Keith Tittermary is a Washington DC based music director, pianist, and actor. He recently appeared as Horton in Damascus Theatre Company's Seussical and as Brian in Red Branch Theatre's Avenue Q, which he performed for the composer, Jeff Marx. He is currently a faculty member at the Levine School of Music, where is the music director for the Pre-Professional program, having recently conducted Parade at the Kogod Cradle at Arena Stage. As an orchestrator, he works extensively with Joan Cushing, and provides arrangements and orchestrations for new musicals, as well as jazz and big band charts.
Sometimes you attend a performance and one of the most memorable parts is something unscripted and spontaneous, and that leaves you with a lasting impression of the performance. In Mouth Open, Story Jump Out, the phenomenal solo performance by UK spoken word artist, Polarbear, something unscripted happened and it was truly wonderful.BWW Review: Titus Tackles Serious Issues at the Kennedy Center May 21, 2017
The Maryland Opera Studio at the University of Maryland's School of Music is a two-year program for graduate students in Opera Performance. Their ambitious The Orpheus Adventure is a gorgeous endeavor between the School of Music, along with the Theater and Dance Departments.BWW Review: Forum Theatre celebrates #NASTYWOMENREP March 21, 2017
Men are like weapons. Women are like wounds.
That is a poignant line and an apt summation of the first part of Forum Theatre's #NastyWomen ethos. The first piece in this horrifying, yet deeply moving, work is Monica Byrne's What Every Girl Should Know, which takes place in 1914 and follows four teen girls in a New York reformatory.BWW Review: BOEING BOEING Soars at Highwood Theater January 31, 2017
Highwood Theater in Silver Spring has been providing education in a 'community-produced' environment for more than 10 years, but recently has moved into producing professional theater in their new black box theater. I applaud the work that founder and Executive Director Kevin Kearney has been doing and the organization he has created.BWW Review: The American Pops Orchestra Sings a Joyful Tribute to STREISAND January 17, 2017
The In Series, which creates innovative theatrical programming around a classical music core of opera, cabaret, and song, presents a tune-filled look at the music of Irving Berlin, one of America's most celebrated composers. Artistic Director Carla Hubner notes in the program: "George Gershwin called Berlin 'the greatest songwriter that has ever lived.'" I tend to agree, although I would reserve that for Mr. Gershwin, but at the In Series, they crafted a delightful evening filled with some of his most memorable songs.BWW Review: AN IRISH CAROL Serves Up a Pint at Keegan Theatre December 20, 2016
Adapting Charles Dickens' A Christmas Carol is somewhat of a requirement for established theatre companies. There are many versions of the tale from musicals, CGI movies, radio plays, and irreverent comedies. Playwright (and Keegan Theatre Company Member) Matthew Keenan adds his version to the litany of adaptations and does so with a delightful spin in An Irish Carol.BWW Review: RUTHLESS THE MUSICAL Kills at Creative Cauldron October 11, 2016
"Dying is easy, comedy is hard". The old adage has been attributed to countless comedians over the years. When a musical comedy attempts to combine comedy and death, the outcome can either be successful (think Monty Python) or fall on its face. Ruthless! The Musical, a 1992 off Broadway campy musical, which opened this week at Creative Cauldron in Falls Church, falls into the latter category. The intermission-less show written by Marvin Laird and Joel Paley has funny bits, and a few memorable songs, but overall the piece, which has had a successful life in regional theater, is just flat. Sure, it spoofs musicals like Gypsy and movies like All About Eve, but the humor is a bit rudimentary and plays more like a bad SNL skit, then a well-polished farce.BWW Review: KNUFFLE BUNNY Spins a Great Tale at Adventure Theatre MTC September 27, 2016
Every child has that one stuffed animal that they can't live without. Every parent knows the dilemma of what happens when the toy goes missing and the tantrum that follows. In the opening of Adventure Theatre - MTC's 65th season, Knuffle Bunny: A Cautionary Musical perfectly describes every parent's worst nightmare: the missing beloved toy.BWW Review: JUMANJI Soars to Life at Adventure Theatre MTC June 29, 2016
