Macon Kimbrough

Now would seem the perfect time for a Nashville revival of Christopher Hampton's Les Liasions Dangereuses - an intriguing play about powerful men subjugating women to their sexual domination, private missives between aristocrats made public in order to cause embarrassment, and any perceptibly well-meaning act of charity is undermined by far baser instincts - which is perhaps best known for the movies it has inspired: Dangerous Liaisons and Cruel Intentions.

It's another busy weekend in Nashville - but when is Music City not packed with events, festivals, affairs? - and we're back with our Critic's Choice recommendations to have you cut through the theatrical flotsam and jetsam and find a cultural opening that's a good fit for your harried lifestyle. Nashville Opera opens its staging of Marc Blitzstein's The Cradle Will Rock at Noah Liff Opera Center, Way Off Broadway Productions unveils its version of Les Liaisons Dangereuses at Music Valley Event Center, Street Theatre Company invites you to the see their staging of Lynn Nottage's Sweat at their new venue on Elm Hill Pike and Nashville Rep continues its celebration of 10 years of The Ingram New Works Festival at Nashville Children's Theatre.

Les Liaisons Dangereuses - Christopher Hampton's acclaimed 1985 play based on the 1782 novel of the same name by Pierre Cholderlos de Laclos - opens as the latest offering from Nashville's Way Off Broadway Productions, running May 10-June 2 at Music Valley Event Center.

Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for October 1, 2018, to help you plot your course through the end of the year...

Fifty years following the premiere of Mart Crowley's iconic pre-stonewall comedic drama about a group of gay men living in New York, The Boys in the Band offers an interesting perspective to modern audiences of the many issues which tend to plague a group of people who are seen as “different”, and how much (or rather, as audiences will likely find, how little) those issues have changed over time within the gay community. This wildly entertaining evening full of laughs, queens, booze, shirtless hunks, self-loathing, and lasagna is one which is sure to wow audiences with the exceptional performance of its cast, while providing deeper insights into what it means to be a societal outsider, and how that treatment often manifests itself both internally and externally.

It's the day of the show, y'all: The Nashville premiere of Mart Crowley's The Boys in the Band is tonight - at The Barbershop Theatre, 4003 Indiana Avenue in The Nations - and six of the actors portraying Crowley's now-iconic characters took time from tech week to answer questions about their processes and to offer their reasons for why you should come see the show.

Nine Nashville area actors have been cast in the upcoming production of Mart Crowley's The Boys in the Band, which will play six performances at The Barbershop Theatre, 4003 Indiana Avenue, in a production helmed by veteran director Jeffrey Ellis, who is known throughout Tennessee as a leading theater journalist and critic.

Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar to help you plot your course...

Nine Nashville area actors have been cast in the upcoming production of Mart Crowley's The Boys in the Band, which will play six performances at The Barbershop Theatre, 4003 Indiana Avenue, in a production helmed by veteran director Jeffrey Ellis, who is known throughout Tennessee as a leading theater journalist and critic.

First Night's Top Ten for 2018 - critic Jeffrey Ellis' annual review of the best in Tennessee theater were revealed last night during a live Facebook broadcast, with the hosts of Midwinter's First Night (Ashley Wolfe, J. Robert Lindsay, Tosha Pendergrast and Ben Pendergrast) announcing the productions and performances recognized among the best of 2017.

Make no bones about it: the mind and imagination of playwright Tony Kushner (whose Angels in America: A Gay Fantasia on National Themes is playing at Nashville's Darkhorse Theatre, in a new production of from ACT 1) is nothing like yours or mine or that guy sitting at the table by the window at your neighborhood Starbucks, tip-tap-typing away at his laptop in hopes of capturing lightning in a bottle with his words or that woman waxing philosophical about the current political climate in this country while recapping the latest happenings on her favorite TV series for some obscure website.

ACT 1 presents Tony Kushner's seminal theatrical achievement Angels in America, Parts 1 and 2, at the Darkhorse Theatre March 11-25. Presented in partnership with Carlton Cornett LCSW and DeWayne Fulton, the production gives Nashville area audiences a rare opportunity to see both parts of Kushner's award-winning work at the same time. Angels in America: A Gay Fantasia on National Themes was the winner of the Pulitzer Prize for Drama, the Tony Award for Best Play and the Drama Desk Award for Outstanding Play.

Despite terrific performances by the show's three leading ladies, The Larry Keeton Theatre's production of Sweet Charity, that 1966 musical theater oddity that spawned two of pop music's favorite showtunes-"If My Friends Could See Me Now" and "Hey, Big Spender"-lacks the polish and pizzazz expected from a theatre company known for its top-flight musical revivals.

Director David McGinnis and his cast of nine actors bring Michael Cristofer's Pulitzer Prize-winning play The Shadow Box to life in a solid and straightforward production that kicks off ACT 1's 2012-13 season at Nashville's Darkhorse Theater.

David McGinnis makes his ACT 1 directorial debut with the upcoming production of Michael Cristofer's Pultizer Prize-winning play The Shadow Box, running October 12-27 at Nashville's Darkhorse Theater.

Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.

Apparently, it is Elvis Week in Nashville (at least according to the fine folks at Loveless Cafe), so before we head out to the theater for a full weekend of show openings and the like, a trip to West Nashville for a slice of the Loveless' Elvis pie is in order (for the uninitiated, that's peanut butter, banana, bacon and homemade whipped cream-the four basic food groups, according to The King.), so before we slip into a diabetic coma, here's installment #7 of Music City Confidential, all the news that's fit to print from onstage, offstage, backstage and beyond…

Luckily (for me and for you, the rest of the audience who may or may not have seen the show in any of its multiple onstage incarnations), director Patrick Kramer, choreographer Kate Adams-Johnson and musical director Randy Craft have fashioned a rendition of Hairspray-that indomitable musical about one determined and ambitious Baltimore teenager in 1962-that fairly snaps, crackles and pops with its fresh delivery, its clever staging and the laudable and thoroughly committed performances of a cast of thousands.

Circle Players, one of the first resident companies at the Tennessee Performing Arts Center, makes a triumphant return to that cultural edifice in downtown Nashville to mount its latest revival of Titanic the Musical just in time to commemorate the 100th anniversary of the ship's sinking in the frigid waters of the north Atlantic.