Click below to access all the grosses from all the shows for the week ending 4/5/2015 in BroadwayWorld.com's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Kudos to Honeymoon, for making it all the way up to an all-time high 5th Worst Selling Show for its last week! (Besting Hand to God, The Visit, The Heidi Chronicles, and It Shoulda Been You.)
It Shoulda Been You and The Visit are gonna need some stellar reviews and word-of-mouth to help them. Living on Love, even in its first weekend and with heavy papering and dirt-cheap tickets, may need assistance, too.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
The Passover/Easter weekend looks like to really hurt some shows. This week should be a strong week overall with a lot of schools on spring break. And even though OTT still isn't reaching it's weekly nut, their overall attendance has been increasing. Hopefully that'll continue to increase through the spring.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Great week for Les Miserables, Finding Neverland and Aladdin. The Heidi Chronicles is really struggling. That does not bother me too much since it means that people are not interested in seeing Jason Biggs, who is just bland and robotic in all of his work.
Wolf Hall did dip but it's still doing better than the other new shows and it's in a theatre normally used for musicals, I imagine it'll pick up next week and also once the reviews come in.
"Great week for Les Miserables, Finding Neverland and Aladdin. The Heidi Chronicles is really struggling. That does not bother me too much since it means that people are not interested in seeing Jason Biggs, who is just bland and robotic in all of his work. "
Granted, I doubt Jason Biggs was supposed to be the draw here but he's actually keeping me from seeing the show.
I'm also not worried about Fun Home. I think it'll get raves and business will really take off.
A little swash, a bit of buckle - you'll love it more than bread.
yeah idk. Unless it wins Best Musical, which it probably will, i wouldn't normally think this show would be a hit. I think people just want to laugh these days and see a comedy.
Fun Home is actually doing pretty well in its first weeks. It has a higher average ticket price than most of its competitors and is getting people in its seats. It has excellent word of mouth and it seems doubtful critics will reverse their praise for its Broadway run.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Neon hit the nail on the head i think. Everyone wants to open right before Tony nominations so they are fresh in the voters minds. But the downside to this is that there is only so much theatre one has time for. I am trying my best to see everything before nominations come out, but given the April onslaught I just don't have time to catch them all right now. (I also have to refrain from spending all my money on tickets so that I can ya know, eat and pay rent). I do wonder if something like It Shoulda Been You would have done better in the fall, with less new competition. Theres tons of stars right now, but Daly and Harris would have been some of the biggest marquee names of the fall...then again Sting and Danza didnt sell tickets then either so who knows.
Philly, can you stop pretending like you know everything about theatre from a business or even patron standpoint? You make yourself look really stupid by talking out of your @ss about things you know nothing about.
"Pardon my prior Mcfee slip. I know how to spell her name. I just don't know how to type it." -Talulah
Philly, this thread alone shows how incredibly ignorant you are. Do you not understand how non-profit productions work? They are always heavily subsidized by benefactors, sponsorships, and grants. They do not need to break even. Go do some research, please.