I loved it as much as Hamilton . Loved the writing and performances, But how it was directed and the use of the three Alisons were innovative.But until Fun Home I thought coming of age and finding your sexuality happened at 18 this musical showed me it can happen much younger.
I'd love to hear After Eight's thoughts on this topic haha :).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
A little pessimistic, no? I'm just messin' with ya. All kidding aside though, it is a wonderful show, but I'm sure that it will be short lived... Like many other great under-appreciated shows that have come to Broadway. Is it too good for B'way? No, the only show that I can think of that's too good for B'way is Rebecca, apparently.
If she has I haven't seen anything about her return.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
I'm bi and it took me until I was out of college to really understand that, because even gay people and communities frequently act as if such people don't exist. Finding your identity may happen at any age, but I think most LGBTQ people have early experiences like "Ring of Keys," which is more about recognition and an inchoate sense of belonging than a label or identity. That's what makes that song so emotional to me; remembering moments like that. Also, Alison actually DOESN'T understand or accept that she is a lesbian until she is "of age" in college. Medium Alison gets all those moments.
It's very possible that it will close before too long given recent grosses, but for a show this size it has already had a healthy, acclaimed, and even profitable run.
Scarywarhol, Mind if I ask a personal question? Do you still encounter judgments/skepticism from gay guys when you tell them you're bi? Do you the experience the same things from women you are looking to date or sleep with? Which group is more accepting?
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
Too good for Broadway? Not good enough is more like it. Or plainly put, just not good, period.
It had every advantage: two sets of rave reviews; off-Broadway and Broadway critics,' awards; Tony Award for best musical; media hype galore; one of Broadway's smallest theatres. And yet, with all that going for it, it still stopped selling out six months after it opened, and grosses have declined even more since then.
Why? Too good for Broadway? Not good enough is more like it. Or plainly put, just not good, period.