BWW Review: L'ITALIANA IN ALGERI at Sarasota Opera House

BWW Review: L'ITALIANA IN ALGERI at Sarasota Opera HouseThe opera, L'italiana in Algeri, (The Italian Girl in Algiers), by Gioachino Rossini, (The Barber of Seville, William Tell, Ivanhoé), bears an avant-garde theme contemporary to the struggle women are still facing today - some sense of equality. The opera buffa, (comic opera), written in 1813, when Rossini was 21 years old, was reportedly completed in just 3 weeks. Rossini's forward thinking and sense of comedy make this plot twisting composition one of the most fun you will encounter in the world of opera.

As the curtain rises we get the immediate feeling that male masculinity is the theme of this testosterone-driven plot. The phallic symbolism overshadowing the stage architecture is no mistake. Kudos to scenic designer, Michael Schweikardt, for setting the tone.

The plot surrounds Mustafa, (Harold Wilson), the arrogant Bey of Algiers who finds himself bored with his submissive harem and losing interest in his wife Elivra, (Jessica E. Jones). He needs a new love interest to ignite his virility and tasks his slave, Haly, (Alexander Charles Boyd), to find him a fiery Italian girl to challenge his machismo and boost his ego. Mustafa decides to marry off his devoted wife Elviria to his slave, Lindoro, (Hak Soo Kim). However, Lindoro has his sights on his Italian homeland fiancé, Isabella, (Tara Venditti). Elvira's sweet confidante, Zulma, (Fleur Barron), tries to offer her support through this ordeal.

As fate would have it, Isabella and her love-struck companion Taddeo, (Bruno Taddia), become shipwrecked in Algiers. When Mustafa hears about the Italian girl at his shores, he has Isabella and Taddeo captured. Isabella proves to be a confidant woman and shows her prowess in handling cavalier men while mentoring the other young ladies to follow in her expertise. Now, the already sordid plot begins to thicken. The chaos that ensues is delightfully entertaining as each character comes to life in brilliant song, impeccable stage direction, (Mark Freiman), and beautiful costuming, (Howard Tsvi Kaplan). This well cast performance shows off not only the substantial vocal abilities of these performers but also their sense of comedic timing and devotion in allowing each other to shine. The Act 1 finale is an impressive scenario to watch as each of the main characters articulates their bewilderment by imitating a variety of hilarious contortions, thumping sounds and pulsating gyrations.

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Carolan Trbovich Carolan Trbovich is an innovator who used both corporate savvy and her considerable creativity to blaze new trails in entertainment industry operations for two powerhouse music companies, Word Entertainment of Warner Brothers Records and Sparrow Records of EMI Music Group.

Carolan studied at UCLA, The Film Actors? Workshop, The Hollywood Film Institute and The American Film Institute where she received extensive professional training in various areas of entertainment operations in theater, film and music business development. Trbovich has numerous board memberships/affiliations including, American Marketing Association, National Public Relations Committee Board, The Gospel Music Association, The Country Music Association, The Recording Academy, The Country Connection NYC, Manhattan Association of Cabarets, The American Federation of Television and Radio Artists and The National Association of Record Merchandisers.

Ms. Trbovich has made great strides in increasing productivity and profitability for many clients through inspired marketing and creating trend-setting new standards of operation. Her efforts have made Trbovich a popular speaker at retail trade and arts conventions nationwide. Carolan is the Broadway correspondent, writing reviews and interviews for Dish Magazine and has published articles in various business journals, entertainment blogs and magazines.

Carolan has impacted the entertainment, education and performing arts industries with groundbreaking new ideas in business operations, media management and community outreach. From her love of the Arts, she has pioneered MasterClass Guild, Conservatory of the Arts, designed for creative arts students to study with artists and industry professionals. Out of her passion for all things Broadway, Carolan created the first Broadway cabaret in the state of Tennessee, Absinthe, A Broadway Cabaret, bringing Broadway performers and cabaret artists to perform standards from The Great American Songbook repertoire of classics by such beloved composers as Lerner & Loewe, Rodgers & Hammerstein, Gershwin, Berlin and Cole Porter.

Raised on the Ohio River, in the picturesque pottery town of East Liverpool, Carolan?s upbringing was colored by a rich and diverse heritage. ?My mother was Italian and my father was Yugoslavian?, she explains. ?They were proud Americans and taught my brothers and I about our European heritage. They also taught us to be passionate in all we do.? That passion can be clearly seen in Trbovich?s life and career, which she approaches with great enthusiasm. As a recent resident of Sarasota, Carolan is reveling in a community that mirrors her passion for the Arts.