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Pygmalion
Professor Henry Higgins makes a bet with his friend, Col. Pickering, that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an elegant upper-crust event by training her in the external trappings of gentility, the most obvious evidence of which is perfect enunciation and speech. The play, much more than a simple romance, is actually a scathing critique of the rigid British class system of the day as well as a commentary on the inequality of economics and gender.
Cast and Creative team for Pygmalion at New National Theatre Tokyo