Michael Gotch News

Delaware's Resident Ensemble Players (REP) presents the world-premiere comedy Minor Fantastical Kingdoms by Michael Gotch, Jan. 24 through Feb. 10. Mark Lamos directs the production, returning to the REP after staging the company's sold-out run of A Flea in Her Ear last season. Tickets can be purchased online at www.rep.udel.edu or by contacting the REP box office at (302) 831-2204.

In his liner notes, Artistic Director Sandy Robbins comments that Alan Ackybourne's WOMAN IN MIND (December Bee) was on his short list since the inception of UD Rep ten glorious years back.

The Resident Ensemble Players, under the artistic direction of Sanford Robbins, is entering its tenth anniversary season and expanding its season offerings to seven shows. Included this season is a World Premiere from the REP's very own resident actor (and one of Aisle Say's favorites), Michael Gotch, and a newly reworked play by Theresa Rebeck.

Westport Country Playhouse stages the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP runs in Westport July 10 - 28.  

Three years ago, this reviewer suggested that it was time to rediscover French theatre with the Westport Country Playhouse's production of David Ives's transplantation of Pierre Corneille's 1643 comedy, The Liar (Le Menteur). Happily, Mark Lamos, artistic director of the WCP, now brings us Ives's adaptation of Georges Feydeau's 1907 farce, A Flea in Her Ear (La puce a l'oreille).

Westport Country Playhouse will stage the lavish, large-cast comedy, "A Flea in Her Ear," newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

Westport Country Playhouse's Sunday Symposium on July 15, following a 3 p.m. performance of the comedy, 'A Flea in Her Ear,' will feature guest speaker Catherine Sheehy, chair of dramaturgy and dramatic criticism at Yale School of Drama and resident dramaturg at Yale Repertory Theatre. The Playhouse Sunday Symposium program is free and open to the public. Sheehy will engage in a conversation about the play with David Kennedy, Playhouse associate artistic director. 

Westport Country Playhouse will stage the lavish, large-cast comedy, 'A Flea in Her Ear,' newly adapted by David Ives from the original by Georges Feydeau, and directed by Mark Lamos, Westport Country Playhouse artistic director.  Fresh from a sold-out run by Delaware's Resident Ensemble Players (REP), a professional theater located at the University of Delaware, the co-production with the REP will run in Westport July 10 - 28.  

The Acting Company (Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) presents William Shakespeare's beloved comedy, Twelfth Night, directed by Tony nominee Maria Aitken (The 39 Steps) with a dynamic cast of The Acting Company alumni and ensemble members of Delaware's Resident Ensemble Players (REP). When her ship is wrecked, Viola washes ashore in the unfamiliar land of Illyria and embarks on a journey to find her lost brother. Brimming with music, love and longing, Shakespeare's enchanting play transports audiences to a world of comedic mayhem, mistaken identity and unrequited passion. This co-production with the Resident Ensemble Players comes to Polonsky Shakespeare Center (262 Ashland Pl, Brooklyn), May 10-27.

Nine years running, excellence in all aspects of theatre - cast and creative crew - continue to substantiate UD Rep Ensemble as the most professional troupe in Delaware.

Delaware's Resident Ensemble Players present Shakespeare's enchanting comedy Twelfth Night, April 19 through May 6 in the Roselle Center for the Arts, Newark, DE.

The Acting Company (Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) presents William Shakespeare's beloved comedy, Twelfth Night, directed by Tony nominee Maria Aitken (The 39 Steps) with a dynamic cast of The Acting Company alumni and ensemble members of Delaware's Resident Ensemble Players (REP). When her ship is wrecked, Viola washes ashore in the unfamiliar land of Illyria and embarks on a journey to find her lost brother. Brimming with music, love and longing, Shakespeare's enchanting play transports audiences to a world of comedic mayhem, mistaken identity and unrequited passion. This co-production with the Resident Ensemble Players comes to Polonsky Shakespeare Center (262 Ashland Pl, Brooklyn), May 10-27.

Artistic Director Sandy Robbins comments in the Program Notes that any director would prefer staging KING LEAR rather than A FLEA IN HER EAR.

A perfumed letter, a seedy hotel and a pack of wacky characters bring 1907 Paris to Delaware in the Resident Ensemble Players (REP) production A Flea in Her Ear, a new version of Georges Feydeau's farce, written by David Ives, Mar. 1 through Mar. 18, in the Roselle Center for the Arts, Newark, DE. Internationally renowned director, Mark Lamos, returns to the REP to stage the bawdy bedroom comedy.

DIAL M FOR MURDER. Dial M for Magnificent regarding UD REP ENSEMBLE. Since 2008's THE HOSTAGE, Rep Ensemble has been unequivocally THE professional theatre in the state and equal to any in the region, if not Broadway.

UD Rep Ensemble by and large stages classics: Shakespeare, Moliere, Bernard Shaw, Tennessee Williams, etc. Plays become classics due to their timeless quality and universal truths; truths that lived, for example, in Shakespeare's time as they do today. The immediacy of live theatre brings these principals to life before our eyes.

In this supercharged political environment, we are buffeted with tweeted grotesqueries daily. We ask ourselves where is the humanity in this?

UD REP Ensemble continues its excellent work

In our current political climate where candidates regularly hurl insults at each other on things such as penis size it's hard to remember that politics used to be about the candidate's stand on issues as well. So when did that change? When did we go from building up our own candidate in an ad to tearing down the other candidate with scandal, derision and fear? ACT might have the answer to that with their world premiere play "Daisy" that takes a look into the creation of one of the most infamous political ads and one of the first attack ads ever created.