Bless his passion for theater! He could make far more money for a lot less work doing screen work but he has been consistently working on Broadway since the 60s. Hopefully this works out better than China Doll.
I believe that the negative press he received during China Doll will cause Al to be more committed to his performance (hopefully) this time. I saw China doll in January (nearing the end of the run) and he seemed much more invested and he remembered all of his lines.
Sunny11 said: "Bless his passion for theater! He could make far more money for a lot less work doing screen work but he has been consistently working on Broadway since the 60s. Hopefully this works out better than China Doll.
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While I don't disagree, $40k / week, which is what he was making for CHINA DOLL, ain't nothing to sneeze at....
Is all this dislike for Al Pacino based solely on China Doll? Before China Doll, I always got the sense that he is generally a pretty well-respected stage actor.
JBroadway said: "Is all this dislike for Al Pacino based solely on China Doll? Before China Doll, I always got the sense that he is generally a pretty well-respected stage actor."
I suspect some it comes from the production of Glengarry Glen Ross a few years ago, too. Consensus was that production was too cartoony, due in part because of Pacino and his usual shtick.
I wish him well but how I wish it were Tim Curry or Roger Allam or Kevin Spacey or Johnny Depp or Ciaran Hinds or Stacy Keach... wow, there are so many possibilities.
The source material was disappointing. Gossipy. Anecdotes that are factually suspect. Well, at least unverifiable. I'm thinking the play could quickly turn campy.
Updated On: 12/18/16 at 07:51 AM
Hilariously bad idea on many levels, but not hilarious enough to buy a ticket. Pacino can only do 1 accent - Bronx. He could never capture Williams' southern drawl convincingly. He also can't learn lines anymore, which means his acting has become a shadow of what it once was.
And last, Dotson Rader is a no-talent crypto-hooker, who has a sort of vague fame only as a hanger-on to and kept-boy/user of a few actual achievers (like Williams and the actress Ruth Ford). An interesting but brutal play could be written about this American tragedy of mediocrity, but not by himself. His book "Cry of the Heart" has been pretty universally excoriated by better minds and by people who were closer to Williams than he was.