Joel Hatch (Franz, The Butler), Joy Hermalyn (Sister Berthe), Linda Mugleston (Sister Margaretta), Faith Sherman (Sister Sophia), and Veanne Cox (Frau Schmidt). BroaadwayWorld was on hand for the exciting evening and brings you photo coverage below!

New York's City Center can be a dark and unwelcoming place on a Friday afternoon. The recently restored interior is obscured by shadows and the only light comes from the merciless worklights over the stage which only partially illuminate the two performers beneath them. Yet, even through these shadows, the admirable skills of two Broadway veterans are evident as they recreate their roles in WEST SIDE STORY. Both actors appeared in this musical classic over forty years ago at Lincoln Center.

The BMI-Lehman Engel Musical Theatre Workshop announces its Spring Smoker, a semi-annual showcase for new songs from Workshop writers. The event will be held in the 30th Floor Media Room of BMI's New York office at 7 World Trade Center/250 Greenwich Street on Thursday, April 26, at 5:30PM and is open to members of the entertainment industry as well as Workshop members. Reservations are a must: Ssantana@bmi.com or 212 220-3177. Running time is 70 minutes.

Carnegie Hall will present The Sound of Music tonight, April 24 at 8:00 p.m. in Stern Auditorium/Perelman Stage. A gala benefit for Carnegie Hall, this one-night-only concert performance of the beloved musical with a timeless score by Rodgers & Hammerstein will provide support for the music education programs of Carnegie Hall's Weill Music Institute.

On Monday April 23rd, Vanessa Ragland and Sarah Ziegler will host a fundraiser cabaret for the Leukemia & Lymphoma Society. The night will feature new works by Joe Kinosian and Kellen Blair (Murder For Two), Sam Carner and Derek Gregor (Unlock'd), Adam Michael Kaufman and Martin Landry, Adam Overett, Ian Weinberger, and Oran Eldor and Sarah Ziegler. In addition to contributing new medically-themed material, Kinosian, Landry, Overett (Light in the Piazza) and Ziegler will also be performing. Other performers include Holly Buczek, Mark Campbell (Mamma Mia!), Janice Landry, Vanessa Ragland, Ari Rossen, Erin Sjostrom, and Cecelia Ticktin.

Southern Rep has added new dates to its 4- to 8-year-old campers in 101 Dalmations, Kids! Camp after the first round sold out. Spots are still left in its Oklahoma! and Avenue Q camps. See information below.

Today we are completing our extensive three-part look at THE SOUND OF MUSIC at Carnegie Hall with an career-spanning chat with one of Broadway biggest rising stars, the amiable and accomplished Laura Osnes. Since her Broadway debut in GREASE - coming after the reality casting competition TV series, YOU'RE THE ONE THAT I WANT - in 2007, Osnes has found great success with lead roles in three more Broadway musicals, spelling for Kelli O'Hara in SOUTH PACIFIC at Lincoln Center as Nellie Forbush, as well as taking on the title role in Frank Wildhorn's BONNIE & CLYDE with Jeremy Jordan and playing Hope Harcourt in the Roundabout revival of ANYTHING GOES alongside Sutton Foster and Joel Grey. In addition to outlining her experiences in those shows and her reflections on her time spent on Broadway thus far, Osnes also opens up about her recent essaying of three Rodgers & Hammerstein roles, having just starred with Will Chase in PIPE DREAM at Encores!, her just-confirmed casting in a new Broadway-bound stage adaptation of Rodgers & Hammerstein's CINDERELLA that has recently had a workshop production (and will have another in July, again co-starring Santino Fontana) as well as all about the star-studded Carnegie Hall concert presentation of THE SOUND OF MUSIC co-starring Tony Goldwyn and Brooke Shields which she headlines on April 24. Plus, she recounts her experiences participating in the recent Kennedy Center Honors salute to Barbara Cook alongside a dizzying roster of divas and tackling FOLLIES in the spectacular SONDHEIM! THE BIRTHDAY CONCERT presentation now available on DVD - and she also clues us in on her favorite shows, acting influences, plans for the future and much, much more!

SOUTH PACIFIC makes its Fort Lauderdale debut for a limited two week run, Tuesday, April 10-Sunday, April 22, presented by the Bank of America, Broadway Across America-Fort Lauderdale in association with the Broward Center for the Performing Arts.

Today we are saluting one of the most beloved Broadway scores of all time, created by the formidable show business songwriting dynasty of Richard Rodgers & Oscar Hammerstein - THE SOUND OF MUSIC. While the original 1959 Broadway production was well-received and won Mary Martin a Tony Award for her winsome Maria, the property has gone on to win over generations the world over thanks in no small part to the 1965 Robert Wise feature film version starring Julie Andrews and Christopher Plummer. On Monday, Carnegie Hall will be presenting a special concert version of the family- friendly show starring Laura Osnes, Tony Goldwyn and Brooke Shields. Be sure to check out my comprehensive conversation with Brooke Shields, who will be playing the Baroness, available here, and, also, stay tuned to BroadwayWorld for my upcoming InDepth InterView with the Maria of the concert presentation, rising Broadway superstar Laura Osnes. So, what exactly is it about THE SOUND OF MUSIC that has won over audiences of all ages for more than fifty years and set hearts aflutter and souls stirred? Is it the dramatic story of a family torn apart by death and war only to be brought back together again when least expected by a kindly maternal nun? Is it the slice of life depiction of the family dynamic and how we can all relate to one or many facets of it therein? Is it the ensuing romance between Maria and Captain Von Trapp and their delicately portrayed courtship (particularly when considering the ravishing duet added for the film, "Something Good")? Or, is it that classic Rodgers & Hammerstein score - containing a dizzying assortment of standards that have gone on to become ingrained in our ears, minds and hearts, as well as made a fixture of pop culture itself - "Do-Re-Mi", "My Favorite Things", "Edelweiss", "The Lonely Goatherd", "Climb Ev'ry Mountain", the title song and beyond. AMC's hit series MAD MEN even featured one of the most beloved SOUND OF MUSIC duets on a recent broadcast as an ironic episode capper all too befitting of the moment (and, given the 60s setting of the series, era) - Betty Draper mischievously sneaking an extra bowl of ice cream set to the strains of "I Am Sixteen Going On Seventeen". Between the MAD MEN song reference, the ongoing SOUND OF MUSIC film singalongs occurring every week (with many patrons coming in costume and with props, ala ROCKY HORROR) around the world and the countless professional and amateur productions that crop up every year, as well as the glitzy Carnegie Hall concert on Monday, THE SOUND OF MUSIC has never gone out of style - it shall forever remain sixteen, even when the show itself is not too far away from hitting sixty.

Thanks to the efforts of a cast of high school students under the direction of their artistic mentor Paula Y. Flautt (who's the fine arts director at CPA), I have to admit that Carousel is my favorite musical. It's always been my favorite among all the musical masterpieces created by the team of Richard Rodgers and Oscar Hammerstein II, but I found myself so completely moved, so thoroughly enchanted by the production in CPA's Events Center (where it continues through Saturday evening)-which boasts stellar production values, an amazing live orchestra and a production design that rivals some of the best professional mountings we've seen in Nashville-that Carousel has supplanted Gypsy on my list of all-time favorites.