Mary Bair,

Utopia Theatre Project breathes life into The Seagull, Chekhov's play about life, love, and art.

There have been various responses to the new presidency and the current political climate, including Facebook groups, letter writing and calling campaigns, petitions, and a nation-wide women's march. But what do artists do in response to injustice? They make art. Last weekend 7th House Theater opened a short run of what they call a 'pop up production' of the 1959 play RHINOCEROS, written by Eugene Ionesco as a response to the rise in Fascism in pre-WWII Europe. As company member David Darrow explained before the show, their new original musicals take about a year to plan, write, create, and produce, which makes it challenging to stay current. But with this piece, 7th House is presenting 'a specific work at a specific time in history.' After just ten days of rehearsal, they very intentionally opened on the night of the inauguration, a work presented in what David called 'a mostly sort of way.' While the staging is minimal and actors have scripts in their hands, Rhinoceros is a work that is wholly entertaining, eerily relevant, and exactly what we need right now.

Musical theater is my favorite art form, and new original musicals are my favorite things in the world. I love seeing how music and theater can combine to tell a story in interesting forward-thinking ways. After re-imagining a couple of classic musicals (and one play), newish theater company 7th House Theater has turned to producing new original musicals. THE PASSAGE, OR WHAT COMES OF SEARCHING IN THE DARK, is the third such creation to be presented in the Guthrie Theater Studio. I've loved all of their work, but this one feels more personal and more modern and forward-thinking than what they've done before. THE PASSAGE feels like it's continuing along the trajectory of modern musicals like NEXT TO NORMAL and FUN HOME - an intimate family story told with a small cast and modern inventive staging. And the result is truly something special.

Continuing its exploration on the power of memory and storytelling, American Conservatory Theater (A.C.T.) will kick off the new year with an all-new production of Tom Stoppard's Indian Ink, (today, January 14 - February 8, 2015) a romantic saga spanning decades, continents, and cultures.

Continuing its exploration on the power of memory and storytelling, American Conservatory Theater (A.C.T.) will kick off the new year with an all-new production of Tom Stoppard's Indian Ink, (January 14 - February 8, 2015) a romantic saga spanning decades, continents, and cultures.

History Theatre produces the world premiere of a new musical by local artists Dominic Orlando (book and lyrics) and the late Hiram Titus (composer). BroadwayWorld has a first look at the show below!

History Theatre will produce the world premiere of a new musical by local artists Dominic Orlando (book and lyrics) and the late Hiram Titus (composer). The Working Boys Band tells the story of Professor C.C. Heintzeman, a German-born educator who believed in the power of music to give structure and purpose to people's lives, especially for the children who worked in the mills and factories of Minneapolis in the years before Child Labor Laws. The story of the Minneapolis Working Boys Band and its founder was suggested to History Theatre back in 2010 when Titus handed a photo of the band circa 1915 and his first draft of the opening number to artistic director Ron Peluso. In September of 2013, Titus submitted the show's finale just days before suffering a fatal cardiac arrest; Raymond Berg joined the team to finish the musical arrangements.

History Theatre will produce the world premiere of a new musical by local artists Dominic Orlando (book and lyrics) and the late Hiram Titus (composer). The Working Boys Band tells the story of Professor C.C. Heintzeman, a German-born educator who believed in the power of music to give structure and purpose to people's lives, especially for the children who worked in the mills and factories of Minneapolis in the years before Child Labor Laws. The story of the Minneapolis Working Boys Band and its founder was suggested to History Theatre back in 2010 when Titus handed a photo of the band circa 1915 and his first draft of the opening number to artistic director Ron Peluso. In September of 2013, Titus submitted the show's finale just days before suffering a fatal cardiac arrest; Raymond Berg joined the team to finish the musical arrangements.