Luster of "Constant Star" Lacking in "Ragtime"

"Constant Star"
Written and directed by Tazewell Thompson; musical director and vocal arranger, Dianne Adams McDowell; scenic designer, Donald Eastman; costume designer, Merrily Murray-Walsh; lighting designer, Robert Wierzel; sound designer, Fabian Obispo
Starring (as Ida B. Wells) Crystal Fox, Carly Hughes, Tracey Conyer Lee, Laiona Michelle, and Gayle Turner

Civil rights leader, journalist, suffragette, political candidate, wife and mother Ida B. Wells was such a powerful force against tyranny and injustice at the turn of the century that it took five women to portray her in Tazewell Thompson's thrilling "Constant Star" presented by the Merrimack Repertory Theatre in Lowell, Mass. At times as a quintet, at times individually, all five actresses brought impassioned interpretations to the inspirational writings and speeches of one of America's most outspoken and effective activists against segregation and lynching.

With waltz-like grace, these gifted performers of varying ages and stature took us on a spirited journey from Ida's astonishing youth in post-Civil War Mississippi through her controversial but ceaselessly dedicated lifelong career as a social agitator. Representing five different facets of Wells' complex personality, the actresses often finished each other's sentences and gave their collective selves the sisterly support that Ida's contemporaries seldom offered. They also assumed, chameleon-like, the roles of many of the prominent people and antagonists in Wells' tumultuous life - a critical Susan B. Anthony, an admonishing Booker T. Washington, the volatile and racist members of the KKK, President McKinley's henchmen from the FBI, and all the self-interested women and African Americans who feared that her brazen militancy would jeopardize their more acquiescent bids for equality and the right to vote.

Enhancing the power of Thompson's smoothly constructed narrative were 20 stirring Negro Spirituals sung a cappella in five-part harmony by the cast. With the intensity of a spirited gospel choir, the women's rich, expressive, and penetrating voices filled the theater with chords of pain, hope, anger, celebration, determination, and triumph. The audience couldn't help but join in with accompanying applause.

Merrimack Rep's production of "Constant Star" also boasted pitch-perfect sound design, evocative lighting, a flexible yet inviting multi-period industrialized set, and elegant, decades-spanning costumes that lent a timeless texture to Wells' career. "Constant Star" shone with a brightness magnified five-fold. It was a luminous production of a fascinating life.


Music by Stephen Flaherty, lyrics by Lynn Ahrens, book by Terrence McNally, based on the novel "Ragtime" by E.L. Doctorow; directed by Brett Mallard; choreographed by Brandon Mallard; music directed by William Asher; scenic design by Dane E. Leeman; lighting design by Aaron Hutto; costume design by Susan Cassidy

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Jan Nargi Jan Nargi is owner and creative director of JMN Publications, a marketing and public relations firm based in Boston, Mass. She provides consultation, communications, and writing services to clients in the health care, entertainment, financial, retail, manufacturing, non-profit, and sports industries. As a freelance writer, Jan has had hundreds of articles published in business and high-tech magazines. Theatrically, she has reviewed, written, directed, acted, produced, sung, danced, managed publicity, pounded nails, and designed lighting and sets. Jan has even acted in the occasional B-movie, playing a zombie, a psycho shrink, and a clueless news reporter. You may visit her on the web at

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