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Photo Flash: First Look at Laura Osnes, Corey Cott, Beth Leavel and More in THE BANDSTAND at Paper Mill
by BWW News Desk - Oct 9, 2015


Paper Mill Playhouse opens its 2015-2016 season with the world premiere musical THE BANDSTAND. As previously announced, Tony Award nominee Laura Osnes (Rodgers + Hammerstein's Cinderella, Bonnie and Clyde), Corey Cott (Newsies, Gigi) and Tony Award winner Beth Leavel (The Drowsy Chaperone, 42nd Street) will star in THE BANDSTAND. The show began performances last night, October 8, 2015, and runs through Sunday, November 8, 2015. The official press opening night is Sunday, October 18, at 7:00pm. BroadwayWorld has a first look at the cast in action below!

THE BANDSTAND Begins Starry World Premiere at Paper Mill Playhouse Tonight
by BWW News Desk - Oct 8, 2015


Paper Mill Playhouse opens its 2015-2016 season with the world premiere musical THE BANDSTAND. Performances begin tonight, October 8.

Full Cast Set for THE BANDSTAND Starry World Premiere at Paper Mill Playhouse
by Tyler Peterson - Aug 21, 2015


Paper Mill Playhouse will open its 2015-2016 season with the world premiere musical The Bandstand. As previously announced, Tony Award nominee Laura Osnes (Rodgers + Hammerstein's Cinderella, Bonnie and Clyde), Corey Cott (Newsies, Gigi) and Tony Award winner Beth Leavel (The Drowsy Chaperone, 42nd Street) will star in The Bandstand.

BWW Reviews: LAUREN STANFORD Attempts Channeling the Legendary Helen Morgan at 54 Below
by Alix Cohen - Mar 22, 2015


Lauren Stanford (who won the MetroStar Singing Competition at the Metropolitan Room in 2013) has convincingly done herself up to look like the legendary Helen Morgan in her new show, More Than You Know, which she introduced at the Laurie Beechman Theatre in late October and brought to 54 Below this past Friday night. Stanford's presentation is 2/3 singing and 1/3 biography. Research is evident; specific adds color. The use of framed photographs and several conjectured telephone calls is effective (the actress listens). Vocals don't emulate Morgan's controlled vibrato, but Stanford has sufficient musical feel for the period to make mimicry unnecessary. Her uneven contralto can add feeling to a song rather than diminishing it. There are, however, other issues.

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