CLASSICAL MUSIC SHOWS - MUSICALS

by Ron Bierman - May 22, 2024

The first act of Opera À La Carte’s production of La bohème featured costuming and well-used furniture that made Rodolfo’s bohemian Parisian garret seem more real than the elaborate expensive sets and costumes of many other productions. After all, Rodolfo (tenor Adam Caughey) and his three friends a...

by Andrew Child - May 22, 2024

A sharp blade wielded threateningly, forced perspective creating looming palatial walls, the rotting heads of failed suitors, and a princess literally shrouded in mystery quickly orient us within Puccini’s iconic fairytale....

by Peter Danish - May 15, 2024

Simon Rattle is possibly the most interesting conductor before the public today.   And one thing audiences can count on is that no two performances he conducts will ever be identical.  There is no question that he brings forth fire and magical playing.  There is no question he bring forth colors tha...

by David Friscic - May 14, 2024

Incredibly rich in detail --from staging to technical aspects-- and emboldened with Puccini’s soaring music and meticulous, intelligent direction by Francesca Zambello, Washington National Opera’s production of Turandot is a production for the ages. The entire creative team, the cast, the Washington...

by Hannah R. Wing - April 22, 2024

On Saturday, April 20, 2024, PASO brought their program, Todo Tango, an intimate and fiery evening of tango to the Kennedy Center. ...

by Perry Tannenbaum - April 22, 2024

Yes, a grand opera was inserted at Belk Theater as the clock or calendar was winding down! Around the world, Callas, Nilsson, and Sutherland are among the divas who have graced the powerhouse role of TURANDOT, and Franco Zeffirelli's production at the Met is as revered for its stateliness and splend...

by Peter Danish - April 17, 2024

What did our critic think of COLORS BY DANIEL TEMKIN at Church Of The Intersession?...

by Peter Danish - April 03, 2024

Programming is a key element in the lifeblood of every symphony orchestra.  Finding the right blend of old and new, of familiar and unfamiliar, of modern and traditional, of the accessible and the more challenging; this is the task....

by Steve Murray - March 29, 2024

What did our critic think of SAN FRANCISCO GAY MEN’S CHORUS PRESENTS DRAG ME TO THE MOVIES! at Davies Symphony Hall?...

by Erica Miner - March 22, 2024

What did our critic think of PLAY/WRITE at Planet M Records? There is much to unpack here in the way of unique sounds, colors and vibrations...