James Henry News

New York Theatre Workshop (NYTW) announced that due to critical acclaim and sold-out houses 'The Sound and The Fury (April Seventh, 1928'), will extend its run through Sunday, June 1, at NYTW.

New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Acting Managing Director Fred Walker have announced that The Sound and The Fury (April Seventh, 1928), based on part one of the novel by William Faulkner, created by Elevator Repair Service (ERS), and directed by John Collins, will begin performances Tuesday, April 15, at NYTW, 79 East 4th Street, between Second Avenue and Bowery. Opening night is scheduled for Tuesday, April 29 at 7:00pm. The production will run through May 18.

Cabaret and concert star Andrea Marcovicci brings her own captivating high style to the role of the magnificent and mercurial fashion doyenne, Gabrielle (Coco) Chanel in 42nd Street Moon's upcoming production of Coco. Alan J. Lerner and Andre Previn's musical memory play - unseen anywhere since the early 1970s -- will preview April 24 and 25, open on April 26, and run through May 11.

New York Theatre Workshop has announced plans for NYTW's 25th anniversary season, beginning June of this year

The Finborough Theatre's staging of Joseph Sobol's play 'IWitness' from January 2 to 27 joins a number of other recent London stage productions that highlight in differing ways courageous defiance of Nazism in Germany. In 'The Sound Of Music' Captain von Trapp's refusal to bow to Nazi German rule and join their navy inspires him to flee his beloved Austria with his wife and family and 'Climb Every Mountain' to head for freedom. In 'Cabaret', Cliff Bradshaw finally opens his eyes to the reality of the Nazi menace that is beginning to raise its ugly head in the once divinely decadent Berlin and takes his leave of the city, while Sally Bowles refuses to accept what is happening around her. In Martin Sherman's 'Bent', concentration camp inmate Max Berber stages the ultimate defiance by eventually openly admitting his homosexuality and taking his own life. And in total contrast the musical 'The Producers' promotes Mel Brooks' premise that the best way to oppose the ideology of nazism is to ridicule it.