Jean-Paul Sartre News

The Actors' Gang presents One Act Festival, featuring two contrasting programs performed in repertory. Show one, entitled The Classic, begins performances March 14th (press opening March 23) and features two classic one-act plays -- Jean-Paul Sartre's No Exit, directed by Brian T. Finney, and Samuel Beckett's Krapps's Last Tape, directed by Cynthia Ettinger. Show two, entitled The Original, begins performances March 16 (Press Opening March 29) and features three new one-act plays written, directed, and acted by The Actors Gang ensemble:  Tradition, written by James Edward Bane and directed by Tess Vidal, A Perfect World, written by Lynde Houck and directed by Danielle Powell, and Clean Slate, written by Bob Turton and directed by Zoe Hall. Both programs will run Thursdays, Fridays, Saturdays and Sundays, through April 20th.  

DanceHouse will present the world premiere of Kidd Pivot's Revisor, February 20-23, 2019 at 8pm at the Vancouver Playhouse (now sold out). In their third collaboration, Kidd Pivot Artistic Director Crystal Pite and Electric Company Theatre Co-Founder Jonathon Young join forces to create a wildly innovative dance/theatre hybrid, mixing classic farce and the forces of radical change to craft a fizzing concoction that confounds expectations and inverts the official order. The bold physicality of Pite's choreography for eight dancers embodies the eviscerating wit of Young's script, recorded by some of Canada's finest actors.

BWW Review: Theatre de la Ville's IONESCO SUITE at BAM's Fishman Space is Absurdly Engaging and Existentially Freeing

The Actors' Gang Theater presents an exhibition featuring the artworks of Ralph Steadman and Dario Fo, to accompany the run of ACCIDENTAL DEATH OF AN ANARCHIST, which will open this Saturday, February 2nd and will continue until March 9th. Written by Italian playwright and Nobel Prize winner Dario Fo, translated by Jon Laskin and Michael Aquilante and directed by Will Thomas McFadden, the play began its run on Thursday, January 24th.

DanceHouse will present the world premiere of Kidd Pivot's Revisor, February 20-23, 2019 at 8pm at the Vancouver Playhouse (now sold out). In their third collaboration, Kidd Pivot Artistic Director Crystal Pite and Electric Company Theatre Co-Founder Jonathon Young join forces to create a wildly innovative dance/theatre hybrid, mixing classic farce and the forces of radical change to craft a fizzing concoction that confounds expectations and inverts the official order. The bold physicality of Pite's choreography for eight dancers embodies the eviscerating wit of Young's script, recorded by some of Canada's finest actors.

The Actors' Gang will begin previews for Accidental Death Of An Anarchist, written by Italian playwright and Nobel Prize winner Dario Fo, on Thursday, January 24th with a Pay What You Can first preview. Directed by Will Thomas McFadden, this wickedly funny satire will run Thursdays, Fridays, Saturdays and Sundays, through March 9th. The press opening is Saturday, February 2nd.   

The Actors' Gang production of APHRODITE'S HOLIDAY SHOW will begin Thursday, November 29th as part of The Actors' Gang 2018/19 Hellzapoppin' Season. APHRODITE'S HOLIDAY SHOW will perform every Thursday, Friday, Saturday and Sunday, through December 16th.

The Actors' Gang has announced an extension of 'Johnny Got His Gun' at the Ivy Substation, adding two performances, a matinee performance on November 11th, commemorating the 100th anniversary of the end of World War I and Veteran's Day and an evening performance on November 14th. The stage adaptation of Academy Award-winning screenwriter Dalton Trumbo's war novel, Johnny Got His Gun, written by Bradley Rand Smith and directed by Tim Robbins, began previews on October 6th and opened October 13th.

Karen Kain, Artistic Director of The National Ballet of Canada, today announced the principal casting for Frederick Ashton's The Dream and Guillaume Cote's Being and Nothingness. The mixed programme is onstage November 21 - 25, 2018 at the Four Seasons Centre for the Performing Arts in Toronto. #TheDreamNBC #BeingandNothingnessNBC

The Actors' Gang has announced an extension of 'Johnny Got His Gun' at the Ivy Substation, adding two performances, a matinee performance on November 11th, commemorating the 100th anniversary of the end of World War I and Veteran's Day and an evening performance on November 14th. The stage adaptation of Academy Award-winning screenwriter Dalton Trumbo's war novel, Johnny Got His Gun, written by Bradley Rand Smith and directed by Tim Robbins, began previews on October 6th and opened October 13th.

