Roger Catlin, a member of the American Theatre Critics Association, is a Washington D.C.-based arts writer whose work appears regularly in SmithsonianMagazine.com. and AARP the Magazine. He has also written for The Washington Post, Entertainment Weekly, TV Guide and Salon and was a staff writer for The Hartford Courant in Connecticut for 25 years.
A play can't get much closer to its origins than Karen Zacarias' 'Jardín salvaje (Native Gardens)' that opened at the GALA Hispanic Theatre.
The clever title of Idris Goodwin's play 'Bars and Measures' at the Mosaic Theater refers both to components of musical notation as well as the harsh realities of the American justice system.
Because seemingly everything on stage in December has a mandatory holiday theme, so should a traveling circus. Hence, 'A Magical Cirque Christmas,' holding court at the National Theatre this weekend.
If you're going to do a history of Eva Perón based entirely on movement, you'd be sure to include that iconic pose of the Argentine First Lady hands aloft at the radio microphones before adoring thousands.
The New York-based Palestinian-Israeli actress Hend Ayoub knew she'd been at it a while when, after being in America for a few years, the roles she was asked to audition for moved from terrorist's daughter and terrorist's wife to terrorist's mother.
Before she became creator and show runner for the well-received three-season premium cable series 'Vida,' the playwright Tanya Saracho spent some time as a staffer in various TV writers' rooms, from HBO's 'Girls' and 'Looking' to ABC's 'How to Get Away with Murder.'
What did our critic think of THE NOTEBOOKS OF LEONARDO DA VINCI at Shakespeare Theatre Company?
What did our critic think of MAPLE AND VINE at Spooky Action?
What did our critic think of NOLLYWOOD DREAMS at Round House? It's likely to be a crowd-pleaser, since it's from Jocelyn Bioh, who's earlier 'School Girls: Or, the African Mean Girls Play' was a hit at the Round House when it reopened following renovations in 2019.
One may never know what to expect on April Fool's Day, but a one-night-only performance by a Venezuelan-American artist at the GALA Hispanic theatre was certainly one of them.
Couples planning intricate surprise dance moves at their upcoming wedding receptions might as well give up now. Nothing will ever top the astounding artistry and athleticism that is highlighted in the back and forth between the wedded pair in American Ballet Theatre's performance of 'Don Quixote' that caps their annual Kennedy Center residency.
The Kennedy Center's 50th anniversary (whose celebrations have largely been pushed back a year due to the pandemic) coincides with the golden anniversary of the annual residency there of New York's American Ballet Theatre, whose first performance there came the day after the venerable Washington Performing Arts center opened in 1971.
It was a long road to create 'The Cartography Project' - some 20 months, says Kennedy Center president Deborah Rutter - dating back to the national and international uprisings following the murder of George Floyd in May 2020. But, she said, in exploring the role that art and artists can play in social change, 'process is as important as performance.'
'Jesus Christ Superstar' originally ascended more than a half century ago - an audacious creation, written from the philosophical viewpoint of Judas Iscariot.
The pandemic changed the world and it changed art - most immediately in closing places where people would gather for it, for months on end.
Lisa Stephen Friday could have presented the eight semi-autobiographical songs she worked up with her band Lisa Jackson & Girl Friday, just as she once did at a series of Lower East Side clubs in the 90s.
August Wilson was always a font of stories. In addition to the 10 plays of his lauded Pittsburgh Cycle, there were books, essays and poems largely about the African-American experience.
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