"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
gleek, neither of those are fact-based. SWEENEY TODD is based on an urban legend whereas PIPPIN is based on a fictional story about Charlemagne's son. As for me, I think either BARNUM or THE SCOTTSBORO BOYS
Anything regarding shows stated by this account is an attempt to convey opinion and not fact.
RAGS and RAGTIME both truck in real events and real characters of the same period, event though their central stories are fictitious. BLOODY BLOODY ANDREW JACKSON constantly plays with historical facts and characters (but what a messed up understanding you'd have of history based only on this telling).
But I agree that 1776 stands apart as the one show whose chief aim is to give a relatively accurate slice of history from beginning to end. It's also to my mind one of the all-time greatest books ever written for a musical.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
IMO, Gypsy is closer to the truth than 1776. While both are excellent musicals, 1776 has a lot of fiction to it. The Continental Congress was private and confidential, so what actually went on can only be gleaned from memoirs, some written many years after the actual events. At the time Gypsy opened, there were people still around that knew or came into contact with Rose, including both daughters.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
One more favorite I'm surprised no-one has mentioned: PACIFIC OVERTURES.
Fictional characters mix with factual ones to tell the astonishing true story of the "opening" up of Japan. Thoroughly illuminating in light of recent attempts to "open" up other closed societies to the blessings of democracy.