In the exhibition Making Things Public (2005) and in the accompanying book, the French philosopher and sociologist Bruno Latour presented his vision of a ‘politics of things’. How can the concept of representation be extended in our representative democracy so that it loses its exclusive human interpretation? Politics is about the world and therefore it is not only people that are represented in parliament, but also ‘things’. In recent years, Mette Ingvartsen, inspired by Latour's ideas, has worked on a series of performances in which the question of ‘non-human actions’ in a choreography play a central role. It is no longer the performer’s body alone that she brings to the stage; she also allows objects and materials to act as full participants. This is a repeat of the four performances that resulted from that research.