Steep Theatre Extends POSH Through 3/12

Steep Theatre's critically acclaimed production of Laura Wade's Posh has been playing to enthusiastic sold-out houses since its opening in January. In response to enormous ticket demand, Posh has been extended through March 12th, adding 8 new opportunities to see what Chris Jones of the Chicago Tribune called "a bevy of talent" perform in "a dynamic, often shocking little storefront show guaranteed to make you fume anew at the ongoing inequality of the most mature democracies."

Posh will run Thursdays, Fridays and Saturdays at 8pm with Sunday matinees at 3pm through March 12th at Steep Theatre on Berwyn Ave.

The Oxbridge dining club is filled with Britain's brightest, best and most moneyed young men. When their elitist position is threatened, they will stop at nothing to take it back. Posh puts you on the front lines of the war between the classes, the adolescent struggle for identity, and the battle for the status quo.
About the Director

Steep Ensemble Member Jonathan Berry is a director and teacher in Chicago and is the Artistic Producer at Steppenwolf Theatre. His Steep productions include Ross Dungan's The Life and Sort of Death of Eric Argyle, Nick Payne's If There Is I Haven't Found it Yet, John Donnelly's The Knowledge, David Eldridge's Festen, Deirdre Kinahan's Moment, Howard Korder's The Hollow Lands and Brecht's The Resistible Rise of Arturo Ui. For Steppenwolf, he directed the SYA production of A Separate Peace, the world premiere of Melinda Lopez's Gary, and the staged reading of Suicide, Incorporated, which he later directed at The Gift Theatre. He was also the Assistant Director for Anna D Shapiro's Broadway productions of Of Mice and Men and This is our Youth. Jonathan is also an Artistic Associate with Griffin Theatre, where his productions include Samuel D Hunter's Pocatello, Odets' Golden Boy, Miller/Tysen's The Burnt Part Boys, Sheik/Sater's Spring Awakening, the North American premieres of Simon Stephens' Punk Rock (Jeff award Director, Lead Actor, and Ensemble), Port, and On the Shore of the Wide World, Stephen Sondheim's Company, William Inge's Picnic, JB Priestely's Time and the Conways, Sidney Kingsley's Dead End, Brendan Behan's The Hostage and R.C. Sheriff's Journey's End. At the Gift Theatre he has directed the world premieres of both Dirty and Suicide, Incorporated by Andrew Hinderaker, as well as Will Nedved's 6. His Goodman Theatre productions include The Solid Sand Below and The World of Extreme Happiness for their New Stages Festival. His other work includes Redtwist's Look Back in Anger and Reverb; Chicago Dramatists' I am Going to Change the World; Jackalope Theatre's The Casuals; Strawdog's Conversations on a Homecoming, Remy Bumppo's The Marriage of Figaro; Theatre Mir's Bond's The Sea and Brecht's Caucasian Chalk Circle, and Lifeline Theater's The Piano Tuner (Afterdark award - Best Production).