Maire-Rose Pike

This morning as I was compiling my Spotlight Series on Bill Wolski and his equally talented wife Holly Baker Kreiswirth of Little Fish Theatre in San Pedro, Bill shared an amazingly wonderful description of the ever-so-fleeting magic of performing live theatre which brings a playwright's scripts to life and often unites a cast as life-long friends. His post centers on his first-hand experience in the Little Fish production of THE COUNTRY HOUSE by Donald Margulies, which was directed by Holly and featured a talented cast of six, including Belinda Howell. Frannie Morrison, Richard Perloff, Maire-Rose Pike, Patrick Vest and Bill Wolski. And his post speaks so clearly to me that I immediately reached out to him, and have been given permission to share his words as a Spotlight Series today.

A clever and compelling love letter to theater, and everyone who enjoys it both on- and off-stage, Donald Margulies' The Country House opens at Little Fish Theatre on April 4 for a four-week run. The Pulitzer Prize-winning playwright focuses his lens on a multi-generational family, revealing long pent-up frustrations and unrequited love in this ultimately healing narrative. LFT company member Holly Baker-Kreiswirth directs.

Perhaps the best way to start writing about Elizabeth Gregory Wilder's play PROVENANCE is to share its definition, as it pertains to the history of ownership of a valued object or work of art or literature, not the capital of Rhode Island. Now being performed at Little Fish Theatre in San Pedro's Arts District, directed with loving reverence by Holly Baker-Kreiswirth and produced by Tara Donovan, the play centers on a rare book search which leads to an isolated library, and librarian, on the top of a hill in an identified area. Perhaps the best guess, according to the director and cast, would be the Smoky Mountains of Tennessee.

A tale of a librarian whose self-imposed isolation high atop a mountain is broken by a worldly woman on a quest to read a list of 100 books takes the stage in Little Fish Theatre's second midweek show of its 2018 season. Written by Elyzabeth Gregory Wilder, the 2012 Tennessee Williams Playwright-in-Residence at Sewanee University and directed by Little Fish Theatre Company Member Holly Baker-Kreiswirth, Provenance will make even the most skeptical believe in magic again.

Little Fish Theatre is excited to present The Good Doctor as its fourth production of 2017. This series of short plays is written by Tony, Emmy, and Pulitzer Prize winning writer Neil Simon, and is based on short stories and other works by acclaimed playwright Anton Chekhov. James Rice, long-time Little Fish Theatre Company Member, directs this evening of scenes, all of which are humorous, heartwarming, and strikingly human.  

Sometimes last minute changes of director can raise a struggling play into a masterful team effort showing the brilliant humor meant to be mined from an award-winning script. Such was the case for co-director/actor David Graham when two previous directors had to step aside and he was asked to take over directing TABLE MANNERS at Little Fish two days before the first rehearsal. Along with his co-director Stephanie Coltrin, the perfect casting in all the roles and the skill of knowing just how far to take the characters in this comedy of family manners gone bad makes for two hours of close-up fun for every member of the audience.

Little Fish Theatre presents TABLE MANNERS by Alan Ayckbourn as the fourth production in their eleven-show line-up for 2016, beginning tonight. Written by the Olivier Award winning playwright and director, TABLE MANNERS was the recipient of the 2009 Tony Award for Best Revival of a Play as part of the trilogy The Norman Conquests.

Little Fish Theatre presents TABLE MANNERS by Alan Ayckbourn as the fourth production in their eleven-show line-up for 2016.

Metropolitan Playhouse, 'theatrical archaeologist extraordinaire' (Backstage), presents a revival of It Pays to Advertise, by popular turn-of-the-century comic writers Roi Cooper Megrue and Walter C. Hackett. First presented at the George M. Cohan Theater in 1914, It Pays to Advertise will be revived in Metropolitan's home at 220 E 4th Street May 2nd through May 31st, 2009.

Metropolitan Playhouse, 'theatrical archaeologist extraordinaire' (Backstage), presents a revival of It Pays to Advertise, by popular turn-of-the-century comic writers Roi Cooper Megrue and Walter C. Hackett. First presented at the George M. Cohan Theater in 1914, It Pays to Advertise will be revived in Metropolitan's home at 220 E 4th Street May 2nd through May 31st, 2009.

The Brick Theater, Inc. presents a Gemini CollisionWorks production THE MAGNIFICENT AMBERSONS by Orson Welles: A Reconstruction for the Stage as part of The Film Festival: A Theater Festival.

Janeen Stevens' drama Toughing Slumaria will run off-off-Broadway from October 29th through November 13th