August Wilson News

Broadway Rush, Lottery & Standing Room Only Ticketing Policies - updated on 4/29/2016.

Milwaukee Repertory Theatre's 2015/16 season comes to a close with August Wilson's Pulitzer Prize-winning play FENCES. The production, which is a co-production with Arizona Theatre Company and Indiana Repertory Theatre, is helmed by legendary American theater director Lou Bellamy and features an all-star cast. FENCES plays in the Quadracci Powerhouse from tonight, April 26, through May 22, with Opening Night today, April 29. BroadwayWorld has a first look at the cast in action below!

History Matters/Back To The Future, committed to promoting the study and production of women's plays of the past, has announced the winner of the second annual Judith Barlow Prize. Lindsay Adams, a student at The Catholic University of America in Washington, D.C., has been chosen for her one-act play, HER OWN DEVICES, which was inspired by Mary Chase's Pulitzer Prize-winning play Harvey.

A re-imagined version of the 1921 musical SHUFFLE ALONG, one of the earliest stage hits starring, written and directed by African-Americans, opens tonight, April 28, on Broadway at the Music Box Theatre. SHUFFLE ALONG has a new book and is directed by George C. Wolfe, choreographed by Savion Glover. Scroll down to learn more about the company, plus watch SUNDAY MORNING's recent behind-the-scenes look at the show!

The building where the great playwright spent the first thirteen years of his life had been in a state of ruin.

Milwaukee Repertory Theatre's 2015/16 season comes to a close with August Wilson's Pulitzer Prize-winning play FENCES. The production, which is a co-production with Arizona Theatre Company and Indiana Repertory Theatre, is helmed by legendary American theater director Lou Bellamy and features an all-star cast. FENCES plays in the Quadracci Powerhouse from tonight, April 26, through May 22, with Opening Night on Friday, April 29. BroadwayWorld has a first look at the cast in action below!

Tickets are on sale now for the return engagement of the Tony, Grammy, and Olivier Award-winning hit musical JERSEY BOYS, the story of Frankie Valli and The Four Seasons, playing the Providence Performing Arts Center (PPAC), Today, April 26 through Sunday, May 1, 2016.

Broadway Rush, Lottery & Standing Room Only Ticketing Policies - updated on 4/22/2016.

Goodman Theatre, under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, becomes the first Chicago theater to establish a facility dedicated to education and engagement programs next when it opens the new Alice Rapoport Center for Education and Engagement ('the Alice') next month.

Signature Theatre held its Annual Gala celebration on Monday, April 18, 2016, celebrating Signature's 25th Anniversary and honoring Founding Artistic Director James Houghton's leadership of the company, on the occasion of his final season as Artistic Director. Check out photos below!

In conjunction with a production of playwright Lorraine Hansberry's final work, The Sign in Sidney Brustein's Window, Goodman Theatre presents a Lorraine Hansberry Celebration (April 30 - June 5), curated by Goodman Resident Director Chuck Smith.

Artistic Director Darko Tresnjak and Managing Director Michael Stotts announced today that Hartford Stage's 2016-17 season will include Queens for a Year by T.D. Mitchell, The Piano Lesson by August Wilson, The Comedy of Errors by William Shakespeare and The Absolute Brightness of Leonard Pelkey by James Lecesne.

Raise a glass! It was just announced by Pulitzer Prize administrator Mike Pride that HAMILTON has officially won the 2016 Pulitzer Prize for Drama.

Today's the day! The 2016 Pulitzer Prize Winners and Nominated Finalists will be announced in just minutes- April 18 at 3pm eastern daylight time via live-stream on pulitzer.org.

Today's the day! The 2016 Pulitzer Prize Winners and Nominated Finalists will be announced on today, April 18 at 3pm eastern daylight time via live-stream on pulitzer.org.

On the surface, Hattiloo Theatre's streamlined production of Tarrell Alvin McCraney's MARCUS; OR THE SECRET OF SWEET might seem a variation on a familiar theme: A young man troubled by dreams and conflicted about his identity seems to 'hit a brick wall' when he turns to others to try discover why he is, what he is -- 'sweet,' a kind of code word for homosexuality. That might seem a facile enough summary of what this play is about, but to shrug one's shoulders and miss this committed little production would be to miss also the fascinating journey in which it is couched.

Signature Theatre's Annual Gala celebration -- set for tonight, April 18, 2016 -- will celebrate Signature's 25th Anniversary and honor Founding Artistic Director James Houghton's leadership of the company, on the occasion of his final season as Artistic Director.

Morisseau's explanation of the Detroit riots makes a lot of sense, and resonates with my understanding of what happened last year in Baltimore. Morisseau's thesis is that the black citizens of Detroit were not crazy, just reacting to an ongoing culture of police abuse, and that abusive police and military responses were to blame for most of what went wrong once the spark of protest had been struck by the raid of an unlicensed after-hours drinking club known as a 'blind pig.'

Among this year's nominees for Outstanding Musical Production by a Large Theater are WAITRESS and NATASHA, PIERRE, AND THE  GREAT COMET OF 1812, both at American Repertory Theatre. Tony winner Jessie Mueller and Denee Benton also each received nods for their respective performances. 

In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.