Jay Scheib News

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).

New York City Opera presents POWDER HER FACE, onducted by Jonathan Stockhammer, directed by Jay Scheib, sets by Marsha Ginsberg, costumes by Alba Clemente, lighting by Thomas Dunn and projections by Josh Higgason. The production runs February 15-23, 2013. BroadwayWorld has behind the scenes videos below with Allison Cook, along with George Steel and directors Jay Scheib and Sam Buntrock. Check them out below!

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).

Beth Morrison Projects (BMP) and HERE announce programming for the inaugural PROTOTYPE: Opera/Theatre/Now, running today, January 9-19, 2013, in New York City.

New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965). The world premiere of the opera, inspired by a sex scandal that rocked Britain in the early 60s, not only caused controversy, with its on-stage depiction of fellatio, but also propelled Ades to international recognition. Reviewing the premiere, The Sunday Times critic Paul Driver called Powder Her Face "one of the most striking new operas I have seen in years," and added, "From the tango of the overture to the tango of the close, one is on the edge of one's seat trying to catch as much as possible of the prolific, fast-altering, vividly etched and instrumentally outrageous detail of a score which is boiling with life."

New York City Opera has announced the appointment of Myra Huang, whom Opera News has praised as 'among the top accompanists of her generation' and 'a colouristic tour de force,' as Head of Music Staff. The announcement comes on the eve of a 2013 season full of new productions, beginning with Thomas Adès' Powder Her Face, directed by Jay Scheib, February 15-23 at BAM.

LAUGHistan has announced the world premiere production of Samrat Chakrabarti and Sanjiv Jhaveri's BUMBUG The Musical, directed by Mercedes Murphy. BUMBUG The Musical will play a limited engagement at The Clurman Theatre (Theatre Row, 410 West 42nd Street). Performances begin today, December 5 and continue through Saturday, December 22.

LAUGHistan has announced the world premiere production of Samrat Chakrabarti and Sanjiv Jhaveri's BUMBUG The Musical, directed by Mercedes Murphy. BUMBUG The Musical will play a limited engagement at The Clurman Theatre (Theatre Row, 410 West 42nd Street).

The Martin E. Segal Theatre Center at the Graduate Center, CUNY has unveiled the artist lineup and program schedule for the highly anticipated PRELUDE.12, the ninth annual PRELUDE festival dedicated to artists at the forefront of contemporary New York City theatre, dance, interdisciplinary and mediatized performance. In its largest lineup ever, PRELUDE.12 will present over 40 short performances, readings, and screenings -as well as panel discussions with artists, scholars and performers.

Looking ahead to winter, David T. Little's evening-length multi-media music-theatre work, Soldier Songs (2006), receives its New York City premiere as part of BMP and HERE's inaugural PROTOTYPE: Opera/Theatre/Now festival January 11-13 + 16-18, 2013, showcasing pioneering work by a new generation of opera-theatre and music-theatre composers. Created and composed by Little, Soldier Songs is based on recorded interviews with veterans of five wars, with a libretto adapted by the composer.

The Martin E. Segal Theatre Center at the Graduate Center, CUNY has unveiled the artist lineup and program schedule for the highly anticipated PRELUDE.12, the ninth annual PRELUDE festival dedicated to artists at the forefront of contemporary New York City theatre, dance, interdisciplinary and mediatized performance. In its largest lineup ever, PRELUDE.12 will present over 40 short performances, readings, and screenings -as well as panel discussions with artists, scholars and performers.

Beth Morrison Projects (BMP) and HERE announce programming for the inaugural PROTOTYPE: Opera/Theatre/Now, running January 9-19, 2013, in New York City. This two-week festival, distilling the curatorial visions of artistic directors Kristin Marting (of HERE), Beth Morrison (of BMP), and Kim Whitener (of HERE), features visionary music-theatre and opera-theatre works by pioneering artists from NYC and around the world. PROTOTYPE is unique in providing a permanent theatrical home for the presentation of such quality productions, spotlighting the high-caliber creations of an exciting new generation of composers and collaborators, with a focus on chamber-sized works.

The 57th Annual Obie Awards were given out at a ceremony tonight at Webster Hall in Greenwich Village. The awards were presented by acclaimed stage actors Eric McCormack, Grace Gummer, Hugh Dancy, Jonathan Pryce, Justin Bartha, Leslie Odom Jr., Lily Rabe, Michael McKean, Tonya Pinkins, Topher Grace, and Tracee Chimo.

The 57th Annual Obie Awards were given out at a ceremony last night at Webster Hall in Greenwich Village. The awards were presented by acclaimed stage actors Eric McCormack, Grace Gummer, Hugh Dancy, Jonathan Pryce, Justin Bartha, Leslie Odom Jr., Lily Rabe, Michael McKean, Tonya Pinkins, Topher Grace, and Tracee Chimo.

New York City Opera remains true to its roots with today's 2012-13 season announcement, presenting New York City audiences with new artists and productions, ranging from rarely heard opera bouffe and bel canto opera to edgier contemporary fare. Through three-year alliances with two theaters - BAM in Brooklyn and New York City Center in midtown Manhattan - the company offers four brand new productions from leading directors Jay Scheib, Sam Buntrock, Michael Counts, and Christopher Alden, plus a fall showcase of the celebrated VOX program in conjunction with OPERA America's New Works Forum.

PRELUDE.11 takes as its starting point the dialogue between recent tendencies in theater, dance and visual art performance.