The Actors' Gang Theater will begin previews of The Madwoman of Chaillot today, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.

The Actors' Gang announced today that the stage adaptation of Academy Award-winning screenwriter Dalton Trumbo's war novel, Johnny Got His Gun, written by Bradley Rand Smith and directed by Tim Robbins, will kick off The Actors' Gang 2018/19 Season from Saturday, October 6th to Saturday, November 10th, 2018. The press opening is Saturday, October 13.

The Actors' Gang Theater will begin previews of The Madwoman of Chaillot on Thursday, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.

Jean-Paul Sartre's iconic play 'No Exit' is receiving a solid production under the aegis of the Slightly Askew Theatre Ensemble (SATE). It's directed by Bess Moynihan and uses a fresh new translation by Alyssa Ward.

Christmas welcomes the latest full-length play from Kieran Hurley - Mouthpiece (5-22 Dec), produced in association with HighTide - an unexpected, darkly comic and at times shocking story of two unlikely lives intertwined. After encountering each other on Salisbury Crags one evening, Libby and Declan form an uneasy friendship, complicated by class and culture - Libby spots an opportunity to put her writing career back on track, and tell a story that really matters. Mouthpiece takes a deeply personal look at the different Edinburghs which often exist in ignorance of one another, and examines whether it's possible to tell someone else's story without exploiting them. Orla O'Loughlin directs, marking her final production as Artistic Director before taking on the role of Vice-Principal and Director of Drama at London's Guildhall School of Music and Drama.

Through the disorienting kaleidoscope of existentialist thought, Jean-Paul Sartre and Simone de Beauvoir navigate World War II-era Paris, testing conventional boundaries of love and freedom with a novel pact of 'essential love' that allows each to take 'contingent' lovers. Armed with a deep commitment to lofty ideals, the couple dives headfirst into life's grittier side, becoming entangled in seduction, betrayal and war. As they pull others into their powerful vortex, they explode the image of philosophers as solitary armchair ponderers and define a new kind of love.

Through the disorienting kaleidoscope of existentialist thought, Jean-Paul Sartre and Simone de Beauvoir navigate World War II-era Paris, testing conventional boundaries of love and freedom with a novel pact of 'essential love' that allows each to take 'contingent' lovers. Armed with a deep commitment to lofty ideals, the couple dives headfirst into life's grittier side, becoming entangled in seduction, betrayal and war. As they pull others into their powerful vortex, they explode the image of philosophers as solitary armchair ponderers and define a new kind of love.

Through the disorienting kaleidoscope of existentialist thought, Jean-Paul Sartre and Simone de Beauvoir navigate World War II-era Paris, testing conventional boundaries of love and freedom with a novel pact of 'essential love' that allows each to take 'contingent' lovers. Armed with a deep commitment to lofty ideals, the couple dives headfirst into life's grittier side, becoming entangled in seduction, betrayal and war. As they pull others into their powerful vortex, they explode the image of philosophers as solitary armchair ponderers and define a new kind of love.

During 2018, the Finborough Theatre celebrates 150 years of the Finborough Theatre's building - and its birthday also coincides with the 150th anniversary of the birth of French symbolist playwright Paul Claudel. As part of the #Finborough150 celebrations, the London premiere in English of Paul Claudel's Break of Noon (Partage de Midi) plays for six Sunday and Monday evenings and Tuesday matinees from Sunday, 27 May 2018 (Press Night: Monday, 28 May 2018 at 7.30pm).

Real Art Daily Productions (RADProd) is a new company that produces both film and theatre productions. With concentrated study and education in both classical music and theatre, Georginna Feyst, CEO and Executive Producer, whose reverence for fine art, cinema, theatre and other forms of storytelling let her to select probably one of the most definitive and difficult plays, Jean-Paul Sartre's 1944 existentialist play, NO EXIT, as the company's kick off production. In it, three strangers are locked together by a Bellboy in what they assume is hell (since all know they have recently died). Expecting but not receiving any physical torture to occupy them, they are forced to simply exist with each other without any hope of escape from the room, each other, and worst of all - themselves. It is a 100-minute examination of the futility of life.