Gregory Wallace News

American Conservatory Theater (A.C.T.) has added five performances to the world premiere production of The Tosca Project, created and staged by A.C.T. Artistic Director Carey Perloff and San Francisco Ballet's Val Caniparoli.

The American Conservatory Theater (A.C.T.) 2009-10 season culminates in the highly anticipated world premiere production of The Tosca Project, created and staged by A.C.T. Artistic Director Carey Perloff and San Francisco Ballet's Val Caniparoli. Conjuring a world in which love, betrayal, and hope emerge from the shadows and disappear with the clink of a glass, this gorgeously choreographed and achingly moving dance-theater piece brings together internationally acclaimed artists from San Francisco Ballet with a cast of renowned actors.

The American Conservatory Theater (A.C.T.) 2009-10 season culminates in the highly anticipated world premiere production of The Tosca Project, created and staged by A.C.T. Artistic Director Carey Perloff and San Francisco Ballet's Val Caniparoli. Conjuring a world in which love, betrayal, and hope emerge from the shadows and disappear with the clink of a glass, this gorgeously choreographed and achingly moving dance-theater piece brings together internationally acclaimed artists from San Francisco Ballet with a cast of renowned actors.

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the lineup of the company's 44th subscription season today. Recently commended for its 'sophisticated artistry' (The New York Times) and its 'intellectual passion [and] guts' (Los Angeles Times), A.C.T. has put together an eclectic mix of plays with big theatrical visions and ideas, from reimagined classics to bold new plays.

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater presents the Charles Dickens classic A Christmas Carol, adapted by Carey Perloff and Paul Walsh and directed by acclaimed Bay Area director and actor Domenique Lozano. A.C.T.'s annual production of this beloved family-friendly gem has been called 'a Carol built to banish ‘bah humbugs' for years to come' (The Oakland Tribune) and 'a holiday treat for the entire family' (KGO Radio).

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.

Here are the Nominations for Outstanding Awards from the San Francisco Bay Theatre Area Critics Circle. Winners will from each catagory will be announced in approximately two weeks. A Gala Cocktail party will be held for the winners in each catagory at A.C.T. Columbia Room on May 4th. AEA Members are noted in * For 'Entire Production' and 'Best Ensemble' AEA Theatres are * THEATRES OVER 300 DRAMA

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.

American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.

American Conservatory Theater (A.C.T.) continues its 2008-09 season with John Guare's Rich & Famous, directed by John Rando (Urinetown, The Musical and Wedding Singer on Broadway) in its first major revival since its 1976 New York debut. From the ingenious mind of John Guare, who brought Six Degrees of Separation and The House of Blue Leaves to the American stage, this delicious dark comedy springs to life with twisted humor, rapid-fire dialogue, and outrageous plot twists. The revival script includes significant rewrites to the original text, as well as hilarious songs freshly scribed by Guare himself. In Rich and Famous, playwright Bing Ringling yearns to savor the sweet taste of celebrity, and he's hoping play number 844 will be his lucky break. But on opening night, he slips into a nightmarish phantasmagoria that shows him just how wrong things can go.