Theater at Monmouth 2023 Season - Monmouth, ME EPA
Theater at Monmouth | Monmouth, ME
Monday, January 23, 2023
10:00 AM - 6:00 PM (E)
Lunch 1:30 PM - 2:30 PM
To schedule an audition appointment please email: boxoffice@theateratmonmouth.org OR call 207.933.9999 between 10:00 a.m. and 4:00 p.m. Monday - Friday.
LOA
$580 weekly minimum (Ref. LORT D)
Equity actors for roles in Theater at Monmouth's 2023 Season (See breakdown). Theatre artists who would like to join a strong ensemble company and are interested in teamwork, collaboration and artistic growth, in a creatively charged atmosphere in a beautiful rural community in central Maine are encouraged to audition. Performers of all ages, ethnic and racial backgrounds, and gender identification are strongly encouraged to audition.
Please prepare two short, classic monologues, one of them must be Shakespeare. Note, there may only be time to
audition with one piece, so prepare your best piece first. Bring your picture and resume, stapled together.
Helen Melledy Hall (Theater at Monmouth)
775 Main Street
Monmouth, ME 04259
Expected to attend:
Dawn McAndrews, Producing Artistic Director
Adam P. Blais, Company member and director at TAM
See breakdown for production specific personnel
1st Rehearsal: 6/20
1st Opening: 7/13
Closing: 8/13 or 8/20
www.theateratmonmouth.org
EPA Procedures are in effect for this audition. An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of iinclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Equity encourages everyone participating in the auditions to wear a two-ply cloth face mask, surgical
mask, singer’s mask or respirator (N95, KN95 or KF94). Single-ply face masks, gaiters and bandanas
are not recommended. Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to arriving at the audition venue, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
The maximum capacity in the holding room is: 30
The maximum capacity in the audition room is: 30
RICHARD II, Director: Katy Walsh, by William Shakespeare
THE IMPORTANCE OF BEING EARNEST, Director: Nathan Winkelstein by Oscar Wilde
AS YOU LIKE IT, Director: Dawn McAndrews, by William Shakespeare
AN ILIAD, Director: Dawn McAndrews, by adapted by Lisa Peterson & Denis O'Hare
8 AEA Actor Tracks: 3 non-binary / female identifying women, 5 non-binary/ male-identifying men, each to play various roles in the season.
TRACK 1: Woman/NON-BINARY, To play characters 30-40:
RICHARD II — AUMERLE/ QUEEN (AND
TRACK 2: Man/NON-BINARY, To play characters 50-60:
RICHARD II — JOHN OF GAUNT (AND
TRACK 3: Woman/NON-BINARY, To play characters 30-40:
RICHARD II — DUCHESS OF GLOUCESTER (AND
TRACK 4: Man/NON-BINARY, To play characters 35-45:
RICHARD II — THOMAS MOBRAY (AND
TRACK 5: Man/NON-BINARY, To play characters 35-45 in:
RICHARD II — BOLINGBROKE
THE IMPORTANCE OF BEING EARNEST — ALGERNON MONTCRIEF
AS YOU LIKE IT — OLIVER (AND
TRACK 6: Woman/NON-BINARY, To play characters 25-30:
RICHARD II — MARSHALL (AND
TRACK 7: Man/NON-BINARY, To play characters 35-45:
RICHARD II — RICHARD II
THE IMPORTANCE OF BEING EARNEST — REVEREND CHAUSABLE
AS YOU LIKE IT — JAQUES (AND
TRACK 8: Man/NON-BINARY, To Play Characters 35-45:
RICHARD II - SCROOP
THE IMPORTANCE OF BEING EARNEST - LADY BRACKNELL
AS YOU LIKE IT - SILVIUS
Videos
