What is your favorite final moment of a broadway show? One of mine would have to be the final moment of the Phantom of the Opera, with Meg holding the Phantom mask up or the 2008 revival of Gypsy when the lights went out on the ROSE sign.
Wicked is probably my favorite. I love the silhouette of Fiyero and Elphaba walking into the mist. The current revival of Pippin is also pretty powerful with Theo up on the trapeze.
Floyd Collins walking off into the distance with the sound of his voice repeatedly echoing around him has stuck with me for more than a decade.
And while not nearly as emotion-inducing as the penultimate moment at the close of the first act, the blank white canvas at the end of Sunday in the Park with George is a favorite.
I am not a huge fan of all aspects of Matilda = but the final cartwheel off the stage is about a perfect moment as I can imagine.
Also love the final moment of Ragtime, when the child of each family all walk on stage together.....and She Loves Me when Georg and Amalia realize who they are to each other.
But the most "goosebumps" moment for me is the finale of 1776 with the scrim of the actual Declaration of Independence being superimposed with all the men signing it as in the famous painting of the event...with the orchestra and bells honoring the moment. Now that was Theater...with a capital T.
1776 indeed! When well-executed, chills of the highest order.
I may be in the minority, but THE NANCE's ending was spectacularly memorable for me. A livelihood shatters to an end as the very theatre itself seems ready to collapse. A gasp-inducing flourish of obsolescence.
JERUSALEM also was one of the most thrilling final moments, with Mark Rylance pounding his entire damaged and bloody soul into that drumbeat and what seemed like the entire audience yearning to hear giants' footsteps or see the leaves of the trees shake. Maybe it was just me, but it felt all-encompassing.
Also, I know I raved about Geoffrey Rush in EXIT THE KING on here recently, but the literal last gasp of his performance is seared into my memory.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Few things can beat the image of the characters from "A Sunday Afternoon on the Island of La Grande Jatte" bowing to George in SUNDAY IN THE PARK WITH GEORGE, as well as the final moment of the show. Then there's the "Hi, girls, Ben, Sally" moment in FOLLIES, which just kills me every time.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Miss Honey and Matilda cartwheeling toward their house Violet crawling up to Johnna in the attic - August: Osage County Mary Poppins flying out over the audience
So much this. I enjoyed the show but wasn't wowed by it. But when George ir facing the audience and reading from the notebook as the set erases itself was awesome, but his gasp as he turned around and saw the infinite possibilities, It flipped me into a fan. Literal chills in the final moment
I think that the best finals are from the sound of music. The heavenly nuns chorus along with the view of the von trap family walking on the hills for Switzerland, and also the last scene from Les Mis. Those two always move me to tears
SHE LOVES ME all the way. It's so perfect and fills me with such happiness as Amalia looks at him and realizes he is Dear Friend, and then they embrace as the curtain falls. Perfect release of dramatic tension. I just watched the '78 TV version last night so it is very fresh in my mind.
Wicked's ending pisses me off because I'm more in love with the ending of Maguires book.
But I adored Big Fish's ending. And I weirdly loved Next to Normals ending as well. And Billy Elliot and Les Mis. I'm an emotion seeker, I love to be moved at the end!