The Broadway composer Cy Coleman is completely underrated. His range of musicals stretch from traditional musical (Little Me) to 60's pop (Sweet Charity) to comic operetta (On The Twentieth Century). His greatest triumph is the hard jazz / film noire musical City of Angels. On Saturday night, the DC area professional premier opened at NextStop Theatre in Herndon, Virginia.BWW Review: THE RHINEGOLD Magically Opens WNO's The Ring Cycle May 3, 2016
In 2006, then Washington National Opera Artistic Director Placido Domingo announced that the Opera would take on their first complete cycle of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). In the subsequent years, the opera produced the first three of the four-some, but not in quick succession. As the opera and the nation suffered an economic downturn, the complete cycle was never realized. Until now.BWW Review: CAT ON A HOT TIN ROOF Sizzles at Round House April 7, 2016
Brick, the fermenting favorite son in Tennessee Williams' masterpiece, Cat on a Hot Tin Roof says that there are two ways out of life: death and liquor. Brick is trying to escape his life with the latter, while Big Daddy is facing the first. Father and son are so far away from each other that when the climax of the show occurs during the second act, you see the intersection between one who wants to live and one who wants to forget.BWW Review: PROOF Enlightens at 1st Stage in Tysons April 5, 2016
David Auburn's Pulitzer Prize winning play Proof is about as well constructed a play as ever written. The simple story revolves around Catherine, a young woman on the eve of her 25th birthday who is dealing with the death of Robert, her mathematician father; the arrival of her precocious sister, Claire; and Hal, a young former PhD student of her father's coming to go through his writings.BWW Review: AFTER THE WAR Premieres at Mosaic Theater Company March 30, 2016
When playwright Motti Lerner wrote his controversial play The Admission, no one could have predicted the chain of events that would subsequently occur. From the production's workshop run at Theater J to Studio Theater, to the formation of Mosaic Theater Company, a lot has happened which now culminates in Lerner's latest play After The War, the penultimate production of Mosaic's Voices from a Changing Middle East Festival in their inaugural season. BWW Review: 110 IN THE SHADE Brings a Miracle to Ford's Theatre March 17, 2016
A gem of a musical written by The Fantasticks team of Harvey Schmidt and Tom Jones with libretto by N. Richard Nash (using his own play The Rainmaker as basis) is about a con man coming into town to 'sell' rain to a drought-stricken, Depression-era Texas town, but winds up creating a miracle along the way. Schmidt and Jones' score is far superior to their tour-de-force The Fantasticks, while Nash's libretto is bit on the sugary side yet it is still a beautiful tale of miracles happening in the most unlikely of places.BWW Review: JAMES AND THE GIANT PEACH Goes On an Adventure at Adventure Theatre MTC February 25, 2016
One of the many things that Adventure Theatre MTC does right its new gorgeous production of Roald Dahl's James and the Giant Peach is to bring back director Michael Baron to the area. Since Mr. Baron left us a few years ago to take over as Artistic Director at the Lyric Theatre of Oklahoma, his exit has a left a hole in the DC Theatre community, as a director who has consistently done great work. I should also point out that this production is being presented as a 'Co-Production with the Lyric Theatre of Oklahoma.'BWW Review: MIDDLETOWN Explores Life at NextStop Theatre January 19, 2016
We spend a lot of time thinking about the end and the beginning, in kind of self-aggrandizing ways. We talk about the miracle of birth and the mystery of death. But, by definition, all of our lives take place in the middle of those two sort of unknowable events, in this great and often unexamined middle.BWW Review: BETTER GODS Soars at the Kennedy Center January 11, 2016
The Washington National Opera has always been a champion for young artists, both on stage and off. The WNO's American Opera Initiative's premier production of Better Gods is a testimony to that. Composed with ethnical truth by Luna Pearl Woolf, Better Gods is a stirring portrait of a determined Queen who must decide whether she should give up her crown or her soul.