Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
ALADDIN (NEW AMSTERDAM) |
$1,433,167 | $1,433,167 | $105 $228 |
13,590 | 13,816 | 8 | 98.40% |
AMERICAN PSYCHO (SCHOENFELD) |
$534,224 | $534,224 | $69 $248 |
7,722 | 8,248 | 8 | 93.60% |
AN AMERICAN IN PARIS (PALACE) |
$860,975 | $860,975 | $93 $223 |
9,294 | 13,432 | 8 | 69.20% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$904,296 | $904,296 | $120 $299 |
7,507 | 8,208 | 8 | 91.50% |
BLACKBIRD (BELASCO) |
$371,241 | $371,241 | $71 $248 |
5,194 | 8,112 | 8 | 64.00% |
BRIGHT STAR (CORT) |
$357,812 | $357,812 | $67 $248 |
5,328 | 8,384 | 8 | 63.50% |
CHICAGO (AMBASSADOR) |
$515,332 | $515,332 | $83 $186 |
6,182 | 8,640 | 8 | 71.60% |
DISASTER! (NEDERLANDER) |
$247,941 | $247,941 | $62 $197 |
3,995 | 9,584 | 8 | 41.70% |
ECLIPSED (GOLDEN) |
$233,636 | $233,636 | $67 $198 |
3,500 | 6,416 | 8 | 54.60% |
FIDDLER ON THE ROOF (BROADWAY) |
$718,586 | $718,586 | $85 $225 |
8,439 | 13,656 | 8 | 61.80% |
FINDING NEVERLAND (LUNT-FONTANNE) |
$612,034 | $612,034 | $76 $225 |
8,056 | 12,032 | 8 | 67.00% |
FULLY COMMITTED (LYCEUM) |
$364,746 | $364,746 | $61 $250 |
5,934 | 7,312 | 8 | 81.20% |
FUN HOME (CIRCLE IN THE SQUARE) |
$398,485 | $398,485 | $79 $220 |
5,013 | 5,920 | 8 | 84.70% |
HAMILTON (RICHARD RODGERS) |
$1,813,024 | $1,813,024 | $169 $475 |
10,753 | 10,568 | 8 | 101.80% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
JERSEY BOYS (AUGUST WILSON) |
$531,076 | $531,076 | $92 $199 |
5,780 | 9,824 | 8 | 58.80% |
KINKY BOOTS (AL HIRSCHFELD) |
$665,837 | $665,837 | $95 $299 |
6,975 | 11,392 | 8 | 61.20% |
LES MISÉRABLES (IMPERIAL) |
$651,150 | $651,150 | $82 $225 |
7,898 | 11,272 | 8 | 70.10% |
LONG DAY'S JOURNEY INTO NIGHT (AMERICAN AIRLINES) |
$389,107 | $389,107 | $79 $252 |
4,926 | 5,180 | 7 | 95.10% |
MATILDA (SHUBERT) |
$794,697 | $794,697 | $82 $250 |
9,651 | 11,456 | 8 | 84.20% |
ON YOUR FEET! (MARQUIS) |
$831,705 | $831,705 | $100 $199 |
8,332 | 13,008 | 8 | 64.10% |
PARAMOUR (LYRIC) |
$1,018,942 | $1,018,942 | $96 $199 |
10,623 | 11,376 | 6 | 93.40% |
SCHOOL OF ROCK (WINTER GARDEN) |
$991,893 | $991,893 | $96 $248 |
10,293 | 11,960 | 8 | 86.10% |
SHE LOVES ME (STUDIO 54) |
$542,520 | $542,520 | $85 $252 |
6,373 | 8,064 | 8 | 79.00% |
SHUFFLE ALONG, OR, THE MAKING OF THE MUSICAL SENSATION OF 1921 AND ALL THAT (MUSIC BOX) |
$809,033 | $809,033 | $112 $373 |
7,211 | 7,704 | 8 | 93.60% |
SOMETHING ROTTEN! (ST. JAMES) |
$690,564 | $690,564 | $77 $277 |
8,975 | 12,360 | 8 | 72.60% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,325,465 | $1,325,465 | $152 $477 |
8,706 | 8,528 | 8 | 102.10% |
THE COLOR PURPLE (JACOBS) |
$769,765 | $769,765 | $105 $193 |
7,306 | 8,408 | 8 | 86.90% |
THE CRUCIBLE (WALTER KERR) |
$672,860 | $672,860 | $97 $327 |
6,967 | 7,600 | 8 | 91.70% |
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$384,462 | $384,462 | $74 $233 |
5,185 | 8,144 | 8 | 63.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE FATHER (FRIEDMAN) |
$258,848 | $258,848 | $68 $150 |
3,815 | 5,200 | 8 | 73.40% |
THE HUMANS (HELEN HAYES) |
$378,045 | $378,045 | $91 $248 |
4,157 | 4,608 | 8 | 90.20% |
THE KING AND I (VIVIAN BEAUMONT) |
$553,790 | $553,790 | $82 $297 |
6,787 | 8,376 | 8 | 81.00% |
THE LION KING (MINSKOFF) |
$1,995,760 | $1,995,760 | $148 $225 |
13,477 | 13,568 | 8 | 99.30% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$761,147 | $761,147 | $83 $200 |
9,196 | 12,840 | 8 | 71.60% |
TUCK EVERLASTING (BROADHURST) |
$332,230 | $332,230 | $44 $223 |
7,621 | 9,288 | 8 | 82.10% |
WAITRESS (BROOKS ATKINSON) |
$746,871 | $746,871 | $89 $270 |
8,419 | 8,360 | 8 | 100.70% |
WICKED (GERSHWIN) |
$1,660,014 | $1,660,014 | $120 $240 |
13,810 | 14,456 | 8 | 95.50% |
TOTAL | $27,121,280 | $733,008 | $95.84 $252.04 |
282,990 | 357,300 | 293 | 79.20% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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