Rebekah Stogner

In anticipation of the gala 30th anniversary celebration of The First Night Awards, Tennessee's best and brightest in live theater were revealed tonight as First Night's Top Ten of 2018 - reviewer and critic Jeffrey Ellis' annual recognition for theater in the Volunteer State - were announced during a Facebook Live presentation from Nashville.

GOOD MORNING, THEATERATI! And welcome to April 27 - aka #TheatreThursday - during which we ask the musical question: With 13 shows in the 2016-17 Broadway Season, which shows will be forgotten come Tony Award-nomination day (which is next week, if memory serves) and sink under the weight of all the swell competition? Think about it, people! What are your favorites for Tony glory this year? We'll be sure to send you an invitation to our Tony Party!

Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!

Hear ye, hear ye…Music City Confidential is back! Which means, of course, that I've heard an awful lot of scuttlebutt since last week's column went live on the interwebs - or, more likely, that I am trying to avoid boring and mundane stuff like packing - I'll let you decide what my motivation truly is...

They're dishing up some tasty Rumors at Chaffin's Barn Dinner Theatre - along with the bountiful buffet of Southern delicacies - while at Donelson's The Larry Keeton Theatre, the last two performances of Beth Henley's The Miss Firecracker Contest are served up this weekend, and the national touring company of Mamma Mia! winds up its weeklong stand at the Tennessee Performing Arts Center's Andrew Jackson Hall. And the intrepid Nashville Repertory Theatre Professional Interns present their very own production of Gruesome Playground Injuries.

At long last, Music City Confidential is back to help you get caught back on the talk of the town - all the news that's fit to print about the Nashville theater community - and to immerse you in the minutiae of life in Theater City (a term we've been trying to copyright since we were in junior high with Thespis, Aristophanes and Martha Wilkinson).

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Shows are opening (Carolyn German unveils her latest, Go From Here, and Nashville Ballet revives Carmina Burana, both this weekend), shows are closing (your last chance to catch The Taffetas at Chaffin's Barn Dinner Theatre before they go the way of The Plaids is this weekend) and The Miss Firecracker Contest is back onstage at Donelson's Larry Keeton Theatre for the second of three weekends. Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Britt Byrd takes on the challenging role of Carnelle Scott in The Larry Keeton Theatre's upcoming production of Beth Henley's The Miss Firecracker Contest, running at the Donelson theater April 14-30 – the first presentation of a non-musical at The Keeton in quite some time, according to producer Jamie London.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Britt Byrd takes on the challenging role of Carnelle Scott - and Nashville photographer Jenny Petit Steiner has the pictures to prove it - in The Larry Keeton Theatre's upcoming production of Beth Henley's The Miss Firecracker Contest, running at the Donelson theater April 14-30 - the first presentation of a non-musical at The Keeton in quite some time, according to producer Jamie London.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Britt Byrd takes on the challenging role of Carnelle Scott in The Larry Keeton Theatre's upcoming production of Beth Henley's The Miss Firecracker Contest, running at the Donelson theater April 14-30 – the first presentation of a non-musical at The Keeton in quite some time, according to producer Jamie London.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the notebooks, datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.