Craig Pattison

Red Bull Theater today announced that their Twelfth Season will continue with Ben Jonson's Every Man In His Humour, directed by Carson Elrod, on Monday December 28th at 7:30 PM, at the Lucille Lortel Theatre (121 Christopher Street, between Bleecker and Hudson).  Featured in the cast will be Michael Countryman, Angel Desai, Carson Elrod, Korey Jackson, Claire Karpen, Craig Pattison, Matthew Saldivar, Jay O. Sanders, Danielle Skraastad, Kenneth Tigar, Henry Vick, Roger Yeh, and more.  Tickets may be purchased online at www.redbulltheater.com or by phone at (212) 352-3101.

The Castillo Theatre presents alumni from its youth theatre, Youth Onstage! in Julius Caesar by William Shakespeare under the direction of Craig Pattison, for only 6 performances, the last of which is tonight, April 29.

The Castillo Theatre will be presenting alumni from its youth theatre, Youth Onstage! in Julius Caesar by William Shakespeare under the direction of Craig Pattison, for only 6 performances: April 20 - 29.

The Castillo Theatre will be presenting alumni from its youth theatre, Youth Onstage! in Julius Caesar by William Shakespeare under the direction of Craig Pattison, for only 6 performances: April 20 - 29.

The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director, Craig Pattison, festival director) soon opens Part 2 of the Young Playwrights From Castillo festival, featuring scripts written over the course of a year-long writing workshop led by Castillo's artistic director, Dan Friedman. There is an invited final dress rehearsal on Thursday, June 23rd at 7:30 p.m., open to press.

The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director, festival director, Craig Pattison) is underway with rehearsals for the Young Playwrights From Castillo festival, featuring six new scripts written over the course of a year-long writing workshop led by Castillo's artistic director, Dan Friedman.

The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director, Craig Pattison, festival director) soon opens Part 2 of the Young Playwrights From Castillo festival, featuring scripts written over the course of a year-long writing workshop led by Castillo's artistic director, Dan Friedman. There is an invited final dress rehearsal on Thursday, June 23rd at 7:30 p.m., open to press.

The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director, festival director, Craig Pattison) is underway with rehearsals for the Young Playwrights From Castillo festival, featuring six new scripts written over the course of a year-long writing workshop led by Castillo's artistic director, Dan Friedman.

The Castillo Theatre (Dan Friedman, artistic director, Diane Stiles, managing director, festival director, Craig Pattison) is underway with rehearsals for the Young Playwrights From Castillo festival, featuring six new scripts written over the course of a year-long writing workshop led by Castillo's artistic director, Dan Friedman.

Theatre for a New Audience's Winter-Spring Shakespeare Season which began with Othello (February 14 - March 7) continues with Hamlet which previews Sunday, March 15, at 7:00pm, opens Thursday, March 26, at 6:30pm and plays through April 19. Both productions play at The Duke on 42nd StreetSM, a New 42nd Street? project, 229 West 42nd Street.

Theatre for a New Audience's Winter-Spring Shakespeare Season which begins with Othello (February 14 - March 7) continues with Hamlet which previews Sunday, March 15, at 7:00pm, opens Thursday, March 26, at 6:30pm and plays through April 19. Both productions play at The Duke on 42nd Street SM, a New 42nd Street? project, 229 West 42nd Street. Hamlet features Christian Camargo in the title role. The production is directed by David Esbjornson. Joining Mr. Camargo will be Alyssa Bresnahan as Gertrude, Alvin Epstein as Polonius, Graham Hamilton as Laertes, Jennifer Ikeda as Ophelia and Patrick Page as Claudius.

Theatre for a New Audience's Winter-Spring Shakespeare Season which began with Othello (February 14 - March 7) continues with Hamlet which previews Sunday, March 15, at 7:00pm, opens Thursday, March 26, at 6:30pm and plays through April 19. Both productions play at The Duke on 42nd StreetSM, a New 42nd Street? project, 229 West 42nd Street.

Theatre for a New Audience's Winter-Spring Shakespeare Season which begins with Othello (February 14 - March 7) continues with Hamlet which previews Sunday, March 15, at 7:00pm, opens Thursday, March 26, at 6:30pm and plays through April 19. Both productions play at The Duke on 42nd Street SM, a New 42nd Street? project, 229 West 42nd Street. Hamlet features Christian Camargo in the title role. The production is directed by David Esbjornson. Joining Mr. Camargo will be Alyssa Bresnahan as Gertrude, Alvin Epstein as Polonius, Graham Hamilton as Laertes, Jennifer Ikeda as Ophelia and Patrick Page as Claudius.

The Irish Repertory Theatre continues its 20th season with George Bernard Shaw's The Devil's Disciple, extending it until February 10, 2008.

Tickets are on-sale now for the Irish Repertory Theatre production of George Bernard Shaw's The Devil's Disciple. If you order tickets by December 13, you can receive $5 off per ticket.

Charlotte Moore and Ciaran O'Reilly continue The Irish Repertory Theatre's twentieth season with George Bernard Shaw's The Devil's Disciple, directed by Tony Walton. Performances begin Wednesday, December 5, 2007 and will perform through January 27, 2008. The official opening will be on Thursday, December 13, 2007. The Irish Repertory Theatre is located at 132 West 22nd St.

Neil Bartlett's reimagined 'Oliver Twist' abducts Charles Dickens' classic tale, sends it through the meat-grinder, and spits it back onto its feet in a fantastic and grimy work of art.

Berkeley Repertory Theatre ends its 2006/07 Season with a dark and delightful new adaptation of Charles Dickens' 'Oliver Twist' staged by one of Britain's most innovative theatre artists, beginning previews in the Roda Theatre on May 11, opens May 16, and closes June 24.

The most difficult aspect of dramatizing a well-known and well-loved work of literature is finding the correct balance between maintaining the integrity of the original work and adding elements to justify the adaptation. The recent Broadway revival of A Chorus Line was criticized for being a carbon copy of the original production, while the short-lived, musicalized version of The Wedding Singer film was criticized for changing key plot points. How, then, can an adaptation to the stage do justice to the original work as well as bring the material to life in a new and innovative way? Neil Bartlett seems to know the secret. In his adaptation of 'Oliver Twist,' the classic novel by Charles Dickens, Bartlett captures the dark, dank world of the young orphan in a way that Lionel Bart's musical Oliver! fails to do. There are no upbeat songs about 'Oom-Pah-Pah!' or considering yourself part of the family; Bartlett's Oliver Twist is no musical comedy.