Ann Murray News

Calgary-based Honens today announced details of its 2018 Piano Competition.  Pianists of all nationalities, aged 20 to 30 on August 30, 2018, with the exception of past Honens Laureates and professionally managed artists, may apply starting February 1, 2017.  The application deadline is October 31, 2017.  The Competition's Quarterfinals take place in Berlin and New York in March 2018.  Semifinals and Finals take place in Calgary from August 30 to September 8, 2018.

The most beloved show yet by Sex T-Rex, Toronto's hottest comedic theatre company, Wasteland is back after a wildly successful run at the 2016 Montreal Fringe and Toronto Fringe Festival. Through impeccably executed fight scenes, rubber-burning car chases, shadow puppetry, and a soupcon of philosophical navel gazing, masters of genre parody and 'lunatic physical comedians' (My Entertainment World) Sex T-Rex bring nuclear Armageddon to life in Wasteland.

On Today, September 22, 2016 at 8:00PM at Alice Tully Hall, the American Classical Orchestra, a 50-piece period instrument orchestra devoted to preserving and performing the repertoire of 17th, 18th and 19th century composers, presents its opening night concert of its 32nd Season. The program, which will be conducted by Thomas Crawford, will include Mendelssohn's Symphony No. 3  'Scottish', Berlioz's Les nuits d'été with mezzo-soprano Avery Amereau, and Cipriani Potter's Symphony No. 10. Artistic Director and Founder Thomas Crawford says of this program, 'In Mendelssohn's stormy Scottish Symphony, period instruments enliven the thrilling orchestration and memorable tunes for which the composer is so beloved. In Berlioz's evocative Les nuits d'été, the ACO proudly introduces the extraordinary young American mezzo-soprano Avery Amereau. A rarely heard symphony by British composer Cipriani Potter completes a concert that takes the audience back into the luxurious sonorities of the Romantic Era.'

41 days ago Haydn's Die Schöpfung was performed at the Großes Festspielhaus, opening the Ouverture spirituelle and thus the 2016 Salzburg Festival.

On Thursday, September 22, 2016 at 8:00PM at Alice Tully Hall, the American Classical Orchestra, a 50-piece period instrument orchestra devoted to preserving and performing the repertoire of 17th, 18th and 19th century composers, presents its opening night concert of its 32nd Season. The program, which will be conducted by Thomas Crawford, will include Mendelssohn's Symphony No. 3  'Scottish', Berlioz's Les nuits d'été with mezzo-soprano Avery Amereau, and Cipriani Potter's Symphony No. 10. Artistic Director and Founder Thomas Crawford says of this program, 'In Mendelssohn's stormy Scottish Symphony, period instruments enliven the thrilling orchestration and memorable tunes for which the composer is so beloved. In Berlioz's evocative Les nuits d'été, the ACO proudly introduces the extraordinary young American mezzo-soprano Avery Amereau. A rarely heard symphony by British composer Cipriani Potter completes a concert that takes the audience back into the luxurious sonorities of the Romantic Era.'

On Thursday, September 22, 2016 at 8:00PM at Alice Tully Hall, the American Classical Orchestra, a 50-piece period instrument orchestra devoted to preserving and performing the repertoire of 17th, 18th and 19th century composers, presents its opening night concert of its 32nd Season. The program, which will be conducted by Thomas Crawford, will include Mendelssohn's Symphony No. 3  'Scottish', Berlioz's Les nuits d'ete with mezzo-soprano Avery Amereau, and Cipriani Potter's Symphony No. 10.

Moorestown Theater Company's MARY POPPINS is an astonishingly good, toe-tapping extravaganza suitable for all ages.

From 1 to 5 July 2015, the Accompanists' Guild of SA will welcome back Malcolm Martineau to Adelaide.

SAN FRANCISCO, February 4, 2015 – Twenty-three singers, five apprentice coaches, and one apprentice stage director, representing seven countries, will participate in the 58th season of the Merola Opera Program from June 8 to August 22, San Francisco Opera Center Director Sheri Greenawald announced today. More than 800 artists vied this year for the 29 coveted spots in the highly selective summer opera training program. Nearly one third of this season's artists come from countries outside the United States, including artists from Australia, China, Italy, New Zealand, Russia and South Korea, and the US artists hail from 15 states, including California, New York, Illinois, Michigan, Florida, Texas, Georgia, Pennsylvania, and Idaho.

MAGIC TREE HOUSE: A GHOST TALE FOR MR. DICKENS, JR. engages children and adult alike with fanciful journey into the world of Charles Dickens.

? The Yale School of Music continues its acclaimed Yale in New York series when singers of Yale Opera bring manuscripts to life in a concert on Sunday, December 7 at 7:30 p.m. in Weill Recital Hall at Carnegie Hall.

Yale School of Music announces the 2014-15 season of YALE IN NEW YORK. The series returns to Carnegie Hall for its eighth year, while expanding to include a special season opener at Avery Fisher Hall that features John Adams conducting the Yale Philharmonia and Brentano Quartet in a performance of Adams' Beethoven-inspired Absolute Jest and Beethoven's Symphony No. 4.

New Brunswick, NJ

BAM, a gutsy 62 year old, releases her new collection of poetry 'Poetic Thoughts in the Keys of Happiness' (published by Trafford Publishing), centered around past loves, acquaintances and friends.

The St. Louis Symphony will mark the centennial of Benjamin Britten's birth with two concert performances of the composer's haunting opera Peter Grimes: first at Powell Hall tonight, November 16, then at Carnegie Hall on November 22, the date of the late composer's 100th birthday.

Throughout its 2013-2014 season, Carnegie Hall pays tribute to composer Benjamin Britten (1913-1976) in celebration of the 100th anniversary of his birth.

The St. Louis Symphony will mark the centennial of Benjamin Britten's birth with two concert performances of the composer's haunting opera Peter Grimes: first at Powell Hall on November 16, then at Carnegie Hall on November 22, the date of the late composer's 100th birthday.

From its earliest days, Lincoln Center's Mostly Mozart Festival has included opera among its offerings, although I recall no production being quite so acclaimed as Iván Fischer's DON GIOVANNI of two seasons ago. With so much to live up to, the director-conductor's vision of Mozart's LE NOZZE DI FIGARO had its work cut out for it, seen on August 13 at the Rose Theatre. More than a concert version but less than a fully staged production, this was a FIGARO that charmed the audience with some good singing and lively staging, but was somehow less than the sum of its parts.