I really hope we see Mame again, but I wouldn't bet on it. If Allison Janney hadn't been so disappointing in 9 To 5, I'd say she'd be perfect. In fact, if Auntie Mame were ever to be revived (far less likely), she'd be ideal.
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
They're waiting for Catherine Zeta-Jones' schedule to open up.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
Forgive me for saying this, but I'm wondering if they're waiting until Jerry Herman passes away. Doesn't he have to approve all major productions of his shows? That's why the Patti Lupone "Hello Dolly" is taking for forever/kinda dead. Because Jerry Herman, and the "producers" aren't meeting eye to eye?
"Ok ok ok ok ok ok ok. Have you guys heard about fidget spinners!?" ~Patti LuPone
Of course, the Musical is a staple of Broadway history. It will happen at some point. That being said, I doubt it would happen in the next few years. In the next decade, I would almost be willing to bet on it happening.
I seriously doubt Jerry Herman is blocking a revival of MAME. He seems to enjoy seeing his work produced. Maybe he said "no" to a specific star, but I know he participated in the casting of the Goodspeed production.
It's been said many times that the show needs a 'star', not necessarily a huge name, but someone with stage presence and tons of charisma (and talent, but that goes without saying). Until then...
Jan Maxwell is a GLORIOUS idea even if I don't see a producer putting a penny into this without a bigger name. No matter how much proof there is shows with broadway names make money (Mormon, Porgy and Bess, Once, Newsies, etc).
I say yes for Jan Maxwell as well! Just saw her in Follies and she would be terrific. I saw the Christine Baranksi production at the Ken Cen and was a bit let down. I always thought she'd be a better Vera. To quote The Baker's Wife - were is the warmth?
Currently reading "But Darling, I'm Your Auntie Mame!: The Amazing History of the World's Favorite Madcap Aunt" which is a great look into the behind the scenes productions of Auntie Mame and Mame. Currently on the chapter where Mame is gearing up for Broadway and Angela has just auditioned. I never knew it was written for Mary Martin who turned it down. This book full of interesting things that happened along the way.
In the 1960s, EVERY musical (except perhaps HAIR) was announced as written for Mary Martin or Ethel Merman. And most of the time the announcement was true.
But Jerry Herman recently told a friend of mine that he wrote the show for Judy Garland; however, she was basically uninsurable by the time it was finished. He said the tradition of Mame as tall and statuesque was entirely a consequence of casting Angela; it was never his original vision of the character.
How incredible would a Garland staring version of Mame on screen be? (Or potentially camp-tastic). I think the only way a revival would work would be if they took a Hollywood star, but I can't think of anyone I'd like to see in the role.
I used to joke with a buddy that the ultimate crazy choice for Mame would be Isabel Sanford. Don't change a word. Just have her "Weezy" it up. Make the Southern scenes loonier.
"Through The Sacrifice You Made, We Can't Believe The Price You Paid..For Love!"
I started to post that I'd love to see an African American Mame, perhaps with a multiracial cast (white Vera, say). After all, the period of the show coincides with the Harlem Renaissance, an incredibly rich period for the arts and culture in NYC.
And though Jim Crow was still going strong in the South, there were middle and upper-middle class blacks in the North.
And Audra McDonald is only one of a number of ladies who could play the part and sell tickets.
BUT THEN I thought of the whole "Southern" section at the end of Act I. I know there were black debutantes in Atlanta, but I'm not sure you could do that scene (including the title number) without it looking like a minstrel show.
I know there were very few black stage "stars" during the period, but I've often though about how I'd love to see someone like Audra play against type and play Vera.
Does Jan have the warmth for Mame? She would be a perfect Vera.
Jerry has said that MAME is the most difficult role to cast of all the shows he's ever written, which is why he's very protective over it. And I think that's why we haven't seen a full Mame revival without Lansbury. It's also a huge production with a large cast, though it's brilliant when done well.
Jan was incredibly warm in The Royal Family, especially in the scenes with the daughter. She also was a loving, if loud and crazy, wife in Lend Me a Tenor. She's an incredibly talented actress first and foremost and can look as elegant as hell and still willing to fall down stairs for a laugh if need be.
I hate casting a cliche ice queens as Vera. To me it's boring casting to see someone who's already played "drunk best friend" like Beth Level, Megan Mullaly, Christine Beranski, etc.