Greetings all! So, I was wondering. Was this show planned for a broadway opening and did not make it OR was it just a touring production. If it was planned for Broadway - WHAT HAPPENED? It is much better that certain shows that have been there in the last couple of years. Anyone know anything? Thanks!
"You look like a Christmas tree with a drinking problem!" - MEMPHIS
I'm surprised it didn't make it. I thought the production was very entertaining. A lot of people will say Ann-Margret was miscast but I thought she was fine. Gary Sandy was excellent as the sheriff.
She would be one to sell tickets too, I would think. She was also know for singing wasn't she? I thought she did alot of shows in Vegas? So, was it supposed to come to NYC?
"You look like a Christmas tree with a drinking problem!" - MEMPHIS
It was strictly conceived as a touring production. It was never meant to go to Broadway. I saw here in Miami. A-M and Gary Sandy were good. The ensemble cast was really impressive.
I see. It seems strange it was not meant to move to Broadway. Do you think it would have done well? It must be one of the only touring shows that got recorded on CD. Did you enjoy it?
"You look like a Christmas tree with a drinking problem!" - MEMPHIS
Really? I wonder why. I know that Carol Channing haas said that producers make more money on the road. So that must be why. It is sad that it never got a chance. It is a funny and fun show. I was never able to see this production, a little too young at the time. I didn't think so but my parents did. Parents have a way of screwing things up for you - don't they! :)
"You look like a Christmas tree with a drinking problem!" - MEMPHIS
I enjoyed it. I never saw the original production I was really young then. I was only familiar with the show through the movie version and there are some major differences between show and film. Overall I did like it. Ann-Margret did a decent job, although her voice isn't what it used to be it suited her material fine.
I think it would have done well. Ann-Margret's a legend. She still has avery large fan base believe it or not. People young and old like her including the theatre queens. I think it would have had some success.
I think it did ok money on the road. While Ann Margaret was good..it really was a odd marriage of show and star. Just because this was never a show that was meant to be a star vehicle. So I guess the road needed a celebrity to make it work both times. The first national touring company of the show starred Alexis Smith.
I never saw it but I have the CD. Sounds kinda campy but fun. I love Dee. She is soo nice and I've loved her in everything. Was great in Mamma Mia! Who is your icon of? The face looks sooo familiar...
"You look like a Christmas tree with a drinking problem!" - MEMPHIS
I was cast in a production of Carousel a few years ago. One day the director came in and announced that she had seen The production of BLWIT with A-M the night before, and that the mega-mix reprise of every friggin song in the show left the audience so happy and giddy as they left that it was just the gimmick to brighten up the audience after OUR production.
A mega-mix curtain call for CAROUSEL????
Shortly thereafter the cast assumed the direction of the production. This is a common occurence in shows directed by this local hack. She is currently in charge of a production of Bye Bye Birdie in which the kids all dress as if they are in the period of the show, but Conrad Birdie is a punk rocker.
Well I think they need to convince Reba McIntyre to come back to broadway and have her be Miss Mona. You KNOW she's going to tear up the songs, and I think she has the right acting style to be a natural for Miss Mona.
Reba would make an awesome Miss Mona! I've often wondered why this show hasn't come back to grace the boards again.
I've done this show twice before and I loved every second of it. Talk about a fun, fun show to be in.
I saw the recent tour and enjoyed it. My only really big problem with the show was that the tempo's seemed to drag especially in "A Lil Ole Bitty Pissant Country Place."
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
Ahhh. LOVE this show, our community theatre was thinking about this show, but living in a small town... it would NEVER sell, but yeah the show is just AMAZING.
I music directed Whorehouse in the late 80's and had a BLAST. I wrote new harmonies for a bunch of the songs (especially Hard Candy Christmas) and it was gorgeous. It's a wonderful show that should be back on the boards.
I found the tour of Whorehouse to be quite bland. It was basically the original production restaged with one new song added for Miss Mona at the end, which was rather pointless and dull. The whole thing seemed rather stale and dated. Ann Margret slurred and stumbled her way through the showas if she came onstage directly from the local bar. She was the only cast member with a headphone mic because she spoke most of her lines through her teeth. Many of the songs were performed without flare or gusto, which is apparent on the cast recording (especially Twenty-Four Hours). Gary Sandy was fine, but the one standout was the wonderful Roxie Lucas as Doatsy Mae. Other than Roxie, the entire show was pretty much like a standard regional production recreating the original set and choreography. For Broadway, I would love to see some new life breathed into the show to make it fresh and fun again. Jerry Mitchell could definitely whip it into shape.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
Thats is a great idea. And you are right.. the tour did seem like a regional production. But I don't think it was ever intended to be of broadway caliber. I think they knew what their limitations were.
I saw the "Whorehouse" tour a few years back when it played Atlanta. I am a fan of the music and enjoyed this show, but felt that Ann Margret WAS miscast in the role of Miss Mona. Ann doesn't have much of a voice left and she seemed to be in slow motion on the stage all night.